John Bleasdale
@www.johnbleasdale.com
The Magic Hours: the Life of Terrence Malick
Darkness Visible: the Cinema of Jonathan Glazer
Variety/Sight&Sound/The New World/Cinema Italia&Writers On Film podcasts
https://open.spotify.com/show/7LMnm5Gfb42qUV5qLdymMp?si=CC_zOz5ERTWFm_iij8ImAg
Darkness Visible: the Cinema of Jonathan Glazer
Variety/Sight&Sound/The New World/Cinema Italia&Writers On Film podcasts
https://open.spotify.com/show/7LMnm5Gfb42qUV5qLdymMp?si=CC_zOz5ERTWFm_iij8ImAg
It also makes musicals hard to do. You can’t stop for the song. And what makes good musicals great. A good action movie should be like a good musical.
January 19, 2026 at 12:44 PM
It also makes musicals hard to do. You can’t stop for the song. And what makes good musicals great. A good action movie should be like a good musical.
Tarantino is weird because other than Kill Bill and Django his films don’t really have action sequences. Inglouriojs Basterds was a war film without a war for instance. The violence is more in the language and then sudden and over.
January 19, 2026 at 12:36 PM
Tarantino is weird because other than Kill Bill and Django his films don’t really have action sequences. Inglouriojs Basterds was a war film without a war for instance. The violence is more in the language and then sudden and over.