Simon Kövesi
@kovesi.bsky.social
2.3K followers 620 following 480 posts
Professor of English & Scottish Literature, Head of the School of Critical Studies, University of Glasgow Research working-class literature & Romantic-period cultures. Editor, John Clare Society Journal. Seems important to add, son of a political refugee.
Posts Media Videos Starter Packs
Pinned
kovesi.bsky.social
Frogs, nightingales, moonlight, Tokaji - a perfect evening.

From H. Ellen Browning, "A Girl's Wanderings in Hungary" (1896):
Reposted by Simon Kövesi
bars.bsky.social
BARS 2026 First Book Prize: Calls for Nominations
Awarded biennially for the best first monograph in Romantic Studies, this prize is open to first monographs published between 1 January 2023 and 31 December 2025.
Deadline: 12th January 2026.
More info: www.bars.ac.uk/blog/?p=6174
kovesi.bsky.social
Give Trump his Nobel prize but only if he can pronounce László Krasznahorkai correctly with a convincing a Magyar accent.
kovesi.bsky.social
John Clare film "By Our Selves" (2015) is on at 6pm in Munich's filmmuseum tonight, with director Andrew Kötting doing his usual schtick beforehand - part of underdox festival. On Saturday, Andrew's other film with Iain Sinclair, Swandown, is being shown too.

underdox-festival.de/en/programm/...
Reposted by Simon Kövesi
iandunt.bsky.social
Calling English a 'rip-off degree' is one of the most blatant exhibitions of personal barbarism I've ever seen. You've demonstrated nothing but the poverty of your own mind.
kovesi.bsky.social
The Nobel Prize being awarded to László Krasznahorkai is by far the best bit of news I've heard for an age. The opposite of cosy genre writing. A real thinker. An experimentalist. Every sentence on the edge of something new & unsaid. Original, discomforting, brilliant.
Reposted by Simon Kövesi
thepointmag.bsky.social
From the archive, Peter Marshall on this year’s recipient of the Nobel Prize in Literature, László Krasznahorkai, and his artistic evolution from apocalyptic tragicomedy to calm reconciliation:
Beyond Grasping | The Point Magazine
Critics have called Krasznahorkai an apocalyptic writer, but over time the unsettling tragicomedy of his vision has calmed into a sort of reconciliation.
thepointmag.com
Reposted by Simon Kövesi
englishassociation.bsky.social
An important piece written by @sarahmullin.bsky.social
valued member of our Secondary & Further Education Committee, on the seriously short-sighted decision to withdraw bursaries for ITE for English. We need MORE English teachers, not less.
kovesi.bsky.social
Price of everything, value of nothing.
kovesi.bsky.social
Price of everything, value of nothing.
Reposted by Simon Kövesi
devenparker.bsky.social
Check out this year's program for 'Romanticism Across Borders' virtual speaker series. I'm on there along with some of my favorite people 👯✨
kovesi.bsky.social
Let's hope he doesn't run out and have no choice other than to watch his own recent films.
kovesi.bsky.social
Same - I have 5 Pride & Prejudices and more Frankensteins than is medically advisable.
Reposted by Simon Kövesi
kovesi.bsky.social
I directed Toby Jones when we recorded this series of readings of poems (& a bit of prose) by John Clare. Toby's readings lifted them off the page in ways I'd never experienced. & chief among all of them, is this, his reading of Clare's "Remembrances" (1832):
open.spotify.com/episode/45Ib...
Remembrances
open.spotify.com
kovesi.bsky.social
This might be my favourite album, ever. John Martyn, One World (1977). Danny Thompson features, of course, & geese. First heard it in 1987 & it's still so thrilling, so easy, so chill, dark & yearning, bursting with love, Martyn's voice an instrument, such a mood.
open.spotify.com/album/1G8gcN...
One World (Deluxe Edition)
open.spotify.com
kovesi.bsky.social
Bob Logic in Pierce Egan's Life in London (1821) famously wears glasses with green lenses. Finally now I know why. I just thought he was trying to be cool, or covering up his perennial hangover.
drlindseyfitz.bsky.social
Tinted, double-hinged spectacles, c.1790. Many opticians believed green or blue glass was easier on the eyes and would reduce glare; while clear glass was too soft and would distort images.

This extraordinary example is from the Wellcome Collection in London.
A pair of blue tinted spectacles with glass hinges on either side.
Reposted by Simon Kövesi
pamelaclemit.bsky.social
R. S. Thomas, ‘The Bright Field’, from Laboratories of the Spirit (1975) #NationalPoetryDay
kovesi.bsky.social
I directed Toby Jones when we recorded this series of readings of poems (& a bit of prose) by John Clare. Toby's readings lifted them off the page in ways I'd never experienced. & chief among all of them, is this, his reading of Clare's "Remembrances" (1832):
open.spotify.com/episode/45Ib...
Remembrances
open.spotify.com
kovesi.bsky.social
Jennifer Egan's "The Keep" is an absolutely brilliant novel. Whatever you think it is shaping up to be, it is suddenly not that, repeatedly. Egan is a masterful writer.
Cover of Jennifer's Egan's novel "THE KEEP" showing a male figure walking towards a brooding castle in the distance.
Reposted by Simon Kövesi
post-doc-club.bsky.social
Great news!
JSTOR now have a free account with an Independent Researcher category. You can access 100 documents per month

www.jstor.org/action/showL...
Reposted by Simon Kövesi
johnclare.bsky.social
praisd highly 'Comus' & 'L'Allegro' & 'II Penseroso' are those which I take up oftenest what beautiful description at the shut of evening is this: 'what time the laboured ox In his loose traces from the furrow came / And the swinkt hedger at his supper sat'