Radical Anthropology
@radicalanthro.bsky.social
740 followers 770 following 1.2K posts
London's longest running evening class. We study what it means to be human at UCL Anthropology dept. We are FREE, on Tues eves term time. Account run by Camilla Power. Radical anthropologists include Chris Knight, Ian Watts, Jerome Lewis and Morna Finnegan
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'For western Eurasia, our review supports the Assimilation model, whereby ten millennia of converging cultural developments & increased demic interaction bridge the initial (Neandertal) & final (Cro-Magnon) terms of a complex evolutionary & historical process'

www.sciencedirect.com/science/arti...
A Data‐Driven Paradigm Shift for the Middle‐to‐Upper Palaeolithic Transition and the Neandertal Debate
Based on morphologically undiagnostic human remains from the southern Balkans and central Europe, it has been argued that the Bachokirian and Ranisian…
www.sciencedirect.com
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marwellaspaceart.bsky.social
The 70.4% waning moon at 4.48AM (UTC+7) on Sunday.
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robertosaezm.bsky.social
Taller en Roche-à-Pierrot (Francia): industria temprana Paleolítico superior, cuentas de concha y pigmentos. 42 ka, Chatelperroniense.
Châtelperronian cultural diversity at its western limits: Shell beads and pigments from La Roche-à-Pierrot, Saint-Césaire
Châtelperronian cultural diversity at its western limits: Shell beads and pigments from La Roche-à-Pierrot, Saint-Césaire | PNAS
The timing and mechanisms underlying the gradual replacement of Neanderthal populations by Homo sapiens groups have elicited heated debate for deca...
doi.org
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robertosaezm.bsky.social
Hace 45-70 ka los neandertales de El Castillo (España) usaban materia prima local, pero también adquirida a grandes distancias.
Neanderthal mobility over very long distances: The case of El Castillo cave (northern Spain) and the ‘Vasconian’ Mousterian
Neanderthal mobility over very long distances: The case of El Castillo cave (northern Spain) and the ‘Vasconian’ Mousterian
This study explores the mobility and raw material circulation of Neanderthals at the El Castillo cave, located in the northern part of the Iberian Pen…
doi.org
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potterybyosa.mastodon.social.ap.brid.gy
Still warm from the kiln, covered in warm earth tones—I’m so relieved this piece came out successfully on the other side of firing. I worked on it over the course of a month and remembered to document moments of process which I think I’ll share in a thread […]

[Original post on mastodon.social]
Me standing in my back yard holding a large pot in front of me with both hands. It borrows its spherical form from Nigerian water vessels and has a short, flared neck. It is about 16” (40cm) in diameter and 14” (36cm) in height. 

The pot has been divided laterally into six parts and each section has been decorated with carved lines in alternating patterns: a symmetrical abstract leaf motif and a large double diamond pattern. The colors are dark brick red, olive green, dark purplish brown, dusky pink and aqua. The interior is glazed glossy aqua to reference the water this form would historically have contained. 

Behind me is dense foliage and small blue patch of sky. I am smiling and wearing a black and white top and red paints, only partially visible from behind the large pot.
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cdamian.rls.social.ap.brid.gy
‘It’s a question of humanity’: how a small Spanish town made headlines over its immigration stance | Spain | The Guardian

https://www.theguardian.com/world/2025/oct/11/small-spanish-town-headlines-immigration-villamalea

> Mayor explains why Villamalea […]

[Original post on rls.social]
Spanish town house
This is one NOT to be missed: the marvellous Hugh Brody, Tuesday evening.
radicalanthro.c.im.ap.brid.gy
Free community fediscience, please boost!
🌗Tues Oct 14🌘 6:30pm
'Tracks across Sand'
Hugh Brody

LIVE Daryll Forde Room, 2nd Floor,
UCL Anthropology Dept, 14 Taviton St, WC1H 0BW
ZOOM ID 952 8554 1412 passcode Wawilak
Collage of Khomani San women from Hugh Brody's film 'Tracks across Sand'
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robertosaezm.bsky.social
Curiosa predilección por piedras de colores identificada en distintos sitios de Esuatini durante la MSA y la LSA:
Decoding hunter-gatherer-knowledge and selective choice of lithic raw materials during the Middle and Later Stone Age in Eswatini doi.org/10.1016/j.ja...
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robertosaezm.bsky.social
#FossilFriday Neandertal tooth from Prado Vargas (PV-1360), identified as male through paleoproteomics.
➕info: wp.me/p4Bi9E-4Y1
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alexsaysstuff.bsky.social
One of the reasons De Klerk moved to release and negotiate with Mandela in 1990 was that he was the only viable alternative partner to negotiating with the later, more radical generations of MK and Poqo militant leaders. Slovo and Hani were considerable more hardline, let alone Sabelo Phama.
yairwallach.bsky.social
Excluding Marwan Barghouti from the list of prisoners for release means none of the parties are serious about the second stage of the agreement (replacing Hamas with an alternative administration) let along any "peace" prospects
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plosbiology.org
@sonjawild.bsky.social @galarconnieto.bsky.social & @lucymaplin.bsky.social show that young #GreatTits, which have limited #ParentalCare, learn to solve a foraging #puzzle socially, but rather than parents, siblings & non-parental adults are preferred role models @plosbiology.org 🧪 plos.io/46JZn6n
A juvenile great tit solves a foraging puzzle by pushing a sliding door to the left while being observed by two other juvenile birds. Image credit: Sonja Wild.
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gillmartin.bsky.social
Antifa's Top Brass

#antifa #portland #warzone
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This is one NOT to be missed: the marvellous Hugh Brody, Tuesday evening.
radicalanthro.c.im.ap.brid.gy
Free community fediscience, please boost!
🌗Tues Oct 14🌘 6:30pm
'Tracks across Sand'
Hugh Brody

LIVE Daryll Forde Room, 2nd Floor,
UCL Anthropology Dept, 14 Taviton St, WC1H 0BW
ZOOM ID 952 8554 1412 passcode Wawilak
Collage of Khomani San women from Hugh Brody's film 'Tracks across Sand'
Reposted by Radical Anthropology
rebeccasear.bsky.social
“When disaggregated into growth, reproduction & lifespan, human life history is appropriately characterized not as slow or fast, but as hybrid…describing human life history as slow inevitably leads to the assumption that energy constraints are the norm in non-industrialized societies & for the past”
Twenty Years Later: Growth Rates and Life Histories in Twenty‐Two Small‐Scale Societies
This commentary on Growth Rates and Life Histories in Twenty-Two Small-Scale Societies overviews the original publication and its contributions, and reviews advances in the field of human growth and ...
doi.org
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ruthmace.bsky.social
Costly rituals endure because committed members see greater benefits – especially supernatural – despite high estimated cost. New paper by Klocova et al| Evolutionary Human Sciences | Cambridge Core - www.cambridge.org/core/journal...
Estimated costs and benefits of participation in an extreme ritual in Mauritius | Evolutionary Human Sciences | Cambridge Core
Estimated costs and benefits of participation in an extreme ritual in Mauritius - Volume 7
www.cambridge.org
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rossb-brighton.bsky.social
Insightful new article by Stefan Bernhardt-Radu in the Journal of the History of Biology about Julian Huxley's biological views. 🧬🗃️ #openaccess

link.springer.com/article/10.1... #histbio #hpbio #philbio #histsci #hps @hpsleeds.bsky.social
“Helping to Bridge the Gap Between Genetics and Development:ˮ Julian Huxley, Early 20th Century Oxford Biology, and the Epigenetic Origins of Animal Characters - Journal of the History of Biology
Julian Huxley is remembered as the author of his landmark 1942 Evolution: The Modern Synthesis. Nowadays, however, he is criticized for having reduced biology to the selection of genes. Some have nevertheless suggested that Huxley’s biological views were more expansive—including rather than excluding issues regarding development or environment. In this paper, using hitherto unexamined sources, I show that Huxley’s developmental understanding of animal characters was rooted in his education at Oxford in the early 20th century. From embryologically and physiologically trained Oxford teachers, he learned to see characters as things that could not be predicted from the cell’s physico-chemical properties. Characters arose anew through dynamic interactions between parts. Huxley and his teachers labeled these as “epigenetic” processes that integrated multiple cross-pollinating causes such as heredity and development. After briefly exploring Huxley’s understanding of character development, I show how we can get to grips with Huxley’s biological views by exploring the context of his education at Oxford from 1906 to 1909. I then show how Huxley received and used these ideas, before I illustrate how they played an important role in his academic and socio-political work.
link.springer.com
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willgervais.com
Teaching a fun science & critical thinking course this semester.

Trying out THAMES as a handy mnemonic for what to look for in evaluating science papers & such (obvs not all are as relevant for every paper)...
THAMES mnemonic for reading science:

T
Theory
•What BIG IDEA is the focus?

H
Hypothesis
•What SMALLER IDEA is actually getting tested?

A
Assumptions &
Alternatives
•What needs to be true to connect T:H?
•What else could explain results/predictions?

M
Methods:
Measures & Manipulations
•Were methodological tools validated?
•Evidence that we’re measuring/manip what’s claimed?

E
Evidence &
Ethics
•Are claims calibrated to EVIDENCE? Is EVIDENCE appropriate?
•ETHICALLY sound in practice/intent/implication/application?

S
Sampling
Statistical Model
•Who was studied? Who are claims about?
•Do stat results match verbal ideas?
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Author, filmmaker and anthropologist Hugh Brody introduces ‘Tracks across Sand’, his film of the ‡Khomani San of South Africa’s southern Kalahari Desert -- a story of erasure and reclamation of memory, and of struggle for their ancestral land.

Everybody welcome LIVE and ZOOM
This is one NOT to be missed: the marvellous Hugh Brody, Tuesday evening.
radicalanthro.c.im.ap.brid.gy
Free community fediscience, please boost!
🌗Tues Oct 14🌘 6:30pm
'Tracks across Sand'
Hugh Brody

LIVE Daryll Forde Room, 2nd Floor,
UCL Anthropology Dept, 14 Taviton St, WC1H 0BW
ZOOM ID 952 8554 1412 passcode Wawilak
Collage of Khomani San women from Hugh Brody's film 'Tracks across Sand'
Reposted by Radical Anthropology
nowaykgn.bsky.social
The skin scraping ceremony of the Xingu people, called arranhadura, is a healing ritual performed by various indigenous groups in the Xingu River region of Brazil. The practice, which is for both men and women, is believed to strengthen the body and spirit by revitalizing the muscles and skin.
The arranhadura is performed to heal, break spells, and take away laziness. For many, the permanent marks and thicker skin serve as a demonstration of their robustness and strength.For boys, it's tied to developing strength for activities like huka-huka wrestling, which boosts prestige and can lead to leadership roles (e.g., becoming a chief.

 Intentional skin scratching can be a lifelong habit for many Xingu people, starting in childhood, to build up scar tissue. This results in thicker, tougher skin that is more resistant to insect bites. The scratches are often emphasized by applying body paint, such as black ink derived from the genipapo tree, to the affected areas The back, legs, and arms are scratched using a sharp tool called a scarifier, typically made from catfish teeth.

The skin, particularly on the arms and legs, is scratched until it bleeds. Following the scraping, leaves or strong roots are rubbed onto the inflamed area.