Dan Rosen
@danrosen.xyz
3.2K followers 3.2K following 500 posts
Scholar/researcher in digital media, STS, internet culture, and livestreaming. PhD in Cinema & Media Studies (he/him) danrosen.xyz
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Went to the Whitney and they had a painting of my dissertation defense
A picture of an oil painting. Edward Hopper’s Soir Bleu from 1914. In the paintings, a clown sits at a restaurant table smoking a cigarette
danrosen.xyz
but that's my emotional support requiem!
Reposted by Dan Rosen
danrosen.xyz
Just thinking of this article I read about telephone operators in Germany, where if you felt like it, you could just give her an electric shock over the phone
rationalized spaces in which the rapid, precise motions of hundreds of operators had to be closely co-ordinated to minimize disruption or breakdown of service. Pressure to improve efficiency was so great that, between 1910 and 1921, the number of connections operators were expected to make increased from 150 to 500 per hour with little appreciable change in equipment. Working constantly at the limit of their capacities, operators were also kept under constant surveillance; their speed in answering calls was timed and monitored, as were their interactions with callers. Impatient callers (usually men) were equipped with buttons that, when pressed, sent a current through the line, drawing the operator’s attention with a sharp, unpleasant crackling noise or a slight shock. The following anecdote, which describes an incident
that occurred in 1902 during the installation of a new switchboard at the
Siemens company’s headquarters in Berlin, illustrates what might happen
under such circumstances:
danrosen.xyz
For my diss research, I interviewed a virtual assistant, who was called an operator. This article made a great point of comparison
danrosen.xyz
Just thinking of this article I read about telephone operators in Germany, where if you felt like it, you could just give her an electric shock over the phone
rationalized spaces in which the rapid, precise motions of hundreds of operators had to be closely co-ordinated to minimize disruption or breakdown of service. Pressure to improve efficiency was so great that, between 1910 and 1921, the number of connections operators were expected to make increased from 150 to 500 per hour with little appreciable change in equipment. Working constantly at the limit of their capacities, operators were also kept under constant surveillance; their speed in answering calls was timed and monitored, as were their interactions with callers. Impatient callers (usually men) were equipped with buttons that, when pressed, sent a current through the line, drawing the operator’s attention with a sharp, unpleasant crackling noise or a slight shock. The following anecdote, which describes an incident
that occurred in 1902 during the installation of a new switchboard at the
Siemens company’s headquarters in Berlin, illustrates what might happen
under such circumstances:
Reposted by Dan Rosen
danrosen.xyz
Uh oh. My sudden onset clairvoyance is flaring up
Reposted by Dan Rosen
danrosen.xyz
Wild movie
2ndaryprotocol.bsky.social
Director Kathryn Bigelow’s cult future noir thriller ‘Strange Days’ starring Ralph Fiennes, Angela Bassett, Juliette Lewis, and Tom Sizemore premiered at the New York Film Festival 30 years ago this week. 💿🧠🚔 #OTD

"𝙾𝚗𝚎 𝚖𝚊𝚗'𝚜 𝚖𝚞𝚗𝚍𝚊𝚗𝚎 𝚊𝚗𝚍 𝚍𝚎𝚜𝚙𝚎𝚛𝚊𝚝𝚎 𝚎𝚡𝚒𝚜𝚝𝚎𝚗𝚌𝚎 𝚒𝚜 𝚊𝚗𝚘𝚝𝚑𝚎𝚛 𝚖𝚊𝚗'𝚜 𝚃𝚎𝚌𝚑𝚗𝚒𝚌𝚘𝚕𝚘𝚛."
danrosen.xyz
I've been having good luck with Raindrop
Reposted by Dan Rosen
danrosen.xyz
"We're doing the studies to make the proof" is too on the nose
danrosen.xyz
Modernism: Big, if true

Today: True, if big
danrosen.xyz
Uh oh. My sudden onset clairvoyance is flaring up
Reposted by Dan Rosen
danrosen.xyz
Modernism: Big, if true

Today: True, if big
danrosen.xyz
"We're doing the studies to make the proof" is too on the nose
danrosen.xyz
Modernism: Big, if true

Today: True, if big
danrosen.xyz
Modernism: Big, if true

Today: True, if big
Reposted by Dan Rosen
dandock.bsky.social
One thing I learned during my interviews with Nintendo of America employees was that they weren't sure of which creatures were going to be breakout stars. Yes, they knew they had something with Pikachu, the "starters," the box art 'mons like Charizard and Blastoise, and big timers like Mewtwo...
Reposted by Dan Rosen
danrosen.xyz
Fellas, is it gay to ponder your orb?
danrosen.xyz
Fellas, is it gay to ponder your orb?
danrosen.xyz
Incredible work! You see some of this visual language in some Israeli TV too, with this interest in crime reenactment
jacksapoch.bsky.social
NEW: Since October 2023, the IDF Spokesperson's Unit has released dozens of 3D animations illustrating alleged Hamas, Hezbollah, and Iranian sites

The style is now unmistakable: satellite zoom-ins, black & white wireframes, and red-textured houses - a new visual language of war
Reposted by Dan Rosen
mobydickatsea.bsky.social
sin that pays its way can travel freely, and without a passport; whereas Virtue, if a pauper, is stopped at all frontiers
Reposted by Dan Rosen
danrosen.xyz
when I was writing about livestreaming and social reproduction…
Reposted by Dan Rosen
danrosen.xyz
"This back-and-forth between builders and critics makes neither happy, but ultimately leads to compromises...The adoption of new technological forms does not erase the interest in technosocial purposes to which it might be directed."