@cass_milne on Twitter.
https://letterboxd.com/Cassmilne/
I laud Kurosawa's stunning blocking and spacing, while exploring how he viewed hatred, resentment, and inner emptiness as their own forms of poverty. I also make connections to Fritz Lang's M and Bong Joon Ho and David Fincher's modern procedurals.
I laud Kurosawa's stunning blocking and spacing, while exploring how he viewed hatred, resentment, and inner emptiness as their own forms of poverty. I also make connections to Fritz Lang's M and Bong Joon Ho and David Fincher's modern procedurals.
boxd.it/cufDLh
boxd.it/cufDLh
boxd.it/bZBxjr
boxd.it/bZBxjr
boxd.it/cr84uJ
boxd.it/cr84uJ
youtu.be/XImi7fT7-J0
youtu.be/XImi7fT7-J0
boxd.it/cpmpfv
boxd.it/cpmpfv
I engage with the themes of elemental nature, transience, and the importance of humanism and mercy in Kenji Mizoguchi's painterly Sansho the Bailiff.
I engage with the themes of elemental nature, transience, and the importance of humanism and mercy in Kenji Mizoguchi's painterly Sansho the Bailiff.
I dissect Bernardo Bertolucci's The Conformist, and give nods to its psychological understanding of Fascism, the alienating nature of Mussolini's architecture, and praise the sophisticated cinematography that would influence the Godfather films.
I dissect Bernardo Bertolucci's The Conformist, and give nods to its psychological understanding of Fascism, the alienating nature of Mussolini's architecture, and praise the sophisticated cinematography that would influence the Godfather films.