Golden Brown
@goldenbrownmusic.bsky.social
960 followers 620 following 1.3K posts
Cosmic guitar music. Guitars and lap steel in Prairiewolf. Releases on Aural Canyon, Inner Islands, Eiderdown, and Centripetal Force. 🦥🦦 Patterner is out 10/24 on Inner Islands ✨ https://innerislands.bandcamp.com/album/patterner
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goldenbrownmusic.bsky.social
New Golden Brown album Patterner is up for preorder today on @innerislands.bsky.social. Patterner is set of songs inspired by the Earthsea books by Ursula K. Le Guin.

These books have affected my life and my music in ways no other works have and I hope to reflect some of that magic in these songs.
goldenbrownmusic.bsky.social
Come on boss man, that’s Patterner day
brucespringsteen.net
Due to delays in production, the release date for “Nebraska ’82: Expanded Edition” will be shifted back by one week.

The set will now be available in all digital and physical formats on Oct. 24, 2025.
goldenbrownmusic.bsky.social
Describe your bluesky account with a single image
Reposted by Golden Brown
jmhart.bsky.social
Antifa goes back almost a hundred years to when our grandfathers fought the fucking Nazis.

And we’ll keep fighting them even as they occupy the US federal government.
Reposted by Golden Brown
tommysiegel.bsky.social
candy hearts, phish edition
goldenbrownmusic.bsky.social
Bluesky needs the Tweezer one please 😵‍💫
goldenbrownmusic.bsky.social
I’m opening for Laraaji and Dallas Acid🥹🧡✨
Laraaji 10.17.25 Aztlan Theater flyer. Laraaji in a radiant orange bubble with blue textured wave like design in the background
Reposted by Golden Brown
ursulakleguin.com
Something new from this corner of the internet: a newsletter! It will be irregular, not too frequent, and full of Ursula-related news. The first one, which went out last week, contains a note from Theo Downes-Le Guin, explaining a bit of the why and the wherefore. Here's part of that note.
A Welcome from Theo Downes-Le Guin
One of the great pleasures of my work as literary executor is the sense that we are creating a community around my mother’s writing and ideas. If I’m honest with myself, however, I know that this community already exists. Any time two people read the same book, and that book resonates with them, the potentiality for a community exists, and the chance that destiny will throw those two readers together increases exponentially. This is why text is a great tool for subversion, resistance, and revolution. So at best, I am slightly hastening this coming-together. Ursula’s dear friend, moral compass, and tech mentor Vonda McIntyre had the foresight to set up early accounts for Ursula on Twitter and Facebook, to discourage impostors. We didn’t do anything with the accounts until after 2018, because Ursula had no interest in the style of communication that socials demand. After she died, things changed. As part of my grieving, I wanted to talk and write more about her, to as many people as possible. (I also learned, over the time, that this is my job description as executor.) Instagram, because it is image-based, allowed me to share glimpses of her life without crossing the line of privacy and intimacy. Over the years, and with the deft guidance of my colleague Molly Templeton, we have created a tone (and a respectable following) on social media that my mother would have tolerated, if not embraced. I am certain that if she had ever jumped on Twitter (now, for us, Bluesky), she would have treated it as she treated her blog—a one-way channel that idiosyncratically alternated between intimate musings and fiery analysis of the political and ethical failings of society. I miss those tweets that never were. But it is not my job to try to simulate them—I’m not her, we have what she wrote, and we are fortunate for that. In any event, social media was never an Ursula thing. A newsletter, though—that’s an Ursula thing. I tell you this with authority, because among many grueling tasks immediately after she died, I was responsible for reviewing her inbox, to make sure no email went unanswered. In so doing, I found a window into the breadth and depth of her email reading—which included a lot of newsletters! She was no stranger to unsubscribe buttons, couldn’t abide a messy inbox, so I know what I found there was of value to her (and no, I can’t tell you; that does cross a line).
Reposted by Golden Brown
brokensymmetry.art
"Scavenger's Reign" is an unserious sounding, poorly chosen title that almost certainly hurt the series with its natural audience. It's a cerebral, extremely beautiful, slow paced and sophisticated work of science fiction art that sounds like a 70s paperback Conan ripoff or C grade Steam game
queencityjamz.bsky.social
Here's the 2016 short film Scavengers, created by Joseph Bennett and Charles Huettner. It inspired Scavengers Reign, their fantastic 2023 SF adult animated series on HBO Max. youtu.be/1TRzemJbUsw?...
Scavengers
YouTube video by Charles Huettner
youtu.be
goldenbrownmusic.bsky.social
Josh is making some beautiful music. Really happy to see this up for preorder today and to be label mates. I contributed some lap steel to his tune Westcliffe as well
eiderdownrecords.bsky.social
And bliss the hell out, way OUT west with Josh Martin's Western Mind. Evocative, sublime 6-string odes to a Colorado both real and imagined...art again by Aubrey Nehring
eiderdownrecords.bandcamp.com/album/wester...
Western Mind, by Josh Martin
11 track album
eiderdownrecords.bandcamp.com
goldenbrownmusic.bsky.social
This album is so good. Essential fall listening 🍁🍄‍🟫🍂🧡

zacharycale.bandcamp.com/album/loves-...