Perfectly balances pushback against Godard's pretension with explaining his revolutionary methodologies, this skipped by, was funny and made me want to become a film director, if this is what the work is actually like. Linklater's best since Boyhood? I've not seen them all.
Perfectly balances pushback against Godard's pretension with explaining his revolutionary methodologies, this skipped by, was funny and made me want to become a film director, if this is what the work is actually like. Linklater's best since Boyhood? I've not seen them all.
I thought there were more interesting places the plot could have gone, but this is still stylishly put together and a decent impression of the superior Parasite. The "glare in the eyes" in the interview scene is a fitting metaphor for stubbornly persistent late capitalism.
I thought there were more interesting places the plot could have gone, but this is still stylishly put together and a decent impression of the superior Parasite. The "glare in the eyes" in the interview scene is a fitting metaphor for stubbornly persistent late capitalism.
I think Ralph Fiennes' character in this is more "the English spirit" than the opening ceremony of the 2012 London Olympics. This film is tremendous at demonstrating the abuse at the centre of personality cults. Lots of loose ends still to tie up in part 3.
I think Ralph Fiennes' character in this is more "the English spirit" than the opening ceremony of the 2012 London Olympics. This film is tremendous at demonstrating the abuse at the centre of personality cults. Lots of loose ends still to tie up in part 3.
I'm sure I/we are preaching to the choir by putting this up on Bluesky.
I'm sure I/we are preaching to the choir by putting this up on Bluesky.
"Bloody London." A perturbing lack of umbilical cords. Very moving last 30 mins. Chloe Zhao's new language of grief from a 500 year old language of grief. Cried 2-3 times, a big blub at the end. Jessie Buckley must get the big gong, she's tremendous in this. Less into Mescal.
"Bloody London." A perturbing lack of umbilical cords. Very moving last 30 mins. Chloe Zhao's new language of grief from a 500 year old language of grief. Cried 2-3 times, a big blub at the end. Jessie Buckley must get the big gong, she's tremendous in this. Less into Mescal.
Marty Supreme - 9/10
If you get along with the Sadfies' incredibly frenetic style (I can see why you wouldn't), this is pure entertainment. Timothee Chalamet is annoyingly great.
Marty Supreme - 9/10
If you get along with the Sadfies' incredibly frenetic style (I can see why you wouldn't), this is pure entertainment. Timothee Chalamet is annoyingly great.
The SpongeBob Movie: Search For Squarepants - 5/10
Sadly, it's just not very good.
The SpongeBob Movie: Search For Squarepants - 5/10
Sadly, it's just not very good.
Lurker - 7/10
This was a little predictable but a pretty well put together psychological thriller.
Lurker - 7/10
This was a little predictable but a pretty well put together psychological thriller.
Wake Up Dead Man - 8/10
Great entertainment. Probably better than Glass Onion and worse than Knives Out, but that's still very good.
Wake Up Dead Man - 8/10
Great entertainment. Probably better than Glass Onion and worse than Knives Out, but that's still very good.
Zootropolis - 7/10
Surprisingly strong sequel. More action than the first one. Good baddies. More visual gags.
Zootropolis - 7/10
Surprisingly strong sequel. More action than the first one. Good baddies. More visual gags.
Pillion - 8/10
There's a lot of online discourse about consent/abuse and where the line is drawn. Regardless, this is a genuinely moving and funny film about grief and identity.
Pillion - 8/10
There's a lot of online discourse about consent/abuse and where the line is drawn. Regardless, this is a genuinely moving and funny film about grief and identity.
Predator: Badlands - 7/10
Better than the critics say it is. Interesting at the philosophical level of: if a creature is created to be emotionally/psychologically sensitive, does that inevitably lead to proper empathy?
Predator: Badlands - 7/10
Better than the critics say it is. Interesting at the philosophical level of: if a creature is created to be emotionally/psychologically sensitive, does that inevitably lead to proper empathy?
Bugonia - 9/10
Terrific at showing both the incel/conspiracy and the corporate mindsets, but also thematically suggests that humanity's best hope for survival is, in the immortal words of Seal, "getting a little crazy".
Bugonia - 9/10
Terrific at showing both the incel/conspiracy and the corporate mindsets, but also thematically suggests that humanity's best hope for survival is, in the immortal words of Seal, "getting a little crazy".
Train Dreams - 8/10
Emotionally resonant parable about nature, modernity and working class decisions.
Train Dreams - 8/10
Emotionally resonant parable about nature, modernity and working class decisions.
The Mastermind - 7/10
I loved the recreation of 1970 and I enjoyed it as long as it lasted but I wanted more from the story, really. Alana Haim is criminally underused.
The Mastermind - 7/10
I loved the recreation of 1970 and I enjoyed it as long as it lasted but I wanted more from the story, really. Alana Haim is criminally underused.
Gabby's Dollhouse: The Movie - 5/10
Not as terrible as you might imagine because Kristen Wiig is in it.
Gabby's Dollhouse: The Movie - 5/10
Not as terrible as you might imagine because Kristen Wiig is in it.
It means for 6 of the 8 of the policy committees, Greens (if all voting the same way) will be able to pass any policy without the support of any other party.
Good, bad or meh?
It means for 6 of the 8 of the policy committees, Greens (if all voting the same way) will be able to pass any policy without the support of any other party.
Good, bad or meh?