John Chmura
@johnchmura.bsky.social
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Pine Barrens Poet
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johnchmura.bsky.social
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@thebrokenspine.co.uk
Having just encouraged another poet to double dip and being triggered in a good way by a line in another poem, I’d like to double dip with this short piece I wrote in 2021 after seeing a man with a cane walking a dog with three legs.
OMNE TRIUM PERFECTUM

Three-legged man walks
three-legged dog;
a cane, an absence, and a shared heart.

Third wheel in three-legged races,
odd in games of evens; spacewalker
pounding Cupola windows.

Grabbing Gorilla Glue
to fix a three-legged stool,
putting small stock in the bond.
johnchmura.bsky.social
I really love the perfect line break on, “ink ghosts on the flyleaves of books/I haven’t thought about in ages.” It’s also an apt and deep image. BTW, I say this often on PoemsAbout, but never apologize for sharing a poem!!!
johnchmura.bsky.social
I know the word is used a lot, but that is such a poignant metaphor. The use of space on the page makes me feel the image even more, with the long lines focusing on the narrator and the short lines focusing on the action nearer to the ground.
johnchmura.bsky.social
I think our highest goal as poets is to make emotional connections. Thanks for your response, Paul.
johnchmura.bsky.social
Thank you so much, Dean! That’s an awesome assessment.
johnchmura.bsky.social
Good night, Paul. Now that I have given myself s brief entomology course, I can see how poignant these allusions are, a troublesome relationship tacked under a magnifying glass, so to speak.
johnchmura.bsky.social
I have to spend some time with this. Paul. I hope there are some comments soon so I can better parse it.
johnchmura.bsky.social
I love starting with “all” and then then the ending line starting with “just.” As if a human being is really just a human being!
johnchmura.bsky.social
Wow, what a powerful statement in that … on the body!!! I’m glad you didn’t skip the prompt, Merril. Friday just would not be the same…
johnchmura.bsky.social
Yeah, nothing is a thing in itself here and perhaps a troubling thing, at that.
johnchmura.bsky.social
Thank you, David! ❤️
johnchmura.bsky.social
Oh man, Paul, it seems every week I not only learn a new form but get a master class in how to do it. 👏 👏 👏
johnchmura.bsky.social
“to sweeten the pulp of my ruin before I collapse into smoke.” And so many other lines are 💯 !!!
This poem is begging for a 🎤. When you hit the word, nothing, you would feel the audience gasp.
By the way, never apologize for a poem!!! Long or short, it is what it must be!!!
johnchmura.bsky.social
I think we as readers would have been satisfied with either first or last as a short form poem, but the linkage creates such a profound resonance.
johnchmura.bsky.social
I like this. The switch and the notebook and then the pause really makes us pause and consider.
johnchmura.bsky.social
Y’know, one can tell a poem is well polished when you try to pull out a line or two and just can’t separate them. But there are three key moments to me: the excellent opening sentence, disappearing being an art, and the nuance of the two “even then” lines. 👏 👏 👏
johnchmura.bsky.social
It really does fit the prompt, Ross. I like the long lines, especially the way the long opening lines allows you draw out that exquisite image. Yeah, Willy, when raise the bar, or the bard, as it were, we all have those moments…