YZA bby ✨🦋
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oyiza.blacksky.app
YZA bby ✨🦋
@oyiza.blacksky.app
240 followers 330 following 560 posts
Tv-addict, Science witch, Lover of all things Music, Plant mum. Striving for ma’aticity .

🌈 🏳️‍⚧️

ẹni tí oòrùn fẹ́ràn

She/her/Dr
30+
📍- wherever the love, fun, and joy decides to live.
(Views are mine)
Posts Replies Media Videos
oyiza.blacksky.app
“I miss you when you’re in there all the time” 🥹
I love love.

This somehow made me understand why the question “what are you thinking about?” from a loved one always made me feel warm.

They didn’t question or punish my silence. They saw I was in my head, respected it, wanted an invitation.
Excerpt from the book “necessary fiction”
December 20, 2025 at 9:35 AM
oyiza.blacksky.app
Not bad color test, not bad 👏🏿

poomang.com/en/t/mycolor...
Results from the color test I got Mimosa • You find great joy even in small daily moments. • Rather than making impulsive decisions, it takes a long time for you to decide. • You are very understanding and empathetic. • You don't open up to people easily, but once you do, you maintain relationships longer than anyone. • You often get lost in deep thought and enjoy relaxing in quiet places. PANTONE 14-0848 #F2B949 RGB : 235, 191, 87 СМУК: 6,25, 77,0 Find Your Own Color X POOMANG
December 19, 2025 at 11:06 AM
oyiza.blacksky.app
Screenshot of the “Joan is Awful” episode from black mirror. Text: "Joan Is Awful" is the first episode of the sixth series of the anthology series Black Mirror. It was written by the series creator Charlie Brooker and directed by Ally Pankiw. Alongside the rest of the sixth series, it premiered on Netflix on 15 June 2023. It follows Joan (Annie Murphy) as her life is adapted in real-time into a television series starring Salma Hayek. It is released on a fictional streaming service, Streamberry, that parodies Netflix; Brooker said the company had no objections to their portrayal. Marketing for the sixth series featured Streamberry and personalised Is Awful thumbnails.
December 11, 2025 at 10:01 PM
oyiza.blacksky.app
So I just noticed this … I’m not inclined to do any age verification stuff (especially given the way the authoritarians are moving), so if I haven’t responded to any of your dms, apologies.
A screenshot of the bluesky app prompting me to verify my age to access my messages
December 9, 2025 at 9:21 PM
oyiza.blacksky.app
Also, Karen Pittman’s character (Mia) from the Morning Show? Absolute goals!!!

So smart, sharp, and full-of-depth!!!
Mia from the morning show standing in the production room. Wearing a blue collared shirt and a grey jacket with a lanyard
December 6, 2025 at 1:02 PM
oyiza.blacksky.app
The current political climate and news cycle feels like that part in the movie Sinners where the vampires are singing and dancing.
A snapshot from the movie sinners of vampires singing and dancing in a circle
July 1, 2025 at 3:00 AM
oyiza.blacksky.app
Been reading about about alternative currencies and TIL about the “Local Exchange Trading system”

en.m.wikipedia.org/wiki/Local_e...
Screenshot of the Wikipedia page of “local exchange trading system” with the following excerpt: A local exchange trading system (also local employment and trading system or local energy transfer system; abbreviated LETS) is a locally initiated, democratically organised, not-for-profit community enterprise that provides a community information service and records transactions of members exchanging goods and services by using locally created currency.!'' LETS allow people to negotiate the value of their own hours or services, and to keep wealth in the locality where it is created. Excerpt from the Wikipedia entry on local exchange trading system (LETS) : In many countries, the distinction between LETS and timebanking is not clear, as many LETS use time as their unit of account. [citation needed] As per Linton's definition, LETS are generally considered to have the following five fundamental criteria: • Cost of service: from the community for the community • Consent: there is no compulsion to trade • Disclosure: information about balances is available to all members • Equivalence to the national currency • No interest According to a 1996 survey by LetsLink UK, only 13% of LETS networks actually practise equivalence, with most groups establishing alternative systems of valuation "in order to divorce [themselves] entirely from the mainstream economy. Michael Linton has stated that such systems are "personal money" networks rather than LETS.
February 16, 2025 at 6:05 PM
oyiza.blacksky.app
“Biological difference becomes a social construct, a tangible distinction… In doing so, ‘woman’ becomes everything ‘man’ cannot be. Everything ‘man’ cannot sink to the level of” - @taliabhatt.itch.io. I overlooked that b4, but it’s something to stew on(esp wrt hetero regime)

Srsly, go buy the book🧵
The cover of the book “trans/rad/fem” by Talia Bhatt
February 8, 2025 at 4:45 AM
oyiza.blacksky.app
Stick person holding their chest Stick person holding a phone while lying down and crying on their pillow
January 29, 2025 at 9:37 AM
oyiza.blacksky.app
"For example, despite their professed interest in cultural practices that challenge gender norms, both Butler and Zita pay remarkably little attention to transsexualism ..."

WOW! so this discourse has been happening since the 90s 😅

(P.S., I don't know what Butler's latest view is)
Excerpt from "MALE LESBIANS AND OTHER QUEER NOTIONS IN HAUSA" Although Butler and Zita have very different perspectives on the subject of gender mutability, they have much in common when it comes to the cultural evidence that they focus on in order to bolster their arguments, and that which they choose to ignore. For example, despite their professed interest in cultural practices that challenge gender norms, boLh Butler and Zita pay remarkably little attention to transsexualism, focusing instead on performative practices such as drag and “genderfuck,” which do not generally entail physiological or anatomical transformations of the body The reasons for this oversight undoubtedly stem from the theoretical complications that surgically mediated transsexualism raises for both historical-materialist and postmodernist theories of the body and gender identity. As the phrase “gender-reassignment surgery” implies, transsexualism perpetuates the dominant ideology that prescribes congruence between gender and anatomical sex, and is therefore antithetical to Butler’s goal of celebrating discursive resistance to that ideology. At the same time, the permanent consequences of surgical transsexualism and the extreme social stigma attached to it challenges Zita’s assertion that the only “real” gender/sex identity is that which is based on the bodies we are born with. The failure to examine the philosophical and political implications of this phenomenon suggests an unwillingness on the part of both Zita and Butler to consider evidence that contradicts their basic arguments. "
January 25, 2025 at 6:36 PM
oyiza.blacksky.app
Stumbled on some interesting social constructionist gender stuff today...

"Sexual reciprocity is but one manifestation of a more general understanding of 'lesbianism'" - Male Lesbians and Other Queer Notions in Hausa (Rudolf P. Gaudio).

cpb-us-w2.wpmucdn.com/blogs.baylor...
Excerpt from Male Lesbians and Other Queer Notions in Hausa (Rudolf P. Gaudio). (1/4) "Thus, an older ´dan daudu might offer cash and other material gifts to a younger “civilian” in exchange for the latter’s sexual companionship; gay and straight Hausa men also report that similar relationships occur between older female karuwai and younger men. Such relationships confound normative expectations about sex and power to such an extent that no conventional discourse seems adequate to describe it. The masculine saurayi (boyfriend) or miji (husband) is also a haja, the feminine property of a mata (wife) who has assumed the powerful masculine role of k’wazo. The successful pursuit of a younger man by a ´dan daudu demonstrates that, contrary to the dominant belief that only “masculine” males have the prerogative to act on their sexual urges, feminine-identified individuals are also capable of accumulating the kind of socioeconomic capital that allows them to assert their own sexual desire. Of course, this logic in many ways preserves the conventional patriarchal view of sexuality as an exercise of power. Moreover, to the extent that this sort of coupling reproduces the traditional sexual roles of an insertive masculine partner and a receptive feminine one, the socioeconomically powerful ´dan daudu will still be seen in many circles to have degraded himself by affirming his “feminine” desire to be sexually passive" Excerpt continued (2/4) "A potentially greater challenge to patriarchal power arrangements is posed by gay Hausa relationships between partners who see each other as equals— Greenberg’s “egalitarian” type. As feminineidentified men, ´yan daudu often call each other k’awaye (girlfriends), referring to a special, supposedly nonsexual friendship traditionally developed between Hausa women or girls. Although sex between “girlfriends” is largely frowned upon, it nevertheless does occur; when ´yan daudu have sex with each other, they call it kifi (Iesbianism).12 Although some male “lesbians” (`yan kifi) establish relationships with one another that conform to the k’wazo-haja model, ´yan daudu and other gay Hausa men usually use “lesbianism” to refer to sex between men who are social equals. I have even heard it used half-jokingly to apply to sex between two masculine-identified “civilians” of similar age and socioeconomic status. The notion of “lesbian” sex in a male context typically connotes that neither party insists on a particular sexual role; for example, partners are said to yi canji “do an exchange,” that is, alternate between insertive and receptive roles. Sexual reciprocity is but one manifestation of a more general understanding of “lesbianism” among gay Hausa men as a relationship" Excerpt continued (3/4) in which neither partner seeks to exercise a kind of unilateral power over the other by virtue of gender, age, or wealth. The linguistic difficulties posed by the variety of ways in which gay Hausa men enact and challenge both dominant and subcultural norms of gender and sexuality echo the problems faced by feminist theorists who, in recent years, have debated the status of the body as the basis for gender identity. As scholars have documented the myriad ways in which femininity and masculinity are constructed and practiced in societies around the world, it has become increasingly unclear to what extent such basic analytical concepts as “woman” and “man” adequately represent the diversity of people’s experiences of gender in different cultures. In North America, the stability of these categories has been challenged by queer and transgender activists, who refuse to see gender identity as fixed or natural; this cultural resistance is manifested in such cultural practices as cross-dressing, butch/femme role-playing, and transsexualism, which writers such as Butler have described as harbingers of the end of the binary sex/gender system. Others, however, treat such claims of cultural resistance and subversion with skepticism: the assumption by some men of a “feminine” Excerpt continued (4/4) "status might equally reflect the greater power men have to employ dominant discourses of sex/gender in pursuit of their own interests, without implying any progressive change in the ability of women to do the same. Butler makes particular rhetorical use of drag and other forms of gender parody practiced in the Western world in order to support her claim about the possibility of radical reconfigurations of gender and sexuality. Focusing on the way gender and sexuality distinctions are produced in discourse, she identifies and advocates these parodic practices as forms of discursive resistance to dominant cultural norms that could lead to an unfettered proliferation of cultural configurations of sex and gender: “When the constructed status of gender is theorized as radically independent of sex, gender itself becomes a free-floating artifice, with the consequence that man and masculine might just as easily signify a female body as a male one, and woman and feminine a male body as easily as a female one” (1990: 6). For Butler, drag and other types of gender-bending practices exploit and expose the constructedness of “natural” gender categories, opening the way for the ultimate rejection of such categories altogether (l36ff.). The prevalence of such practices in gay and lesbian communities reflects the particular gender and sexual repression gay men and lesbians experience under the binary gender/sex regime."
January 25, 2025 at 6:27 PM
oyiza.blacksky.app
Oyiza coded characters
Mariner Becket from Star Trek lower decks in a red Star Trek uniform with folded sleeves up. Jinx from Arcane with purple eyes Gaby (played by Jessica Williams) from Shrinking holding a mug. Quinn from Harlem.
January 22, 2025 at 9:47 PM
oyiza.blacksky.app
For some reason was expecting Rapunzel, but this tracks too
Disney princess quiz Result: Jasmine you are a person who is independent, headstrong and adventurous. you speak your mind, standing up for what you believe in but can also be incredibly stubborn against others who follow the status quo. your actions make you a no-nonsense, kind and protective person. More Quizzes
December 29, 2024 at 10:00 PM
oyiza.blacksky.app
A bangin’ body (from HRT) and a baecation would be nice.
Two women embracing each other. The woman on the left’s head is on the woman on the right’s shoulder. The woman on the right eventually kisses the other woman on the head.
December 27, 2024 at 6:23 PM
oyiza.blacksky.app
Curled up this morning in bed reading this book and it was paradise ☺️
The book cover of “Children of Blood and Bone” by Tomi Adeymi
December 8, 2024 at 12:43 PM
oyiza.blacksky.app
Listen!!! I’m not surprised they’re my top, but being in the top 0.05% feels wild 😅
Spotify wrapped showing my top artist, Janelle Monáe, 1181 minutes listened and top 0.05% of listeners worldwide.
December 4, 2024 at 9:48 PM
oyiza.blacksky.app
There’s always that one random YouTube commenter who’s on the exact same wavelength as you 😂
(The video is “the heart part 5”)
A commenter on the music video of “The Heart Part 6” by Kendrick Lamar who asks “who’s here after GNX!!”
November 23, 2024 at 12:03 PM
oyiza.blacksky.app
Without thinking, retweet with the first Simpsons joke that comes into your head
A scene from the tv show “The Simpsons”. The character Lisa is looking at a sign that says “keep out” below that sign is another sign that says “or enter. I’m a sign, not a cop”.
November 14, 2024 at 12:56 PM