(d)
@glitched.org
Electronic musician, sound designer, music-tech writer and experimenter. https://glitched.org https://d01.me
And @arpegiator.bsky.social of Shadow Dancer, of course
January 23, 2026 at 4:52 PM
And @arpegiator.bsky.social of Shadow Dancer, of course
Whoa, I never heard this one. Very linear, not what I expected, but very cool!
January 23, 2026 at 2:45 AM
Whoa, I never heard this one. Very linear, not what I expected, but very cool!
Track 15 gives me good ol' BoC vibes: touched.bandcamp.com/track/northw...
Northwest Territories, by ?
from the album Covert
touched.bandcamp.com
January 22, 2026 at 4:56 AM
Track 15 gives me good ol' BoC vibes: touched.bandcamp.com/track/northw...
still looks like xmas over there!
January 20, 2026 at 4:05 AM
still looks like xmas over there!
Still may keep the thing because totally saved this one track.
I was having a lot of trouble capturing these specific, 2khz transients and dynamic EQ wasn't quite doing it.
The "saturation" model managed to stomp them down just a bit, so I could control the high end better
I was having a lot of trouble capturing these specific, 2khz transients and dynamic EQ wasn't quite doing it.
The "saturation" model managed to stomp them down just a bit, so I could control the high end better
January 17, 2026 at 7:04 PM
Still may keep the thing because totally saved this one track.
I was having a lot of trouble capturing these specific, 2khz transients and dynamic EQ wasn't quite doing it.
The "saturation" model managed to stomp them down just a bit, so I could control the high end better
I was having a lot of trouble capturing these specific, 2khz transients and dynamic EQ wasn't quite doing it.
The "saturation" model managed to stomp them down just a bit, so I could control the high end better
For instance, I have a track that's pretty jagged and others that are more sustained and sausage-like.
If I mastered the spiky track at the same loudness as the less-dynamic one, I'd blow the listener's ears out.
If I mastered the spiky track at the same loudness as the less-dynamic one, I'd blow the listener's ears out.
January 17, 2026 at 6:22 PM
For instance, I have a track that's pretty jagged and others that are more sustained and sausage-like.
If I mastered the spiky track at the same loudness as the less-dynamic one, I'd blow the listener's ears out.
If I mastered the spiky track at the same loudness as the less-dynamic one, I'd blow the listener's ears out.