Tragic Exorcist
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tragicexorcist.bsky.social
Tragic Exorcist
@tragicexorcist.bsky.social
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In Yoshi's Island, a cave background sparkles, but only when Yoshi moves. This is achieved in an inventive way by making many 1-pixel "pinholes" in the background through which a field of stars is visible. The parallax motion shows the stars intermittently, creating sparkles.
FALCONHEAD (1976) dir. Michael Zen
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THROUGH THE LOOKING GLASS (1976) dir. Jonas Middleton
LE MIROIR OBSCÈNE (1974) dir. Jess Franco
PANDORA'S MIRROR (1981) dir. Shaun Costello
ESPELHO DE CARNE (1985) dir. Antonio Carlos da Fontoura
Midnight insomnia in Jess Franco films.
THE OBSCENE MIRROR (1973) dir. Jess Franco
Secret dungeons and bizarro castles in LES CROQUEUSES (1974) dir. Jess Franco
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theatre 🎭

(been watching the muppets show recently)
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Inferno (Dario Argento, 1980)
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LA COMTESSE NOIRE (1973) dir. Jess Franco
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LE ALTRE (1969) dir. Alessandro Fallay
Sandy and Flavia are a domestic lesbian couple who want a child. An advertising company and a tabloid paper catch wind of this and attempt to capitalise from the potential scandal.
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Nesta sexta, 22/08, às 23h59, tem "Satyricon", de Federico Fellini, no Estação NET Botafogo.
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Someone was trying to take a portrait of their two fave Chickens, and this happened.
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A BLACK RIBBON FOR DEBORAH (1974) dir. Marcello Andrei
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Whatever its merits for other uses, I hope archivists can agree that generative AI is a really bad idea for archival description. If you're trying to explain the context for rare materials, you are never, in a trillion years, going to get that by pointing an algorithm at them
Levana, the forgotten Third Mother in Luigi Cozzi's THE BLACK CAT (1989). Her appearance actually brings to mind Mater Tenebrarum, Our Lady of Darkness from Thomas De Quincey's SUSPIRIA DE PROFUNDIS.
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suspiria (1977) dir. dario argento
nutcracker fantasy (1979) dir. takeo nakamura