I'd kill to hear your thoughts on this one whenever you see it - out of all his work, it's the one that's most in conversation with Noroi, especially given the more hyperlink/epistolary approach it takes to story

going to be an important reminder for people that when he's in darker thriller mode, Spielberg can be absolutely RUTHLESS

Watch the Skies is BACK baby

I will say that it's produced by WB Japan, which might be complicating things - that said this is 100% in Neon's wheelhouse should they try to acquire it

we're ignoring the third category of films: mediocrity so intense the only thing you remember about it is "eh, it was fine"

J-horror fans please take note: this thing RIPS

absolutely would not work at all without Thurman, though - all-time powerhouse performance

in a time where the terminally incurious stand to inherit everything, any kind of grace, stylization, or interest in film history beyond the obvious touchstones feels like a genuine balm

hmmmmmmmmmmmm

every single labor union and coalition in Hollywood INSTANTLY coming out against this gives me maybe some small modicum of hope that it's time for a chance. tiny, but it's there

this bubble cannot pop soon enough jesus christ

to be fair, Humble did re-list it immediately and admitted that nothing in it violated their terms

Stanton gets you Hitchcock, Peckinpah, Coppola, Huston, Scott, Carpenter, Cox, Wenders, Scorsese, Darabont, McDonagh, and the entire back half of the Lynch catalog in one filmography - this isn't a hard decision, people