Helen McCarthy
@historianhelen.bsky.social
3K followers 610 following 400 posts
Cambridge Historian, London-dweller, author of Double Lives: A History of Working Motherhood, now writing the social history of retirement for Penguin/Allen Lane. https://www.hist.cam.ac.uk/people/prof-helen-mccarthy
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historianhelen.bsky.social
Wisdom, moral imagination, an enlarged sympathy for those who live or have lived differently from yourself. This is what you get from studying the Humanities. So quite important, actually.
historianhelen.bsky.social
You can also join us remotely!
crasshlive.bsky.social
We are extremely pleased to be able to share the term card of 'Precarious Aging: Critical Concepts' at new Research Network at CRASSH https://www.crassh.cam.ac.uk/precarious-ageing

The first seminar 'Thinking about precarity and aging' takes place on 9 Oct at the Alison Richard Building, CB3 9DP
Precarious Aging term card.
historianhelen.bsky.social
Ian McEwan’s new novel will intrigue contemporary historians. It imagines what doing archival research on the 2010s will look like a hundred years hence (when rising sea levels means the Bodleian has relocated to Snowdonia & Nigeria, now a global superpower, owns the internet).
historianhelen.bsky.social
Excited to be involved with a new research network at @crasshlive.bsky.social exploring Precarious Ageing, past, present & future. We kick off 9th Oct/2pm, hybrid and in-person, with @paulfdhiggs.bsky.social & @evemworth.bsky.social in conversation. Register here www.crassh.cam.ac.uk/events/47719/
Thinking about precarity and aging - CRASSH
Centre for Research in the Arts, Social Sciences and Humanities
www.crassh.cam.ac.uk
historianhelen.bsky.social
Very delighted to see this. Congrats!
Reposted by Helen McCarthy
Reposted by Helen McCarthy
hetanshah.bsky.social
Interesting snippet @historianhelen.bsky.social talking to @emmavj.bsky.social in the context of time saving technology
on.ft.com/3VDm8mg
Helen McCarthy, professor of modern history at Cambridge university, told me recently that she had been surprised when researching her book, Double Lives: A History of Working Motherhood, that labour-saving domestic appliances like the vacuum, which took off postwar, were not marketed as a life hack, a means to a more fulfilling use of time, but rather as a mark of modernity. "If you were a modern progressive woman, you would want to have one of these tools to have a higher standard" of cleanliness at home.

This casual reframing of domestic work was something that feminists pushed against, including Shirley Conran, author of the 1975 bestseller Superwoman, who wrote: "I make no secret of the fact that I would rather lie on a sofa than sweep beneath it."
Reposted by Helen McCarthy
voicesofmotherhood.bsky.social
We're pleased to share this call for papers for our upcoming conference!

📍Online via Zoom
🗓️Thursday 5 - Friday 6 February 2026
⏱️Abstract deadline Saturday 1 November 2025

See our website for full details 👇

voicesofmotherhood.wp.worc.ac.uk/index.php/news-and-resources/updates-from-the-project
The Politics of Motherhood: Maternalism, Maternity and Mothering.

Thursday 5 and Friday 6 February 2026, Online Conference.

Ruth Davidson, Anna Muggeridge, Eve Pennington and Beckie Rutherford.

Keynote address by Dr Sarah Crook, Swansea University: ‘Cradles of Discontent: Motherhood as a pathway to activism in modern Britain’.

This conference is supported by a UKRI Future Leaders’ Fellowship ‘Voices of Motherhood’ Project reference MR/Y018184/1 and the University of Worcester.
historianhelen.bsky.social
Also you can chill at the National Archives in lovely Kew and keyword-search the hell out of FindMyPast for free, and there's good coffee there and swans. Like the man says, greatest city in the world.
london.gov.uk
I’ve said it once, I’ll say it again.

Ignore the haters, London is the 🐐
Graphic with the headline “London is the greatest city in the world” set against a bright view of the River Thames with the Shard, Tower Bridge and the city skyline.

The text celebrates what makes London special: regularly voted the number one city in the world, incredible diversity with over 300 languages spoken, world-class transport, world leader in finance tech and life sciences, best museums and galleries many free to visit, world-leading nightlife, food sport and music for every taste, host to the world’s best sporting events, home to seven Premier League clubs, globally-ranked universities, a city where you can be yourself and love who you love, and a place for everyone.
historianhelen.bsky.social
Today, in the company of my youngest daughter, I sketched Gainsborough and Matisse at the National Gallery. I have no talent, no technique, but it was a glorious hour of quiet, self-forgetting creativity. I highly recommend it.
historianhelen.bsky.social
Really interesting. My take is that a lot of retirees would say that they are *already* serving their communities & younger generation through volunteering & caring for grandkids. Maybe we should reframe this using the language of civic cohesion, rather than of ‘leisure’ or privatised familial care.
historianhelen.bsky.social
I don’t know much about Maria Caulfield and others are better placed to judge the significance of her defection to Reform, but this statement gave me a little jolt (as I was - am? - one of those people)
historianhelen.bsky.social
Husband and self’s current bedtime reading.
Reposted by Helen McCarthy
eddavey.libdems.org.uk
Elon Musk openly called for violence on our streets yesterday.

I hope politicians from all parties come together to condemn his deeply dangerous and irresponsible rhetoric.

Britain must stand united against this clear attempt to undermine our democracy.
historianhelen.bsky.social
Historians have suggested that the foreignness of Mosley's Blackshirts - the uniforms, strategic use of violence, admiring attitudes towards Nazi Germany & Mussolini's Italy - limited Fascism's popular appeal in Britain. The welcome given to a US tech bro in yesterday's rally genuinely baffles me.
Reposted by Helen McCarthy
lucydelap.bsky.social
Museum of Cambridge are looking for a #Disability Heritage Research Volunteer, to work remotely, creating histories of people with disabilities in Cambridgeshire. www.museumofcambridge.org.uk/wp-content/u...
Reposted by Helen McCarthy
celiarichardson.bsky.social
Customer feedback this week;

‘Please can you get some more diversity at the National Trust by encouraging more hot men to visit.’

Ideas for how we do this v welcome. Nothing too racy please - we are the National Trust not the National Tryst.
Reposted by Helen McCarthy
historianhelen.bsky.social
Lucky me got to see John Proctor is the Villain last weekend in New York & it was every bit as good as the critics say. A group of small town high school students subject Miller’s classic play The Crucible to a radical rereading amidst the heady days of #MeToo in 2018 1/3
johnproctoristhevillain.com
JOHN PROCTOR IS THE VILLAIN | Official Broadway Website
See Sadie Sink live on Broadway in John Proctor Is the Villain, a new play by Kimberly Belflower and directed by Tony winner Danya Taymor. Now in performances.
johnproctoristhevillain.com
historianhelen.bsky.social
It also introduced me to the very excellent song, Green Light, by Lorde, which provides the soundtrack to the play’s jaw-dropping finale. m.youtube.com/watch?v=dMK_...
Lorde - Green Light
YouTube video by LordeVEVO
m.youtube.com
historianhelen.bsky.social
A brilliant ensemble piece, the play was funny, tender and joyful. It broke your heart and called you to arms. I desperately hopes that it transfers to the West End so I can experience it all over again.
historianhelen.bsky.social
Lucky me got to see John Proctor is the Villain last weekend in New York & it was every bit as good as the critics say. A group of small town high school students subject Miller’s classic play The Crucible to a radical rereading amidst the heady days of #MeToo in 2018 1/3
johnproctoristhevillain.com
JOHN PROCTOR IS THE VILLAIN | Official Broadway Website
See Sadie Sink live on Broadway in John Proctor Is the Villain, a new play by Kimberly Belflower and directed by Tony winner Danya Taymor. Now in performances.
johnproctoristhevillain.com