Sèafra
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woodward.ca
Sèafra
@woodward.ca
2.1K followers 700 following 11K posts
(He/Him)
Trans Rights are Human Rights.
What women do with their bodies is their business.
And fascists get punched in the face.
Any photo I post is available to buy as a print.
Edmonton, Canada
https://woodward.ca/
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woodward.ca
Sèafra @woodward.ca · Jun 29
There's a bunch of new followers this weekend who I think clicked because of a poetry post so let me introduce myself. I'm Jeff, a Creative Director & photographer in Dirt City, Alberta. I do share poetry here but mostly my pictures (including NSFW ones), and some of my silly little thoughts.
woodward.ca
Sometimes comedy is more truthful than news.
January 16, 2026 at 5:53 PM
woodward.ca
Today's 2016 flashback photo is a semi candid portrait of my theatre school classmate Anna that I snapped during a break in a burlesque show I was filming at the old Evolution Wonderlounge.
The image shows a woman with dark hair and blue eyes smiling at the camera. She is wearing a black leather jacket that is open, revealing her chest, which is covered with black tape in an 'X' shape. She also wears dark leggings. The background is blurred, suggesting a social setting with other people and some neon lights. The lighting is somewhat dim, contributing to a lively, perhaps nightlife atmosphere. The woman's expression is cheerful and confident. Her hair is styled with bangs and loose waves, framing her face. She is fair-skinned and has a natural makeup look. The texture of the leather jacket appears smooth and slightly shiny, contrasting with the matte finish of her leggings. The overall composition focuses attention on the woman and her attire, capturing a sense of boldness and individuality. The lighting creates highlights and shadows, adding depth to the image. A red object is visible in the lower left corner, likely a light source. The presence of other blurred figures indicates that the woman is in a crowded environment, possibly at an event or party. Her confident pose and direct gaze engage the viewer, making them feel as though they are part of the scene. The color palette is dominated by blacks, reds, and skin tones, with pops of neon color in the background.
January 16, 2026 at 4:01 PM
woodward.ca
Daily Dolly
Dolly the brindle pitbull lounging comfortably on a grey sofa, with its paws extended over a colorful pillow. The dog's coat is a mix of brown and black stripes, creating a distinctive brindle pattern. Its face displays a slightly melancholic expression, with dark eyes and a hint of white fur on its chest. The dog's claws are visible, adding a touch of realism to the scene. The sofa, upholstered in a grey fabric, provides a soft backdrop for the dog. The pillow, with its segments of yellow, teal, and other colors, adds a pop of brightness to the composition. The scene is lit with a soft, natural light, creating a relaxed and intimate atmosphere. The dog appears to be at ease, perhaps enjoying a moment of rest or contemplation. The background is slightly out of focus, directing the viewer's attention to the dog as the primary subject. The overall texture of the image is smooth, with subtle variations in light and shadow that enhance the depth and dimension of the scene. The setting suggests a cozy and familiar domestic environment, where the dog feels safe and comfortable.
January 16, 2026 at 3:45 PM
woodward.ca
I am completely captivated by Jessie Buckley.

youtu.be/8fbc9DV1Pws?...
Sinead O'Connor Tribute - Jessie Buckley & the RTÉ Concert Orchestra | Troy Live - Culture Night
YouTube video by RTÉ - IRELAND’S NATIONAL PUBLIC SERVICE MEDIA
youtu.be
January 16, 2026 at 2:56 AM
woodward.ca
I had the car in for an oil change yesterday so the walk to the coffee shop was an opportunity to test out the new 9mm wide angle lens I got after Christmas.
The image presents a commercial building situated along a street during daytime. The building is constructed with a combination of modern architectural elements and traditional materials. The facade incorporates glass, metal, and concrete. A sign reading "Scora 104" is visible atop the building. The structure consists of two distinct sections, one a modern glass-fronted entrance and the other a more traditional block-like structure with windows. The building appears to be in a suburban or industrial area, given the presence of utility poles and other buildings in the background. The sky is a bright blue, filled with streaky white clouds, providing a vibrant contrast to the muted tones of the building and street. The road is wet, reflecting the sky and surrounding environment. Snow banks line the street, indicating a cold or wintery climate. The overall lighting is bright, creating sharp shadows and highlights on the building and ground. The atmosphere is cold and still, reflecting the season and time of day. Cars are parked alongside the road. Trees are visible in the background. The scene evokes a sense of urban or suburban quietude. There are street lights on the sides of the road. The building appears well maintained. There are no people visible in the scene. The image presents a low-angle perspective of a building exterior under a bright blue sky. The building has a two-tiered structure, with the upper section featuring pale, corrugated metal panels and the lower section constructed of dark red brick. The sky is vivid blue with wispy white clouds scattered across it. A distinct shadow of a utility pole and wires is cast on the pale metal surface, creating a stark contrast. Additional electrical wires are visible against the sky. The lighting is intense, highlighting the textures of the building materials. The atmosphere is clear, suggesting a sunny day. The color palette consists of a strong contrast between the light building facade, the dark brick, and the vibrant blue sky. The composition is angled, giving a dynamic feel to the urban scene. The building appears to be an industrial or commercial structure, with minimal detailing and a functional aesthetic. A tree shadow is visible on the brick, adding a natural element to the scene. This is a photograph of a square window composed of glass blocks, set within a textured blue wall. The window is made up of 36 individual glass blocks arranged in a six-by-six grid. Most of the blocks appear clear and reflect a distorted view of the scene behind them. One of the blocks, located slightly below the center of the window, has an orange, opaque appearance, standing out prominently against the surrounding clear blocks. A crack is visible in one of the glass blocks near the top of the window. The wall surrounding the window has a deep blue color, and the texture appears rough, possibly stucco or concrete. The lighting in the photograph appears somewhat muted, casting soft shadows and creating a cool atmosphere. The overall impression is one of urban decay, with the contrasting colors and textures adding visual interest. The blue wall and the glass blocks create a sense of depth, while the unique orange block serves as a focal point, drawing the viewer's eye to the center of the composition. The image evokes a sense of stillness and isolation, enhanced by the cool color palette and the lack of any discernible activity. The photograph captures a winter scene in front of "Four Star Motors". The building, painted in a light color with blue lettering, stands prominently on the left. Large windows reflect the surrounding environment, hinting at the cars inside. The ground is covered with a thick layer of snow, with patches of ice visible on the side. Small bushes peek through the snow, adding texture to the foreground. A dark-colored SUV is parked in front of the building, partially obscured by the snow. In the background, other buildings can be seen, their architectural styles varying. The sky is overcast, with a soft light filtering through the clouds. The overall atmosphere is serene, with a touch of coldness conveyed by the snow and the muted colors. The composition focuses on the car dealership and the vehicles, with the winter landscape serving as a backdrop. The photo evokes a sense of quiet business activity amidst the winter season. The scene is set on a street, likely in a suburban or semi-urban area, with the building representing a local business. The sky has a few visible clouds, adding a subtle gradient to the scene. The textures range from the smooth surfaces of the cars to the rough, icy snow and the dry branches of the bushes. The sign on the building displays the business name in a clear, legible font, making it easily identifiable. The lighting creates soft shadows, enhancing the depth of the scene and highlighting the contours of the snow-covered ground. The presence of other buildings in the background suggests a small commercial area.
January 16, 2026 at 1:50 AM
woodward.ca
I'll be honest. Righteous folks in Alberta should be preparing for this shit as well. Smith isn't starting an Alberta Police force to protect the citizenry from the Feds or whatever.
stevemullis.net Steve Mullis @stevemullis.net · 1d
Posts from Minneapolis residents read like they'll be read in voiceover in a Ken Burns-like doc one day
r/Minneapolis If Trump invokes the Insurrection Act, that's it for me. I've spent the last week checking on my neighbors, engaging with my city, my local police, everyone. I've supported my friends and family, made sure they knew they weren't alone in their feelings of hopelessness, powerlessness. I've called and emailed my representatives, demanding answers, demanding action. I've just been overcome with this overwhelming, almost primal need to care for and support my community. If Trump invokes the Insurrection Act, and soldiers take to our streets, then that tears it for me. My son just turned 1yr. I've done my best to be a helper, so that I can still be around to support him and spend time with him. But if I have to STAND OUTSIDE in the FREEZING COLD and get the SHIT KICKED OUT OF ME by the people who are supposed to be protecting me, if I have to do that to fight for goodness, and righteousness, and justice, then that's what I'm gonna fucking do. I'm going to do it because this is not the future I want for my son. If you've been out on the streets, and you're tired, and you're hurting, don't worry. Rest when you need to. Because I know my home and I know my neighbors. When you need to rest, two more will replace you. I will be one of them. This is my home. Minneapolis is not going to quit. Minnesota is not going to quit. And FUCK EVERYONE who tries to come in here and take from us the PRIDE, LOVE, and COMMUNITY we've built. As long as I can stand, I'm going to plant my two feet between the oppressors and the home I love. I love you all. L'etoile du Nord.
January 15, 2026 at 6:04 PM
woodward.ca
Why does every single "cooking hack" on Instagram seem specifically designed to fill me with rage?

Right, it's because outrage creates the highest levels of engagement on SM and those videos are about getting those accounts views, not helping you cook better.
January 15, 2026 at 4:39 PM
woodward.ca
Can confirm
January 15, 2026 at 4:13 PM
woodward.ca
I'm sorry, but 7 down was a terrible fucking clue.

I solved today's Taproot Mini in 2:11! crosshare.org/crosswords/o...
The Taproot Mini - No. 127
A way to pay for ETS now (credit card, debit card, Arc card!); Turnip, e.g.; "Don't you agree?" from a Brit; *The Incredibles* fashion designer Mode; Cul-de-\_\_\_; Swim-bike-run race, for short (run ...
crosshare.org
January 15, 2026 at 4:02 PM
woodward.ca
Back in 2016 I worked as a producer on Season 4 of the sketch comedy show Caution May Contain Nuts. I brought a camera to set almost every day so I'll share some BTS photos with you. Here's 1 actor, 4 lewks. I present Master of sketch comedy disguise, Sheldon Elter. The HMUA on CMCN were amazing.
The image shows a person in a diner setting, holding a green object that resembles a toy microphone or a similar item. The individual is seated at a red booth, wearing a plaid shirt over a black top. They have long, dark hair and a somewhat serious expression. The background reveals the diner's interior, featuring wood paneling, white mugs lined up on a shelf, and what appears to be a display case with baked goods inside. A second person, partially visible with dark, curly hair, sits across the booth. The lighting is warm, casting shadows and highlighting the textures of the wood and fabric. The overall atmosphere suggests a scene from a movie or a staged photograph, possibly a humorous or dramatic portrayal of a situation. The presence of the toy-like object adds an element of playfulness or absurdity to the scene. In the upper right corner, there is a glimpse of what seems to be a vintage coffee maker or similar kitchen appliance, adding to the retro diner aesthetic. The focus is sharp on the person holding the object, with a slight blur in the background, drawing attention to their expression and the object in their hand. The arrangement of the mugs and the wood paneling creates a sense of depth and perspective within the diner setting. The red booth contrasts with the wood tones, adding a pop of color to the composition. The scene conveys a sense of anticipation or confrontation, given the person's expression and the way they are holding the object. This is a close-up shot of a person in elaborate costume and makeup, portraying a character that appears to be a hybrid of human and animal, possibly a pig or boar. The person is wearing a yellow helmet adorned with white horns, and a large red jewel is set on the front of the helmet. The character's face is covered in prosthetics to resemble a pig-like snout with prominent tusks extending from the mouth. The skin has a rough, textured appearance. Wisps of grey hair fall around the face and neck, adding to the character's wild appearance. The person's eye is visible, peering out from beneath the makeup with an intense gaze. They are wearing armor that is grey and gold, with raised diamond shapes and small spikes along the collar. The background is blurred, suggesting an outdoor setting with other people or objects out of focus. The lighting is soft and diffused, highlighting the details of the costume and makeup. The overall impression is one of fantasy or cosplay, suggesting participation in a convention or performance. The expression on the character's face hints at a fierce or intimidating persona. This is a medium shot of a person posing outdoors, possibly for a photoshoot. The individual has their hair pulled back into a high bun, and they are wearing makeup that includes dark eyeliner and subtle contouring. They appear to be holding strands of hair, fashioned to resemble a goatee. The person is wearing a patterned top with a pale pink trim around the neck. The background features a mix of evergreen and deciduous trees, suggesting a natural setting with some snow visible on the branches. The lighting is bright and natural, indicating an outdoor setting on a clear or partly cloudy day. The overall atmosphere of the image is lighthearted. The person's facial expression is somewhat quizzical or humorous, adding to the playful tone of the shot. A small portion of a dark object, possibly camera equipment, is visible in the background, hinting at the presence of a photographer or videographer. The colors are vivid and natural, with the green of the trees contrasting with the pink trim on the person's clothing. A man dressed as the character Wally from "Where's Wally?" smiles broadly at the camera, showcasing his vibrant red and white striped long-sleeved shirt and a matching red beanie with a playful pom-pom. His expression is open and friendly, revealing some missing teeth and lines around his eyes, adding character to his face. He is wearing round glasses, and there appears to be makeup or face paint to create wrinkles and scars on his cheeks. His light brown hair peeks out from under the beanie. The setting appears to be a brightly lit indoor shopping center, possibly during a cosplay event or Halloween. Behind him, shop displays can be seen with various clothing items and reflective glass, suggesting a bustling retail environment. The lighting is diffused, creating a soft glow around him. There are glimpses of people and other shoppers in the background, indicating a lively public space. The man's attire is instantly recognizable, evoking a sense of nostalgia and playful fun. The overall composition focuses on the man's cheerful demeanor and the recognizable costume, creating an engaging and lighthearted image. The reflections and diffused light add depth to the image, while the background provides context for the scene. The atmosphere is cheerful and festive, which suggests an event or celebration is happening.
January 15, 2026 at 3:53 PM
woodward.ca
I really am coming around to the idea that a Parliament selected by a random lottery of citizens on a 3 year term with no back to back terms would be a much more and egalitarian way to govern our nation.
January 15, 2026 at 3:26 PM
woodward.ca
Daily Dolly
This is a realistic scene featuring Dolly the brindle pitbull standing in a snowy landscape under a bright, clear sky. She is wearing a blue harness. It is positioned in the foreground, standing on snow that has a slightly crusty or icy appearance. The lighting is bright, creating sharp contrasts and distinct shadows in the snow. The dog is looking off to the right, seemingly attentive to something in the distance. In the background, there are evergreen trees and bare trees, which contribute to the wintery atmosphere. The trees are silhouetted against the bright sky. Distant houses and a fence are partially visible behind the trees. The overall color palette is dominated by cool tones, with the blue of the sky and the white of the snow being prominent. The texture of the snow appears granular and uneven, with some areas reflecting the sunlight more intensely than others. The general atmosphere of the scene is peaceful and serene, capturing a moment in a quiet winter setting.
January 15, 2026 at 3:21 PM
Reposted by Sèafra
feistywaters.com
That time in 2020 when Alohagate was the worst UCP thing. It was a simpler time.
Photo of Jen from December 2020 standing outside holding a shovel and posing while wearing a sleeveless blue dress with Hawaiian print flower pattern, red boots, yellow flower and a blue cloth face mask. Selfie of Jen from December 2020 wearing a sleeveless blue dress with Hawaiian print flower pattern and a blue cloth face mask.
January 15, 2026 at 3:18 AM
woodward.ca
Went for a walk after dinner last night and brought my camera. Grateful for folks who still have lights up on these dark nights.
This realistic scene captures a Christmas tree illuminated with colorful lights in a snowy front yard at night. The tree, centered in the frame, stands in a thick layer of snow. The multi-colored lights create a vibrant contrast against the dark sky and the white snow. The house is to the left of the frame, with a warmly lit porch and a glimpse of a red door. The porch light casts a warm glow onto the steps and surrounding snow. In the background, a tall, dark tree stands silhouetted against the night sky, adding depth to the scene. A white vehicle is parked further back, barely visible in the darkness. The snow-covered ground reflects the colorful lights, creating a magical and festive atmosphere. Patches of grass peek through the snow in some areas, adding texture to the landscape. The overall lighting suggests a peaceful and quiet winter night. The image conveys a sense of warmth and holiday cheer. There are three small dark stalks visible in the lower-left corner of the image. A vertical pole is visible on the right side of the image in the lower corner. The scene evokes a feeling of serenity and seasonal joy, capturing the essence of a winter wonderland. The presence of the house and vehicle indicates a residential area, and the decorated tree confirms the Christmas season. The temperature appears to be cold enough to support snow cover. The snow has a slightly blueish tint due to the night and the colorful lights. The image has a slightly grainy texture, consistent with night photography. This is a scenery photo capturing a snowy night scene. A small, possibly abandoned, garage stands as the focal point, its roofline illuminated by a string of bright, warm lights, contrasting with the overall darkness. The garage is a simple structure with a closed door, possibly made of horizontal panels. Vines or overgrown plants partially cover the garage, adding to the sense of abandonment. In front of the garage, the ground is covered in snow, with various piles and undulations creating texture. Several dark, blocky objects are scattered across the snowy ground, perhaps acting as markers or remnants of a forgotten structure. The foreground is dominated by a vast expanse of snow, its surface reflecting the minimal ambient light. The sky is not visible, and the darkness deepens towards the sides and top of the frame. A few trees or bushes are visible in the background, adding depth to the composition. A house is seen to the right, with some lights on in the windows. The overall atmosphere is cold, quiet, and slightly eerie, evoking a sense of isolation and solitude. The lighting is dim and uneven, with the garage lights creating a strong focal point and casting faint shadows across the snow. The scene appears to be in a residential area during winter. This photograph captures a magical winter scene at night, featuring a light-up globe stick partially submerged in snow. The globe emits a vibrant display of colors, with hues of purple, blue, green, and white swirling within its clear sphere. The light refracts beautifully, casting a soft glow on the surrounding snow. The stick supporting the globe is red at the top and clear, allowing light to pass through, illuminating the snow directly beneath it with a blue hue. The snow appears soft and granular, contrasting with the smooth, round surface of the globe. The backdrop features a dark, blurred background with hints of red and white lights, suggesting a festive or urban environment. To the left, a wooden structure with blue and purple tones adds depth to the scene. The overall atmosphere is serene and enchanting, evoking a sense of wonder and holiday spirit. The lighting emphasizes the light-up globe as the focal point, creating a captivating contrast against the darkness. The composition is carefully framed, drawing the viewer's eye to the glowing sphere and its immediate surroundings. The photograph captures the essence of a winter night, illuminated by the warm and inviting glow of the light-up globe.
January 15, 2026 at 3:33 AM
woodward.ca
Me, and especially my 54 year old back, really want to thank the City of Edmonton for leaving the giant ass windrow blocking my driveway today. The 50+ lbs chunks of ice were especially rewarding to shovel.
January 14, 2026 at 10:55 PM
woodward.ca
This is so sad. Public art is so vital to decent city life.
January 14, 2026 at 10:12 PM
Reposted by Sèafra
thebeaverton.com
Legault resigns to spend more time privately hounding minorities
Legault resigns to spend more time privately hounding minorities
QUEBEC CITY - Quebec Premier François Legault announced his resignation today, explaining that he plans to bring his famed enthusiasm for attacking basic human rights to the private sector.
www.thebeaverton.com
January 14, 2026 at 9:05 PM
woodward.ca
I also probably need to admit that FNL is almost solely responsible for my fetish for "dirty frames" in my film work.
woodward.ca Sèafra @woodward.ca · 2d
Decided to revisit Friday Night Lights and I know the series is uneven and has some real low points, but goddamn the pilot is unbelievably good.
January 14, 2026 at 7:48 PM
woodward.ca
It's not just people outside of Edmonton that many of these clues are niche to.

I solved today's Taproot Mini in 2:36! crosshare.org/crosswords/J...
The Taproot Mini - No. 126
Local winter timezone; Like many Taproot Mini clues, to people outside Edmonton; \_\_\_ House (sensory deprivation provider); MEC camping purchases; How many felt after the Oilers' 2025 playoff run; T...
crosshare.org
January 14, 2026 at 6:00 PM
woodward.ca
Today's 2016 flashback photos are of Radiohead headlining at Osheaga.
The image captures a live music performance bathed in a vibrant red light. Above the stage, a series of screens display close-up images of the band members, enhancing the visual experience for the audience. The screens show the drummer's hands on the drums, the lead singer singing with visible emotion, and a guitarist playing his instrument with passion. The light emanates from above, casting a dramatic glow on the stage and the musicians below. The light creates a hazy atmosphere, adding a sense of depth and intensity to the scene. The musicians are engrossed in their performance, their silhouettes illuminated against the backdrop of the bright screens. The crowd is implied by the perspective and the scale of the stage, though they are not directly visible in the shot. The entire scene is permeated with an energetic atmosphere, the red light intensifying the feeling of excitement and musical immersion. The screens create a fragmented yet cohesive display of the band's performance, providing a multi-faceted view of the musicians in action. The stage appears to be filled with various pieces of equipment, adding to the complexity and dynamism of the live performance setting. The red light serves to unify the different elements of the scene, creating a visually striking and emotionally charged image. The screens highlight the individual expressions of the band members, drawing the audience closer to their performance. The image captures the essence of a live concert experience, blending visual spectacle with musical energy. The dark background contrasts with the illuminated stage, focusing attention on the band and their performance. The overall impression is one of immersive entertainment and powerful artistic expression. This image captures a live music performance, set against a backdrop of vibrant, theatrical lighting and smoky atmosphere. The main focus is on a male singer, positioned centrally on the stage, holding a microphone and seemingly engrossed in his performance. He is dressed in dark clothing, which contrasts with the bright, multi-colored stage lighting behind him. To the right, partially obscured, another musician is playing a keyboard or similar instrument, with a laptop visible on top of the instrument. The stage is filled with equipment, including speakers and monitors, contributing to a sense of a professional music setup. The lighting is a mix of blues, pinks, and oranges, creating a dynamic and energetic visual effect. A haze or fog permeates the stage, adding depth and a sense of drama to the scene. In the foreground, the blurred heads of audience members are visible, indicating that the photograph was taken from within the crowd. Some audience members are holding up their phones, capturing the performance. The overall atmosphere of the image is one of excitement and engagement, typical of a live music event. The image has a slightly grainy texture, which may be due to the lighting conditions or the camera settings used to capture the moment. The singer appears focused and passionate, conveying a sense of dedication to his performance. The color palette includes a range of hues, from deep blacks and grays to bright blues and oranges, providing a striking visual contrast. The spatial relationships in the image place the singer as the focal point, with the other musicians and the audience providing context and depth. A man stands on a dimly lit stage, illuminated by focused lighting that casts deep shadows across his face and body. He holds a microphone close to his mouth, his lips nearly touching the mesh. The man is wearing a white, collared shirt that is partially unbuttoned, revealing a glimpse of his chest and a gold necklace. The fabric of the shirt reflects the light, creating a sheen of white with defined creases and folds. He has short, dark hair and a trimmed beard. An in-ear monitor is visible in his left ear. His right arm extends toward the microphone, with the cable snaking around. The background is dark and indistinct, with a hint of blue, suggesting the presence of stage lighting. The overall mood is intense and focused, capturing a moment of performance. The composition is relatively tight, focusing on the man's face and upper body. He appears to be deeply engaged in his performance, with a serious expression and a slight furrow in his brow. The lighting emphasizes the contours of his face, highlighting his features and adding to the dramatic effect. A circular object is partially visible in the lower left corner, possibly a drum or other piece of equipment.
January 14, 2026 at 5:54 PM
woodward.ca
Daily Dolly.
Dolly the brindle pitbull sniffs at a snowbank while out on a walk in the park.
January 14, 2026 at 3:32 PM
woodward.ca
Yet another reason to support artists on Bandcamp.
January 14, 2026 at 4:47 AM
woodward.ca
Currently Listening:

youtu.be/D1OM2O22AiQ?...
Rabbit Hole
YouTube video by Ruby Waters - Topic
youtu.be
January 14, 2026 at 3:52 AM
woodward.ca
Today's look back at 2016 is just a little bit of prairie sky magic. I see you moon.
The image captures a serene dusk scene, with the sky transitioning from a deep blue at the top to a soft orange near the horizon. A slender crescent moon hangs in the upper center of the sky, providing a focal point against the gradient backdrop. Silhouetted trees dominate the lower portion of the frame, creating a dark and textured boundary between the sky and the unseen ground. The trees are densely packed, varying in height and shape, suggesting a natural forest landscape. The lighting is dim and diffuse, contributing to the overall tranquil and slightly mysterious atmosphere. The color palette is dominated by cool blues and warm oranges, creating a pleasing contrast. The scene evokes a sense of peacefulness and solitude, with the natural elements harmonizing in a quiet moment of transition. The composition is simple yet effective, with the sky and trees balanced in terms of visual weight. There is a subtle hint of clouds or haze near the horizon, softening the transition between the sky and the trees. The overall impression is one of natural beauty and quiet contemplation. The viewer is drawn into the scene by the contrasting colors and the delicate presence of the moon. The silhouetted trees create a sense of depth and distance, adding to the overall immersive quality of the image.
January 14, 2026 at 3:47 AM
woodward.ca
Decided to revisit Friday Night Lights and I know the series is uneven and has some real low points, but goddamn the pilot is unbelievably good.
January 14, 2026 at 2:07 AM