Jason Heeley
@jaseheeley.bsky.social
1.2K followers 960 following 6.8K posts
Intermittent illustrator and cat treat administrator. Sumptuously upholstered.
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jaseheeley.bsky.social
Don't mind me, I'm just reposting some art so I can make it my pinned post...
My illustration for the cover of BEASTS IN THE CELLAR, detailing the film career of Tony Tenser, founder of the legendary Tigon British Film Productions. Written by John Hamilton and published by FAB Press, this was a true delight to work on. Mostly painted in Procreate and tweaked in Photoshop. My cover illustration for the personal memoir of legendary director and Master of Horror, Stuart Gordon. Published by FAB Press. This one was not only a treat to work on, but an honour. Made with Procreate on an iPad. A mock 1970s U.K. children's annual I created, based on the work of the government's Central Office of Information, whose notorious and often terrifying Public Information Films remain permanently imprinted on the minds of so many 20th century British kids. Painted in Procreate, with text and graphics added in Affinity Designer and Photoshop. Various bits and pieces I've been lucky enough to have the opportunity to create over the years for Bob Fischer's wonderful Haunted Generation project. All vectors created with Affinity Designer and other tinkering done in Photoshop.
jaseheeley.bsky.social
I haven't seen that much over-stretched flesh since Hellraiser 2.
jaseheeley.bsky.social
You are an absolute fucking trooper. Hope you've got something nice to scoff as a reward.
jaseheeley.bsky.social
I can’t actually read, I just like looking at the pictures.
jaseheeley.bsky.social
Just learned that Jez San has almost single-handedly kept the Tories going by donating two million quid to the party.

That’s the last time I play Starglider.
jaseheeley.bsky.social
Beautifully put, as always. And therein lies the magic of it.
jaseheeley.bsky.social
If you're anywhere near Whitby for Halloween, this should be a brilliant evening.
bobfischer.bsky.social
Anyone free on actual Halloween night? Come to Whitby, I'll guide you gently through memories of 1970s/80s Halloweens ("The sky is blue, the grass is green") and there'll be music, dressing up, sweets etc. I might even do the "Witches of Halloween" song from 'Words and Pictures'. A fiver. A FIVER!
jaseheeley.bsky.social
'OW MUCH?!?

Seriously though, what a cracking town and venue for it!
jaseheeley.bsky.social
Thanks Marie - hope the process eases up on you and they leave you alone for a while afterwards!
jaseheeley.bsky.social
Oh, definitely. Although these things leave an ache that can't be so easily soothed with coffee and a fried egg sandwich.
jaseheeley.bsky.social
This hits home very firmly in our house right now, we're in the periodic hoop-jumping stage* again*. The system is designed to engender guilt and stress in those who are least able to cope. Eevry time I hear a politician attacking the social safety net, I want to burn our whole system down.
jaseheeley.bsky.social
As far as borderline addiction goes, I don't think it's a bad one to have. bsky.app/profile/jase...
jaseheeley.bsky.social
I've been adding to my mid-century linework collection (that definition encompasses the fifties, sixties and seventies as far as I'm concerned) - specifically anything that features the work of Margery Gill, which I've become a little bit obsessed with. This beauty turned up today. #illustration
The cover for "A Thread of Gold", a collection of poems for the very young. Compiled by Eleanor Graham, Illustrated by Margery Gill and published by The Bodley Head (London, 1964). Interior page from "A Thread of Gold", a collection of poems for the very young. Compiled by Eleanor Graham, Illustrated by Margery Gill and published by The Bodley Head (London, 1964). This page features a poem entitled "BEDTIME" by Elizabeth Coatsworth and two expressive, sketchy line drawings of trees by Margery Gill. Interior page from "A Thread of Gold", a collection of poems for the very young. Compiled by Eleanor Graham, Illustrated by Margery Gill and published by The Bodley Head (London, 1964). This page features a poem entitled "CATS" by Eleanor Farjeon and two lovely, sketchy monochrome line drawings of sleeping cats by Margery Gill. Interior page from "A Thread of Gold", a collection of poems for the very young. Compiled by Eleanor Graham, Illustrated by Margery Gill and published by The Bodley Head (London, 1964). This page features a poem entitled "ME" by Walter de la Mare and a sketchy line drawing by Margery Gill, of a child laying in long grass, deep in thought.
jaseheeley.bsky.social
I've been adding to my mid-century linework collection (that definition encompasses the fifties, sixties and seventies as far as I'm concerned) - specifically anything that features the work of Margery Gill, which I've become a little bit obsessed with. This beauty turned up today. #illustration
The cover for "A Thread of Gold", a collection of poems for the very young. Compiled by Eleanor Graham, Illustrated by Margery Gill and published by The Bodley Head (London, 1964). Interior page from "A Thread of Gold", a collection of poems for the very young. Compiled by Eleanor Graham, Illustrated by Margery Gill and published by The Bodley Head (London, 1964). This page features a poem entitled "BEDTIME" by Elizabeth Coatsworth and two expressive, sketchy line drawings of trees by Margery Gill. Interior page from "A Thread of Gold", a collection of poems for the very young. Compiled by Eleanor Graham, Illustrated by Margery Gill and published by The Bodley Head (London, 1964). This page features a poem entitled "CATS" by Eleanor Farjeon and two lovely, sketchy monochrome line drawings of sleeping cats by Margery Gill. Interior page from "A Thread of Gold", a collection of poems for the very young. Compiled by Eleanor Graham, Illustrated by Margery Gill and published by The Bodley Head (London, 1964). This page features a poem entitled "ME" by Walter de la Mare and a sketchy line drawing by Margery Gill, of a child laying in long grass, deep in thought.
jaseheeley.bsky.social
Hard drive checks on aisles one, two and three please.
andydrewz.bsky.social
Meet the cast of the new edgy BBC3 re-imagining of 'Last of the Summer Wine'.
jaseheeley.bsky.social
Not so much a place name, but people (bastuds) pronouncing the " t' " when they're trying to emulate somebody shortening "the" in a Yorkshire accent. It's not totally universal, but it should mostly just be a very short, guttural stop before the next word - between "in" and "shed" for example.
jaseheeley.bsky.social
It would be nice if more of them did it very quietly though.
jaseheeley.bsky.social
Like a stray Scampi Fry that's been trapped in one of the seams since 1994.
jaseheeley.bsky.social
Bet a scampi costume has a very specific fug inside it though.
jaseheeley.bsky.social
I’m bloody annoyed to discover from that link that a book was released a few years ago and I can’t find a copy online! *Wails inconsolably*