@theretweeter
theretweeter.bsky.social
@theretweeter
@theretweeter.bsky.social
i add tracks to 24/7 streaming radio zeno.fm [email protected] please support: https://bmc.link/theretweetH
revolut.me/theretweeter
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Come and say hi and listen back to our new album at @justdroppedin.bsky.social in Fargo Village, Coventry, on Saturday 28 February, 2-3pm. We'll have CDs and merch available :)
February 7, 2026 at 2:13 PM
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The IndieHQ Spotlight focuses on The Legal Matters! Check out their page on the site, preview tracks from their forthcoming album "Lost At Sea" (out Feb 27: orcd.co/legalmatters...) and tune in to IndieHQ Radio!👇
spotlight.indiehq.net/artist.php?a...
#IndiePop #PowerPop #indieRock 🎸
February 7, 2026 at 5:45 PM
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In a few min, The Best of Irish Indie with @pmadtheband.bsky.social radio show #102, starts Saturdays 5.30pm Irish Time on lcrfm.ie

& then all around the world on amazing radio stations during the week,
see full schedule on pmadtheband.com/pmadthebandr...
February 7, 2026 at 5:21 PM
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🎹 The movements and the precision of the amazing internal mechanisms of the acoustic #piano when It's played. Art for the art! ❤️
#short #Youtube youtube.com/shorts/kALVU...
🎹 Inside a #piano ♥️ #manufacture #details #pianomusic
YouTube video by Fabio Santilli
youtube.com
February 7, 2026 at 5:35 PM
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Spotify – Web Player
tinyurl.com
February 7, 2026 at 5:38 PM
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February 7, 2026 at 5:42 PM
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𝗧𝗡𝗧 𝗥𝗮𝗱𝗶𝗼 𝗥𝗼𝗰𝗸 welcome back Golgotha with their new album, Hubris and share the video for first single 'A Simple Life'

tntradiorock.com/golgotha-reg...

#tntradiorock #golgotha #abstractemotions #hubris #asimplelife #melodicdoomdeath
GOLGOTHA regresa con “Hubris”: un álbum más oscuro y áspero, nacido “en el horno implacable de la vida”
Tras el imponente “Spreading The Wings Of Hope”, los españoles Golgotha vuelven con un nuevo trabajo titulado “Hubris”, un disco que vira hacia
tntradiorock.com
February 7, 2026 at 9:20 AM
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This weekends LTW Editors Choice Show for @louderthanwar.bsky.social is now on Mixcloud...

www.mixcloud.com/louderthanwa...
Ltw Editor's Choice Show
www.mixcloud.com
February 7, 2026 at 5:15 PM
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Made a start on writing the links for Fresh Unsigned Show 83 it's another fantastic line-up of new bands and songwriters online soon. You can still listen to shows 81 and 82 on freshunsigned.net #unsigned #NewMusic #newmusic2026 #newsong #musician
HOME | mysite
freshunsigned.net
February 7, 2026 at 4:52 PM
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The International Cultural Portal Experiment in Ukraine shares the news of the release of "The Message," the new single from The Legal Matters and their forthcoming album "Lost At Sea" (out Feb 27: orcd.co/legalmatters...). Read all about it right here:👇
md-eksperiment.org/en/post/2026... #IndiePop
February 7, 2026 at 4:37 PM
Reposted by @theretweeter
Because alarm clocks are for suckers, here's this morning's show on demand:

(click ALT for playlist)

Saturday A.M. Toonz
Episode: 155
Airdate: 7–Feb-2026

www.mixcloud.com/saturdayamto...
February 7, 2026 at 4:21 PM
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In a few weeks our first release of 2026 wil see the light!

This collab with @salimer.bsky.social is a must-hear!

With both our styles combined and carried by Salimers voice you will experience a mix of #triphop #avantgarde #electronica with #dubstep elements in one exciting package.

Out soon!
February 7, 2026 at 4:03 PM
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Bella-Rose's 'Oops' captures that exact energy of every bad decision you've made and will make again. Hot, sweaty, champagne-drunk chaos where good behavior is boring and oops is the only explanation you owe anyone. laurelanne.media/bella-roses-...
Bella-Rose's 'Oops...' Review - Laurelanne
'Oops...' by Bella-Rose captures hot, sweaty, champagne-drunk energy where good behavior is boring and 'oops' is the only apology needed.
laurelanne.media
February 7, 2026 at 3:43 PM
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The mighty Michael Des Barres chats with The Spill Magazine to discuss radio, rock n' roll, and lethal new lovers' single 'Kiss or Kill Me', out this Friday on Rum Bar Records.

spillmagazine.com/spill-featur...
SPILL FEATURE: KISS OR KILL ME TONIGHT - A CONVERSATION WITH MICHAEL DES BARRES - The Spill Magazine
KISS OR KILL ME TONIGHT A CONVERSATION WITH MICHAEL DES BARRES Michael Des Barres has released a new single, “Kiss Or Kill Me.” This is his first new music since 2024’s brilliant album, It’s Only Rock...
spillmagazine.com
February 7, 2026 at 3:40 PM
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Angry Metal Guy 🤘 Profane Elegy – Herezjarcha Review: Herezjarcha—Arch-Heretic—is the sophomore of Pennsylvania-based Profane Elegy, who are determined to escape genre boundaries. Following the trajectory set by 2023’s When All is Nothing, it… LinkInBio for More 🤘 #AngryMetalGuy #HeavyMetal #Metal
Profane Elegy – Herezjarcha Review
Herezjarcha—Arch-Heretic—is the sophomore of Pennsylvania-based Profane Elegy, who are determined to escape genre boundaries. Following the trajectory set by 2023’s When All is Nothing, it sees the co-existence if not coalescence of black and death metal, but also an atmospheric, ambient kind of doom, and only doubles down on each aspect. It’s not the first time a metal artist has claimed to eschew categorization, and many, if not most, modern artists in extreme subgenres borrow from less extreme ones and incorporate generous reverb. Profane Elegy’s claims, therefore, don’t excite special interest whether you’ve heard the debut or not; listeners dis/like their sound on its own terms. However, there is actually something different about the way they combine their disparate aspects, and Herezjarcha is all the stronger for it. Dropped blindly into Herezjarcha at any random moment, you’d be forgiven for taking it for trve blackened death—reminiscent in particular of Keres, or a less-polished Vredehammer. Rough snarls rip like cold wind across mean-faced arpeggios skittering their way up and down sinister scales to unforgiving percussive assaults, satisfyingly gnarly. But with a snap, Profane Elegy’s mood swings from malice to despair, and clean vocals lead a mournful refrain, layered, post-black strums dominating the soundscape. Opener “Exeunt Omnes,” which begins—as many others do—with wild, thrashy black metal energy, prefigures the way the album repeatedly changes the vibe and takes its listener by surprise, as the riffs soften and are joined by softly sung “ohh-hh-hh”s. Their blackened base is rent by change, from stripped-back ambience to hearty sung-screamed duets, black n’ roll irreverence to sludgy blackened doom and frosty black metal proper. Though sounding very little alike in actuality, the best comparison to Profane Elegy’s marrying of a vibrant blackened death with overt melodicism led by cleans is Slugdge.1 Herezjarcha is far more intriguing and multifaceted than may appear on face value. Herezjarcha by Profane Elegy Profane Elegy do nothing by half-measures, and throw themselves with equal vigour into both their heavier and softer sides. Their blackened death is gnarly and dynamic, whether overtly aggressive (“I AM”) or in squealing, drawling pursuit of flair and acrobatics (“Haunted” “And Then We Are Gone”). The second-wave-adjacent harsh vocal production, slightly muted and noisy, adds to the overall rawness, intensifying the more straightforwardly brutal and giving grit to the more melodic, atmospherically inclined. On the former side, things really do get heavy, and the churning, howl-ridden soundscape is irresistible, but as the album progresses, it’s the latter that sees Profane Elegy doing some genuinely cool things. Eerie scales blend into a layered cascade of strums (“As My Heart Turns to Ash”), or invite the chords of melancholia to join them (“The Accuser”); more and more space is devoted to variously stripped-back quiet. Things don’t just hang in reverb; space opens in which a savage riff briefly grows mournful, and after few turns of tension, an almost gazey feel prevails as cleans take the lead (“As My Heart…”). It’s not the addition of atmosphere that’s good, it’s how Profane Elegy positions a mournful, post-adjacent mood with their harsh blackened side that manages to not sacrifice either, even when combined. Yet, in committing as fully as they do to the spirit and execution of their disparate visages, Profane Elegy demonstrate that they haven’t quite refined the formula for their coexistence. The churning, variously vicious and epic blackened death on display on Herezjarcha is raucously enjoyable, while the vulnerability and atmosphere brought in by other influences create a powerful emotionality and works very well in combination. This doesn’t prevent the slightly awkward way one transitions to the other—particularly in the record’s first half. The balance and integration do improve as the runtime progresses, to the extent that the latter end, if stretched to the length of a full LP, would receive a higher score of at least one half figure. Still, the difference in the sound between the raw and ugly and the comparatively glossy is marked and can give the impression that one is suddenly listening to a totally different artist when the former switches places entirely for the other. What Profane Elegy do achieve with Herezarcha, however, is to assert their skill and personality. Amidst a sea of underground metal artists pitching their bold and subversive takes, Profane Elegy stand in the sureness of honest distinction. They might not have cracked the complete execution yet, at a slim 38 minutes, Herezarcha is more than worth the time it takes to experience their unpolished expression. --- Rating: Good DR: 7 | Format Reviewed: 192 kbps mp3 Label: Self-Release Websites: Bandcamp | Facebook Releases Worldwide: January 30th, 2026 The post Profane Elegy – Herezjarcha Review appeared first on Angry Metal Guy.
dlvr.it
February 7, 2026 at 3:19 PM
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BazillionPoints 🤘 ROOTS of the New Wave of British Metallic Hardcore | on SiriusXM: above: Heriot, courtesy of Heriot (photo: Harry Steel) ROOTS of the New Wave of British Metallic Hardcore| on SiriusXM Week of February 7, 2026 Sat 2/7, 6PM… LinkInBio for More 🤘 #bazillionpoints #heavymetal #metal
ROOTS of the New Wave of British Metallic Hardcore | on SiriusXM
above: Heriot, courtesy of Heriot (photo: Harry Steel) ROOTS of the New Wave of British Metallic Hardcore| on SiriusXM Week of February 7, 2026 Sat 2/7, 6PM ET Sun 2/8, 1PM ET Mon 2/9, 9AM ET Tues 2/10, 4PM ET Thurs 2/12, 9PM ET + streaming on siriusxm.com or in the SiriusXM app Recently, the UK’s metallic hardcore traditions have been expanded by a rash of new bands that naturally… Source
dlvr.it
February 7, 2026 at 3:23 PM
Reposted by @theretweeter
No Bandcamp Friday love yesterday so here’s a song of ours appropriately titled, “Never Got Paid” lol

Bandcamp (Buy to Support)
stopmotiondinosaurs.bandcamp.com/track/never-...

Spotify
open.spotify.com/album/6SdtsL...

Website
www.stopmotiondinosaurs.com/music.html

YouTube
youtu.be/d9lBKPj4p_0?si
Never Got Paid, by Stop Motion Dinosaurs
track by Stop Motion Dinosaurs
stopmotiondinosaurs.bandcamp.com
February 7, 2026 at 2:50 PM
Reposted by @theretweeter
The Molotovs debut 'Wasted On Youth' has reached......

#3 on the official UK album charts
#2 on the offical UK independent charts
#1 on the official UK download charts

My company, Cool Thing, has been working with Expectation Mgmt & Marshal Records for 6 months on this success.
February 7, 2026 at 2:24 PM
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"Back in Fire", #1 track from the second album '2Drums Spread The Good News (but sometimes evil)' is a high-voltage anthem. This punk rock manifesto - a call to arms for the digital age - is a defiant celebration of logic, progress and the "prophets of the code.

LISTEN. COMMENT. SHARE. HAVE FUN!
2Drums - Back in Fire (Official Lyric Video)
YouTube video by 2Drums Official
www.youtube.com
February 7, 2026 at 2:20 PM
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Our song "Copper Harbor" is "The Night They Drove Old Dixie Down" meets "Stairway to Heaven" - open.spotify.com/track/7qnQdU....
Copper Harbor
open.spotify.com
February 7, 2026 at 2:17 PM
Reposted by @theretweeter
🚨Remember to checkout our latest Podcast with Sebastian Bach! Who else should we get to interview?

Don’t forget to subscribe to it!

open.spotify.com/episode/0219...
Spotify – Web Player
open.spotify.com
February 7, 2026 at 3:40 AM