Stephen Thomas Erlewine
@sterlewine.bsky.social
5.8K followers 550 following 920 posts
Music writer and journalist, a founding editor of Allmusic now freelancer for hire. Bylines at Pitchfork, Rolling Stone, Mojo Magazine, Los Angeles Times, Washington Post and more. Subscribe to my Newsletter: sterlewine.substack.com
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sterlewine.bsky.social
There’s a good chance he’d go crazy for the Stray Cats.
sterlewine.bsky.social
All his solo work has a very strong early rock’n’roll undercurrent. It could sometimes be disguised by the production but it’s always there.
Reposted by Stephen Thomas Erlewine
sterlewine.bsky.social
Over at @pitchfork.com, I review Power to the People, a lavish and exhaustive box set that documents John Lennon & Yoko Ono’s radical Sometime in New York City era that just happens to excise the album’s lead single. pitchfork.com/reviews/albu...
John Lennon / Yoko Ono / Yoko Ono Plastic Ono Band / Elephant’s Memory: Power to the People (The Ultimate Collection)
Read Stephen Thomas Erlewine’s review of the album.
pitchfork.com
Reposted by Stephen Thomas Erlewine
seanhowe.bsky.social
Free John Sinclair!
Release TEN FOR TWO!
Reposted by Stephen Thomas Erlewine
thefarce.org
Don't know why it fascinates me so much that when both John and Paul had done everything and could do anything, they both decided that there was nothing better to do than follow their wives into some kind of wild wilderness.
sterlewine.bsky.social
Over at @pitchfork.com, I review Power to the People, a lavish and exhaustive box set that documents John Lennon & Yoko Ono’s radical Sometime in New York City era that just happens to excise the album’s lead single. pitchfork.com/reviews/albu...
John Lennon / Yoko Ono / Yoko Ono Plastic Ono Band / Elephant’s Memory: Power to the People (The Ultimate Collection)
Read Stephen Thomas Erlewine’s review of the album.
pitchfork.com
sterlewine.bsky.social
Thanks so much. It’sgrown on me over the years and I do like how this set brings out the rock’n’roll thread that ties it all together.
sterlewine.bsky.social
Thanks so much, that’s the highest praise I could receive.
sterlewine.bsky.social
Over at @pitchfork.com, I review Power to the People, a lavish and exhaustive box set that documents John Lennon & Yoko Ono’s radical Sometime in New York City era that just happens to excise the album’s lead single. pitchfork.com/reviews/albu...
John Lennon / Yoko Ono / Yoko Ono Plastic Ono Band / Elephant’s Memory: Power to the People (The Ultimate Collection)
Read Stephen Thomas Erlewine’s review of the album.
pitchfork.com
Reposted by Stephen Thomas Erlewine
bourgwick.bsky.social
just heard that annye anderson, robert johnson's stepsister, died earlier this year. she published the mindbending memoir "brother robert" in 2021. thechitlincircuit.substack.com/p/rest-mrs-a...
book excerpts from Brother Robert book excerpts from Brother Robert
Reposted by Stephen Thomas Erlewine
mikeduquette.bsky.social
Easily part of the reason why I found the Taylor rollout exhausting (and as someone who wrote something this week, guilty as charged). By contrast, I think @sterlewine.bsky.social wrote about the Billy Joel doc weeks after it came out and it was one of my favorite things on it
jefito.com
100 percent. The editorial culture based around “winning the search” has conditioned us to believe that any take arriving more than 24 hours after the event isn’t worth reading. It’s insane and bad for us overall.
raxkingisdead.bsky.social
look no offense to this person specifically but i do think ‘are we still talking about this’ as a response to an essay about something from a couple weeks ago is pretty silly. we should expect thoughtful writing to take time
Reposted by Stephen Thomas Erlewine
Reposted by Stephen Thomas Erlewine
usefulnoise.bsky.social
An especially silly example, but I see "[much-celebrated legend] is underrated/overlooked" WAY too much these days. IDK if you're young, or hang with the wrong people, or are just desperate for an angle, but this is a very boring (as well as inaccurate) way to discuss someone.
sterlewine.bsky.social
I have very fond memories of the live WTF we attended together during SXSW years ago.
sterlewine.bsky.social
Ned’s sentiments mirror mine.
nedraggett.bsky.social
As I’ve noted via various reposts on here, Kaleb Horton has a memorial today down in SoCal; I regret for various reasons I could not attend. I think of him today, once more. This piece from earlier this year gained much attention after he died. It’s worth your time. Best to all attending.
2025, So Far
I wish I had a time machine so I could go back in time and talk to my dad in 1988, just before I was born, and tell him what it’s like to live in the future. I’d tell him all the amazing things that a...
kalebhorton.ghost.io
Reposted by Stephen Thomas Erlewine
sterlewine.bsky.social
My latest newsletter: reviews of new albums by Taylor Swift, Jeff Tweedy, Robert Plant. Plus, Saint Etienne says farewell, Ronnie Wood gets his own Anthology, Los Straitjackets break away from Nick Lowe, checking in on Sloan.
In Review: Taylor Swift, Jeff Tweedy, Robert Plant
Plus: Saint Etienne says farewell, Ronnie Wood gets his own Anthology, Los Straitjackets break away from Nick Lowe, checking in on Sloan.
sterlewine.substack.com
Reposted by Stephen Thomas Erlewine
usefulnoise.bsky.social
Goddess in the Doorway came out in 2001, just sayin'
rollingstone.com
ROLLING STONE RANKS THE 250 GREATEST SONGS OF THE 21st CENTURY SO FAR 🚨
The 250 Greatest Songs of the 21st Century So Far
bit.ly
sterlewine.bsky.social
The guy is 82, he cut his signature song 40+ years ago.
sterlewine.bsky.social
Very true. Those guys had a very idiosyncratic dynamic.
sterlewine.bsky.social
Ocasek may have had the ego to separate himself from the group in any case but Roberts certainly accelerated the division.
sterlewine.bsky.social
That could be. With the Cars and the Heartbreakers, he seemed intent on making one person an obvious star which misread the dynamics in both groups (the Heartbreakers were lucky that Campbell was fine being a lieutenant.)
sterlewine.bsky.social
One of my main takeaways from The Cars bio and the Mike Campbell memoir is that Elliot Roberts was an absolutely terrible manager for a rock’n’roll band.
sterlewine.bsky.social
Agree with this completely, it’s a terrific book.
jodygraphs.bsky.social
The Janovitz Cars book really raises the bar on music bios. This is how you do a meat & potatoes, context-rich, loving but nonhagiographic deep dive into a band’s history. Funny, idiosyncratic, w a strong sense that it was written/researched by a *musician* while also accessible to a gen audience.