Zachary Gillan
banner
megapolisomancy.bsky.social
Zachary Gillan
@megapolisomancy.bsky.social
Nonfiction about weird fiction at Seize the Press, Strange Horizons, Interzone, Los Angeles Review of Books, Nightmare, and Ancillary Review of Books, where I am also an editor. Also jazz, metal, leftism. he/him

https://doomsdayer.wordpress.com/writings/
Pinned
Forever in search of a vibe too unsettling for the sf crowd, not transgressive enough for the horror scene, and too avant-garde for either
Reposted by Zachary Gillan
Every day Mamdani comes out and is like "hey guys, I turned off the orphan-crushing machine. Literally just had to flip a switch. Took less than 5 minutes."

After decades of dem leadership pissing and moaning and fundraising about how complex an issue it is and how difficult the process is etc
February 3, 2026 at 3:58 AM
Naan tacos, paneer burritos… is there anything better than
February 3, 2026 at 6:04 PM
Reposted by Zachary Gillan
Fusion foods are good and we should say they’re good
February 3, 2026 at 3:43 AM
Fusion foods are good and we should say they’re good
February 3, 2026 at 3:43 AM
Reposted by Zachary Gillan
"Reject productivity!" I said to myself and the Internet, while worrying incessantly about the fact that I've accomplished so little in life.
February 2, 2026 at 11:20 PM
Reposted by Zachary Gillan
your first draft isn't perfect? what? that's weird. i've never heard of that happening before. maybe you should give up
February 2, 2026 at 9:44 PM
Reposted by Zachary Gillan
February 2, 2026 at 8:26 PM
Reposted by Zachary Gillan
This intersects some not only w/ Delany's "reading conventions"/"reading protocols" but also Stanley Fish's "How to Recognize a Poem When You See One". Genre as interpretive community. The limit is only the meaning for the reading community & the productivity of the interpretation.
February 2, 2026 at 4:17 PM
Points deducted from the album for not being Urth themed
February 2, 2026 at 5:00 PM
Reposted by Zachary Gillan
There is a baby in here thinking "Of course McCoy Tyner was left-handed. Makes absolute sense, does that!"
February 2, 2026 at 4:42 PM
Points deducted for not going with “I am going to duel bsky dev team with an avern under the shadow of the walls of Nessus”
February 2, 2026 at 4:57 PM
First Mage showed up for me recently too, I’m excited to see if it manages to sell its ridiculous conceit in a good way or is just… ridiculous
February 2, 2026 at 4:08 PM
Exactly what I was hoping to emphasize here, so I’m very glad it resonated
February 2, 2026 at 4:02 PM
Ah, jeez!
February 2, 2026 at 3:56 PM
Reposted by Zachary Gillan
I'm particularly interested in the suggestion here of genre as something that can be read into a work—like, a set of reading protocols you might apply to the work whether or not that was the original idea; contemporary genre influencing how we read work from before it was codified.
And then the first of our essays: the inestimable @megapolisomancy.bsky.social on (what else?) the weird.

What is really striking about this piece is the way in which it advocates for critical reading as productive practice, for "weird reading as a way of thinking critically about the world."
The Brackish Pool: Towards a Critical Practice of Reading Weird Fiction
The ideal reader of the weird has to embrace a kind of wilful suspension of foreknowledge or generic expectation.
strangehorizons.com
January 31, 2026 at 12:36 AM
Reposted by Zachary Gillan
"Weirding, in this sense, is an active unsettling, expressed both in the reading and the affective poetics that trouble, unsettle, and actively weird its material."
Welcome to the 2026 Criticism Special Issue!

The Brackish Pool: Towards a Critical Practice of Reading Weird Fiction
by Zachary Gillan @megapolisomancy.bsky.social

Link ⬇️
strangehorizons.com/wordpress/no...
January 27, 2026 at 11:05 PM
Reposted by Zachary Gillan
Friends! Our 2026 titles are up for pre-order. And our 2025 print titles are on sale. Pre-orders help us immensely. Take a look at our site for all the details. I hope you'll consider grabbing something, if you're able. Thank you all so much.

undertowpublications.com/shop
February 2, 2026 at 2:56 PM
Reposted by Zachary Gillan
Feeling very grumpy about the void here so l've channeled that into a list of weird or weird-ish or weird-adjacent or theoretically-weird collections by Black authors (some of which I’ve read and too many of which I have not)
February 11, 2025 at 12:31 AM
Reposted by Zachary Gillan
Thanks for the suggestions, everyone. I’m adding Liliana Colanzi’s WE GLOW IN THE DARK and ‘Pemi Aguda’s GHOSTROOTS as my unsuggested picks
February 1, 2026 at 8:58 PM
Reposted by Zachary Gillan
CHOTINER: *undergoes a wild transformation, an opening of borders, a renegotiation of ontologies*

ME:
February 2, 2026 at 4:32 AM
CHOTINER: And you actually think it’s important for writers to provide space for productive ambiguity?

ME:

CHOTINER:

ME:

CHOTINER:

ME:
February 2, 2026 at 3:42 AM
Reposted by Zachary Gillan
Read THE BEST WEIRD FICTION OF THE YEAR, VOL. 1, people (I also think you should read UNCERTAIN SONS, but, well, you know, I’m biased there)
February 1, 2026 at 6:03 PM
Reposted by Zachary Gillan
On January 24th, my parents home burned down. They and my disabled brother escaped with only minor burns but they lost everything they've ever had.

I'm running a GoFundMe to help them recover and rebuild. I would be deeply grateful for any donations but also for any shares!
Donate to We Lost Everything to a Fire. Help My Family Rebuild., organized by Chloe Clark
On January 24th, our childhood home burned down. Our parents lost 50… Chloe Clark needs your support for We Lost Everything to a Fire. Help My Family Rebuild.
gofund.me
February 1, 2026 at 11:17 PM
Oh, damn, meant to add CRAFT too, yes
February 2, 2026 at 12:06 AM
You’ve gotta read it!!
February 2, 2026 at 12:05 AM