Catherine Baker
@richmondbridge.bsky.social
2.2K followers 2K following 390 posts
Edited The Routledge Companion to Popular Music and Politics of the Balkans (2025) and co-edited Off White: Central/Eastern Europe and the Global History of Race (2024). Eurovision research since longer than I can remember. She/her.
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Reposted by Catherine Baker
thomasfuchs.at
How many trillions of dollars have been invested into this technology so far?
Google search for "austria hungary in space"

Google excitedly tells you about the 1889 orbital flight, and that by 1908 there was a Mars research output with 30 people.
richmondbridge.bsky.social
Early 80s birth year here. No memory of any Susans at all in class except one very accomplished Year 12 or 13 (?) when I was a Year 7. May have been The Last Susan.
richmondbridge.bsky.social
This is *so many* email chains at work 😳
Reposted by Catherine Baker
thebugbeardispatch.bsky.social
“Given these actions against Kneecap and ongoing efforts to censor the group, it’s essential to ask: Why are governments so scared of the spread of decolonial speech?”

@nicolefroio.bsky.social answers this question effectively in this must-read on censorship and the revolutionary potential of music
richmondbridge.bsky.social
At what point does a historian of post-Cold-War popular culture have *had* to see these things

Asking for a me who does not have them in their workload
richmondbridge.bsky.social
‘Trump took the floor again, rattling off how much each state spent on defence as a %age of GDP as if he were announcing the Eurovision song contest results. “Belgium: 0.9. That’s less than 1%. Croatia – oh, I’m so disappointed in you”’

These were the summits Kolinda Grabar-Kitarović had to go to.
richmondbridge.bsky.social
Mary Gentle’s Ash: historian discovers story of an alternate Joan of Arc figure in a Burgundy that can’t have existed while translating medieval documents. Longer than Strange/Norrell and must read it again.
richmondbridge.bsky.social
‘The impression is of a regulator telling each audience what it wants to hear by pointing at one end of the see-saw, rather than grappling with the hard edges of the case law in ways that may temper expectations rather than raise them’
eicathomefinn.bsky.social
'The interview centres on what I’ve previously described as the twin sandbags on the regulatory see-saw – the Higher Education (Freedom of Speech) Act 2023 and the E6 condition on harassment and sexual misconduct.'
OfS rebalances the free speech/harassment see-saw on antisemitism
A probing exchange with OfS director Arif Ahmed exposes the legal and practical tensions at the heart of campus free speech guidance. Jim Dickinson looks at when happens when promises to Jewish studen...
wonkhe.com
richmondbridge.bsky.social
‘How much hip-hop iconography would be considered anti-American under this new regime of revisionist history? Where would our legacy live, if banned from the Internet, besides our heads and our hearts? How would we preserve it for future generations?’

Urgent 🏳️‍🌈🏳️‍⚧️ question too
markanthonyneal.bsky.social
"Mark Anthony Neal notes the unprecedented "accessibility of the archive of contemporary and historical Blackness"...But "laments how digital accessibility has reduced our music to "the ambient background of the continued exploitation & commodification of Black culture."
www.npr.org/2025/10/01/g...
The BET Hip Hop Awards cut the cord as DEI dies
The show's suspension comes amid broader efforts to curb diversity at the institutional level. The next attempt to canonize the movement must learn lessons from its successes — and its missteps.
www.npr.org
Reposted by Catherine Baker
escinsight.com
Why is the EBU having to vote on Israel's KAN entering the Eurovision Song Contest? What would happen if they are excluded, and what would happen if they are included? @bensvision.bsky.social explores two likely versions of our future. escinsight.com/2025/10/02/e...
No Matter November's Eurovision Vote, It's Going To Get Ugly
Discussing the Eurovision vote to exclude KAN and Israel from Eurovision 2026, illustrated byKobi Marimi, Israel 2019 (photo: esc.tv)
escinsight.com
Reposted by Catherine Baker
katejj.bsky.social
The University of Glasgow groundspeople are going to be quite annoyed when they come in to work tomorrow...
richmondbridge.bsky.social
‘It seems like everyone and their mother is being offered Saudi money, except, notably, queer people’
richmondbridge.bsky.social
If someone’s going to slog through the same collections, yes I want students to understand there can be different interpretations of that.

I don’t want an opinion anyone could bang out in five minutes for that particular pedagogical purpose whether it aligns with my own personal politics or not…
Reposted by Catherine Baker
goodlawproject.bsky.social
“‘When I walked into the National Gallery in Dublin I just broke down crying,’ Jane* says, overcome by the freedom to go into a public space without the constant fear of harassment and abuse which she suffers back home in the UK.”
https://goodlaw.social/iy8l
‘The writing was on the wall’: The gender diverse people fleeing the UK | Good Law Project
While many stay to fight the rollback of rights in the UK, hundreds of trans and intersex Brits are leaving home. Content warning: sexual violence
goodlaw.social
richmondbridge.bsky.social
We got told it was cybersecurity policy because pages it archived could contain malware! (This was before Online Safety Act came in - just as I needed to track how webpages re on-the-ground Eurovision programming last year had changed from day to day during boycott campaign for a monograph chapter…)
Reposted by Catherine Baker
anterotesis.bsky.social
Important new #OpenAccess article on how slavery in Britain was ended, and who ended it.

Taken Not Given: The End of Slavery in Britain
by Simon Newman

www.cambridge.org/core/journal...

#History #EnslavedHistory 🗃️
Taken Not Given: The End of Slavery in Britain | Law and History Review | Cambridge Core
Taken Not Given: The End of Slavery in Britain
www.cambridge.org
richmondbridge.bsky.social
That’s made me look up when next Slovenian elex are - April 2026 😱

This is able to happen at the moment because aligns with centre-left govt policy, if the right gets back in expect a 180…
richmondbridge.bsky.social
Even counting Sestre, this might be the most consequential part they’ve played in Eurovision history…?

*eyes Eurovision book which was meant to finish after Malmö with a Basel epilogue, warily*
richmondbridge.bsky.social
‘For 69 years, Eurovision has sought to bring nations together through music and to build bridges in the aftermath of wars and divisions. Its values are founded on peace, equality, and respect. […] RTV Slovenija questions whether Israel’s participation is consistent with these values’
Reposted by Catherine Baker
clairelwilmot.bsky.social
I’ve been struck by how the British far right is using deepfake technology — less to deceive about specific events, more to tap into fascistic affects & desires. This is really frightening.

My dispatch from grim corners of the Internet, for @lrb.co.uk online.

www.lrb.co.uk/blog/2025/se...
Claire Wilmot | Fascistic Dream Machines
Part of the misunderstanding of the deepfake threat stems from the idea that it is a problem of bad information, rather...
www.lrb.co.uk