Mythili Rao
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mythili.bsky.social
Mythili Rao
@mythili.bsky.social
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So exciting. Congrats to the Equator team for building a new home for sharp writing from around the world. I can't wait to dive into this beautifully designed first issue.
Equator is live today. Read about our mission and our first pieces, which include works of reportage, essays, memoirs, poetry, and fiction from around the world: www.equator.org
EQUATOR
Equator is a magazine of politics, culture and art.
www.equator.org
It was wonderful to be back in Charlottesville earlier this month to celebrate the 50th anniversary of the University of Virginia's Political and Social Thought program and reflect on all that it's given me-- and all it has to give future students: as.virginia.edu/news/politic...
Political and Social Thought Program Celebrates 50th Anniversary
Graduates and current students of the pioneering Arts & Sciences program of interdisciplinary coursework gathered for a celebratory weekend of panel discussions, receptions and reunions.
as.virginia.edu
Tonight! I’m looking forward to speaking with poet Raymond Antrobus about his new memoir, The Quiet Ear, at the Kiln Theatre with @intelligence2.bsky.social. Come by if you can! kilntheatre.com/whats-on/ray...
Reposted by Mythili Rao
Reading Rainbow emphasis is encouraging kids to read. The focus is not on teaching them to read. The mission is reading should be fun!

We are all readers, worthy of literacy. LeVar Burton said “but you don’t have to take my word for it” because he wanted us to look to the books. That’s the beauty 💚
Reposted by Mythili Rao
Indignity Vol. 5, No. 175, CURRENT EVENTS DEP'T.: Who Were the Big War Speeches Meant For? www.indignity.net/audience-capture/
Audience capture
Indignity Vol. 5, No. 175
www.indignity.net
“In Walker’s treatment, sections of man and horse have been cut apart and resoldered together in a tangle of hooves, haunches, bridles and necks, the parts more or less recognizable but the whole an entirely new, unsettled being.” www.nytimes.com/2025/09/08/a...
Kara Walker Deconstructs a Statue, and a Myth
www.nytimes.com
Wow. When I went to Amsterdam in 2018 to record the radio companion to this New Yorker piece with Astrid Holleeder, she was still in hiding: I got into a car with my Marantz and mics not knowing where we were going. A most unusual production experience. www.wnycstudios.org/podcasts/tny...
Reposted by Mythili Rao
The official voice of the U.S. government draws from 4chan trolls, explicitly white nationalist phrases and talking points, and radicalizing, dehumanizing, desensitizing language for its targets. I talked to propaganda experts about what it’s doing to us:
www.motherjones.com/politics/202...
The official voice of the US government Is cruel, gross, and weird. What is that doing to us?
Joking memes about imprisonment, deportation, and death by alligator are designed to radicalize and desensitize.
www.motherjones.com
From this year’s International Booker winner, Heart Lamp by Banu Mushtaq, translated from the Kannada by Deepa Bhasthi.
Terrific Bloomberg Weekend essay: “The fight for the soul of the South is nothing less than a fight over the future of America itself.”
Got a story out today about something I’ve been fascinated by for years: From Atlanta hip hop to Bama RushTok, here’s how and why the South has taken such a firm grip on modern American culture. Gift link: www.bloomberg.com/news/feature...
The United States Is Southern Now
From booming metros to culture-defining exports, the South has quietly become a demographic powerhouse and a battleground for the country’s identity.
www.bloomberg.com
Palace intrigue, queer alliances, war with Scotland, war with France, the Black Death-- the 14th century has it all. For the latest episode of @intelligence2.bsky.social I spoke with historian @helencarr.bsky.social about her new book, The Sceptred Isle: open.spotify.com/episode/2QT2...
How did the fourteenth century shape England? With Helen Carr
Intelligence Squared · Episode
open.spotify.com
I spoke w/ @womensprize.bsky.social winner Yael van der Wouden about her novel The Safekeep. We talked about the bureaucracy of war, millennial fantasies of home ownership, repeatedly hearing she resembled Anne Frank as a kid, and more! @intelligence2.bsky.social open.spotify.com/episode/6VzK...
The Safekeep, with Women’s Prize-winner Yael van der Wouden
Intelligence Squared · Episode
open.spotify.com
The gender segregation in little kids’ soccer leagues in the UK drives me insane. It’s bad for girls, bad for boys, bad for parents, bad for everybody.
From @theathleticfc.bsky.social: The issue of girls and boys playing soccer together has long been a thorny topic in the UK. But attitudes are changing, and there is a broader hope that boys will grow up with more enlightened views of girls’ capabilities. https://trib.al/bt8DjSH
@deborahbaker.bsky.social has written a fantastic book about Charlottesville and the events that set the stage for the 2017 Unite the Right Rally. It was an honor to speak with her about it for the @intelligence2.bsky.social podcast. Do listen! open.spotify.com/episode/49W5...
What can Charlottesville teach us about America’s national story? With Deborah Baker
Intelligence Squared · Episode
open.spotify.com
“So many of these new gadgets are straightforwardly presented as salves for the massive ennui that plays bass notes beneath the music of contemporary corporate culture.” www.newyorker.com/culture/crit...
What Do Commercials About A.I. Really Promise?
If human workers don’t have to read, write, or even think, it’s unclear what’s left for them to do.
www.newyorker.com
Reposted by Mythili Rao
Jamelle Bouie interviews a biographer of Charles Sumner, and it's absolutely fascinating.

Gift link.

www.nytimes.com/2025/07/05/o...
Opinion | The Civil War That Never Ended
www.nytimes.com
"Ms. Ukeles saw an entire universe of exploitation, both in the labor markets and in our domestic arrangements, that was being ignored at the expense of all the attention paid to subverting the erotic expectations of men." She is so cool: www.nytimes.com/2025/06/14/n...
The ’70s Performance Artist Who Became a Hero to ‘Garbage Men’
www.nytimes.com