Sam Slote
@samslote.bsky.social
1.8K followers 690 following 170 posts

Professor, School of English, Trinity College Dublin. Writes about Joyce, Beckett, Modernism. Quondam New Yorker. Co-author of Annotations to James Joyce's Ulysses http://bit.ly/3Gngb2L He/him/his

Art 34%
Philosophy 31%
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Reposted by Sam Slote

samslote.bsky.social
No and it's likewise unmodified in Sun chieh Liang's translation from earlier this year
Congrong Dai: Doodles family Sun chieh Liang: doodles family

samslote.bsky.social
Just landed: Congrong Dai’s complete translation of Finnegans Wake
Congrong Dai’s three volume translation of Finnegans Wake

Reposted by Michiel Baas

Reposted by Sam Slote

kurtandersen.bsky.social
Hey look, Donald Trump — the leaders of three countries of 3 billion people got together just to laugh at you! Just imagine the fun they had discussing in detail what an idiot you are. www.nytimes.com/2025/09/01/w...

profdarryljones.bsky.social
‘For the Dead Remember: The Life of M. R. James’ will be published by Oxford University Press on 10 September 2025. Set your watches, mark your calendars, and spread the word!
faberbooks.bsky.social
We are delighted to announce The Poems of Seamus Heaney. This is the long-awaited, definitive edition of Seamus Heaney’s poetry, featuring a number of previously unpublished poems.

Out 9 October 2025: https://linktr.ee/seamusheaney
Cover of The Poems of Seamus Heaney on a cream background The final four lines of Seamus Heaney's poem, 'Postscript'

samslote.bsky.social
Latest arrival from the University of Florida Press’s James Joyce series: Sensational Joyce by John Gordon

lydiamoland.bsky.social
Weighing in at 827 pages and 2 1/4 inches, our Oxford Handbook of American and British Women Philosophers in the 19th Century is HERE! Huge thanks to @oupphilosophy.bsky.social and our 50+ authors. Restoring women to the philosophical canon is a matter of justice, but it is also better scholarship!
Oxford Handbook of American and British Women Philosophers in the Nineteenth Century cover

samslote.bsky.social
The James Joyce Society has an excellent programme of events lined up for the next year joycesociety.com/events
Events — James Joyce Society
joycesociety.com

samslote.bsky.social
Yes I do! I retraced Bloom’s trajectory on Bloomsday 6 years ago (there are some suppositions involved): 22,203 steps

samslote.bsky.social
A merry Bloomsday to all

samslote.bsky.social
For any dental issues this Bloomsday – James Joyce guarantees his work to be perfect!
Advertisement for 'J. A. Joyce, dental specialist, 3 Upper O'Connell Street, Dublin'

samslote.bsky.social
Teaching James Joyce in the Twenty-First Century,
edited by Barry Devine and Ellen Scheible, coming soon from @floridapress upf.com/book.asp?id=...
The cover of Teaching James Joyce in the Twenty-First Century

amyprendergast.bsky.social
Funded PhD studentship of €25,000/year for 4 years plus fees available @tcddublin.bsky.social to work with me on Irish women's life writing from the long 18th century! Please spread the word! @ecfjournal.bsky.social @cecs-york.bsky.social @clhlwr.bsky.social @oxfordlifewriting.bsky.social
Details of funding available for PhD studentship at TCD

samslote.bsky.social
Agreed: it's the work of a master writer at the top of their game.

Reposted by Sam Slote

samslote.bsky.social
Richard Ellmann in 1959 be like…
Major Partagaz from Andor saying 'It's bad luck G(h)orman'.

samslote.bsky.social
Axel from KAJ (Sweden's Eurovision entry): does he look more like Joyce or like Kieran Culkin? It's the blue/black or gold/white dress conundrum for 2025.
Axel from KAJ, looking like James Joyce and/or Kieran Culkin

samslote.bsky.social
Bargirl, hard at work
A nonchalant cat amidst books

samslote.bsky.social
Richard Ellmann, James Joyce, and Literary Biography: a talk by Zachary Leader, Trinity Long Room Hub, 5.00pm, 15 May #JamesJoyce @tlrhub.bsky.social
Richard Ellmann’s James Joyce (1959) has been called “the greatest literary biography of the twentieth century.” This talk, by the critic and biographer Zachary Leader, tells the story of the book and its maker, in the process arguing for the artistic claims not only of Ellmann himself, a remarkable man, but of literary biography in general.