The elevator's button flickering as the visual manifestation of the struggle between life and death the lead is facing: this is what Cinema is all about baby
The elevator's button flickering as the visual manifestation of the struggle between life and death the lead is facing: this is what Cinema is all about baby
Emilie Muller - Yvon Marciano
Emilie Muller - Yvon Marciano
I usually don't love when a director whose work is so tied to their own roots and culture ventures into a different one, especially when they are pushed into it just to have an english speaking film, but Kitano doesn't compromise here
I usually don't love when a director whose work is so tied to their own roots and culture ventures into a different one, especially when they are pushed into it just to have an english speaking film, but Kitano doesn't compromise here
Takeshi Kitano - 北野 武
Takeshi Kitano - 北野 武
𝗦𝗧𝗢𝗟𝗘𝗡 𝗞𝗜𝗦𝗦𝗘𝗦 by François Truffaut, 1968
Academy Awards nominee for Best Foreign Language Film
#BaisersVolés #StolenKisses #FrançoisTruffaut #JeanPierreLéaud
𝗦𝗧𝗢𝗟𝗘𝗡 𝗞𝗜𝗦𝗦𝗘𝗦 by François Truffaut, 1968
Academy Awards nominee for Best Foreign Language Film
#BaisersVolés #StolenKisses #FrançoisTruffaut #JeanPierreLéaud
Man Marked for Death: 20 years later
Man Marked for Death: 20 years later
www.newyorker.com/culture/the-...
www.newyorker.com/culture/the-...
Corpo Celeste - Alice Rohrwacher
Corpo Celeste - Alice Rohrwacher
Chekhov, Lynch and Kurosawa echo in this classic evil twin tale, that through some really well composed images and his kinetic camera work Tsukamoto makes as absurd and yet lyrical and poignant as some of his more well known films. Not his best, but there's a lot to like
Chekhov, Lynch and Kurosawa echo in this classic evil twin tale, that through some really well composed images and his kinetic camera work Tsukamoto makes as absurd and yet lyrical and poignant as some of his more well known films. Not his best, but there's a lot to like