Joel Pinckney
@jpinckney.bsky.social
560 followers 400 following 290 posts
Book worker at University of Texas Press | Formerly a bookseller, at Paris Review | Occasionally writing about books at LARB, Full Stop, The Millions, elsewhere | [email protected]
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Reposted by Joel Pinckney
jpinckney.bsky.social
The soundtrack in my head to this novel was the Drive-By Truckers’ “Putting People on the Moon”, which I consider to be very high praise. This is a playful, viscerally descriptive, morally serious novel from the great folks at @graywolfpress.bsky.social that is well worth your time and attention.
A picture of a hand holding a copy of THE HIGH HEAVEN, a book by Joshua Wheeler.
jpinckney.bsky.social
The soundtrack in my head to this novel was the Drive-By Truckers’ “Putting People on the Moon”, which I consider to be very high praise. This is a playful, viscerally descriptive, morally serious novel from the great folks at @graywolfpress.bsky.social that is well worth your time and attention.
A picture of a hand holding a copy of THE HIGH HEAVEN, a book by Joshua Wheeler.
jpinckney.bsky.social
It's Friday afternoon! If there's a sentence or a paragraph in something you read recently that really stopped you in your tracks, whether because of the beauty of the prose, the clarity of the mind at work, or anything else, I'd love to read it.
jpinckney.bsky.social
Something I did not anticipate about becoming a parent is that I now actually love hearing other parents talk about their kids (inspired by listening to this).
jpinckney.bsky.social
Krasznahorkai! One of my first tasks as an intern at the Paris Review in 2017 was transcribing portions of his Art of Fiction interview, which was a beautifully disorienting experience. I love thinking about all the imminently-disoriented readers out there.
László Krasznahorkai, The Art of Fiction No. 240
László Krasznahorkai was born in 1954 in Gyula, a provincial town in Hungary, in the Soviet era. He published his first novel, Satantango, in 1985, then The Melancholy of Resistance (1989), War and Wa...
www.theparisreview.org
jpinckney.bsky.social
I look down at my phone for five seconds, I swear, and when I look up my two-year-old’s got a damn apple balanced on her head.
A picture of my two-year-old daughter with an apple balanced on her head.
jpinckney.bsky.social
Got an extremely kind note this morning from someone who read a book review I wrote six years ago, thanking me for the review and for introducing them to the book. Feeling keenly aware of just how easy + important it is to encourage folks whose work you admire (and how often I fail to do that!).
jpinckney.bsky.social
Hey I’d say weekly is laudable!
jpinckney.bsky.social
Exactly what someone who needs the ever-so-slight mood bump of a fresh sponge would say
jpinckney.bsky.social
If you’re reading this, change your sponge out. You’ll feel a little bit better.
jpinckney.bsky.social
This morning’s example of the genius of toddler sense-making: “I feel sad in my mouth” is actually a great way to describe a bad taste.
jpinckney.bsky.social
Ever since reading this @albertburneko.bsky.social paragraph a while back, I find myself thinking about it, encountering unwelcome exemplars of it, far more often than I wish.
Text of a screenshot from a piece at Defector by Albert Burneko, titled "Toward A Theory Of Kevin Roose": "My suspicion, my awful awful newfound theory, is that there are people with a sincere and even kind of innocent belief that we are all just picking winners, in everything: that ideology, advocacy, analysis, criticism, affinity, even taste and style and association are essentially predictions. That what a person tries to do, the essential task of a person, is to identify who and what is going to come out on top, and align with it. The rest—what you say, what you do—is just enacting your pick and working in service to it."
jpinckney.bsky.social
Yeah, exactly. When I was 18-21 what I looked for and what I saw in their comments were particular pieces of feedback. Now, I can really see how generous they were being with me, how generous it was that they took me so seriously, and can trace the impact that has had on me in very real ways.
jpinckney.bsky.social
I had occasion today to dig out papers I wrote as an undergrad English major, to go through notes written by my professors. Some real shit in there but the care and attention I was given, the way my ideas were taken seriously—this is a beautiful thing whose value I dearly hope we're not forgetting.
jpinckney.bsky.social
Many of your favorite authors owe their careers to someone at a small press seeing the value in what they wanted to do, even if there was no guarantee (or even likely chance) of it having real fiscal value. These places deserve your support.
jpinckney.bsky.social
Small independent presses and university presses are almost always the ones taking these chances, opening doors to authors with book ideas that most large publishers would balk at. Sometimes those books are successful, often they're not, but we keep doing them because it's what we believe in.
jpinckney.bsky.social
"Boy, someone's finally doing something really different."

For a small publisher like us, not much feels better than this kind of praise. We took a big chance on this weird Steely Dan book. It has been a huge success and hasn't really stopped moving since 2023, but that's sort of beside the point.
utexaspress.bsky.social
"QUANTUM CRIMINALS is an absolute breakthrough in terms of how to write about music, how to write about a band, how to write about songs...I was crazy about that book. I felt so gratified—‘boy, someone’s finally doing something really different.’”

THE Greil Marcus, folks.
tinyurl.com/4zjm79he
Greil Marcus on 50 Years of 'Mystery Train': "I Know These Stories Keep Traveling"
We talked to author Greil Marcus about a new 50th anniversary edition of his classic book 'Mystery Train'
www.rollingstone.com
jpinckney.bsky.social
TNC: "We're losing because there are always moments when we lose."
Klein: "See, that feels very fatalistic to me."
TNC: Deep history of struggling for change, the value of doing so even without seeing the desired change.
Klein: Too much history, let's look at the last 8-12 years.

^That was weird.
Reposted by Joel Pinckney
lukeoneil47.bsky.social
Put together some thoughts here.

In an earlier time he would have been the kind of writer being paid $5 a word by magazines to go write about whatever he pleased. And no one would be pissed off or jealous about it either.
www.welcometohellworld.com/life-is-a-pr...
He seemed to be struggling. With drinking and with not drinking of late. Always looking for work too. What a fucking condemnation of this industry that he was ever in need of it. One of his greatest pieces ever – on Haggard – was taken down by a corporation that decided it no longer needed great writing anymore. It can only be read on the internet archive . That’s just how the industry is now I suppose. In an earlier time he would have been the kind of writer being paid $5 a word by magazines to go write about whatever he pleased. And no one would be pissed off or jealous about it either. All of the rest of us scrabbling for that kind of gig just nodding in approval. That makes sense. He has that coming. 

A couple years ago I offered him the most money I have ever offered anyone to write for Hell World. Not as much as he deserved mind you but a lot for me. Write about literally anything you want I said. He said he would. He promised he would write something for me multiple times over the years but one thing or another always came up. Something big just around the corner was about to happen.
jpinckney.bsky.social
Tonight when we played it she just stood with her mouth open wide for the first 30 seconds.
jpinckney.bsky.social
My two-year-old calls “Wide Open Spaces” by The Chicks “Open Wide” and it is very cute.
jpinckney.bsky.social
My two-year-old calls “Wide Open Spaces” by The Chicks “Open Wide” and it is very cute.