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Andrew Pope @andrewpope.bsky.social · 4h

*And, post-70s, Raging Bull at #25. The closest thing to a New Hollywood canon-disrupter in 1992!

Andrew Pope @andrewpope.bsky.social · 4h

For example, here’s the Sight and Sound Greatest of All Time critics list from 1992. Only three 1970s Hollywood films in the top 100: Nashville (at 54), The Godfather Part II (at 58), & Apocalypse Now (at 66). That’s it.
boxd.it/fawKm

Sight & Sound 1992 Critics List

boxd.it

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Andrew Pope @andrewpope.bsky.social · 4h

As i said, “even after new Hollywood” eg those 70s directors didn’t truly disrupt the upper echelons of the canon until the 90s. People did not rate Scorsese as up there with the greatest of the greats until then. They were even sniffy about Goodfellas - good filmmaking but not a great film.

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Andrew Pope @andrewpope.bsky.social · 6h

Tokyo Story has long been considered one of the greatest of all time… but even though he’s long been considered one of the best, his star has risen. I think that’s to do with the availability of his wider body of work.

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Andrew Pope @andrewpope.bsky.social · 6h

I’m an unc. The answer is that even after New Hollywood the big three were still seen as Kurosawa Bergman and Fellini. The there was a two-stage canonical revolution: one caused by the brats of the early 90s, mainly Tarantino telling people about eg Ringo Lam. Then the social media/streaming/LB one.

Corey Atad @coreyatad.com · 7h

throwing this prompt from Twitter in here. what examples you got?

tweet by @Caol_MacCormaic that reads, uncs of film twitter: what are some movies that are canonical now but were basically unknown when we were coming up? like Come and See or Possession. inversely: what are some movies or filmmakers that seem to have fallen off? (Takashi Miike comes to mind)

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Andrew Pope @andrewpope.bsky.social · 6h

I seem to remember the big three that permeated mainstream consciousness in (eg) the 1980s or early 1990s as being Kurosawa, Bergman & maybe Fellini. If you had a cinephile character in a comedy sketch he’d be gabbing on about one of them. I think Bergman & Fellini dropped off a bit in that regard.

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Andrew Pope @andrewpope.bsky.social · 9h

Yorgos Lanthimos, Emma Stone and Jesse Plemons rejoin forces in BUGONIA, playing tonight in London at the LFF. This darkly goofy, paranoid, sci-fi mystery comedy is a rare example of a western remake that surpasses a Korean original (Save The Green Planet). Recommended!

My ★★★★ review from Venice:

Bugonia – Venice review

Yorgos Lanthimos remakes 2003’s Korean genre gem Save the Green Planet! for an age of managed decline, and produces a darkly comedic fable about the end of the world… or is it? ★★★★ Two young men (…

whitlockandpope.com

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Andrew Pope @andrewpope.bsky.social · 13h

Sorry, sorry, I’m trying to delete it.

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Andrew Pope @andrewpope.bsky.social · 13h

Jay Kelly 2025
* * ½
Watched 10 Oct 2025
Mild Strawberries.

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Andrew Pope @andrewpope.bsky.social · 14h

Mind The Gaaaaaaap 🧟‍♂️

Miskatonic Institute of Horror Studies @miskatonicihs.bsky.social · 14h

Pleased to announce that next Tuesday's London Miskatonic has Sold Out!!
Still tickets for our Online session on Hypnosis in Horror Cinema - billetto.co.uk/e/sunken-pla...

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Andrew Pope @andrewpope.bsky.social · 14h

💀 The living heart of cult horror beats on, in London!

The @sohohorrorfest.bsky.social 2025 lineup is a delirious mix of drag, gore, ghosts & pure underground gold - from Queens of the Dead to Dracula: A Love Tale. Runs 21-23 Nov in Brixton & 27-30 online. #SuccumbToSohoHorror

🕯️Our full preview:

Soho Horror Film Festival 2025: The Living Heart of Cult Horror Beats On

Soho Horror Film Festival roars back this November with its fiercest lineup yet — a defiantly independent celebration of cult, camp, and cutting-edge horror across two weekends in Brixton and onlin…

whitlockandpope.com

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Andrew Pope @andrewpope.bsky.social · 21h

The LFF Surprise movie was Tuner.

Very Sundance. Even though it premiered at Telluride… very Sundance.

★★★

Tuner – LFF review

Turner may have premiered at Telluride, but it feels like pure Sundance (derogatory).

whitlockandpope.com

Andrew Pope @andrewpope.bsky.social · 1d

Very tempted by this mug, because listen, sometimes a movie WILL just have you asking: For Whomst?! FOR WHOMST.

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Andrew Pope @andrewpope.bsky.social · 1d

Julia Ducournau’s ALPHA is feverish, flawed, and unforgettable. Bodies turn to stone, families splinter, and shame spreads like contagion. Even with an unruly script, Ducournau still hits hard. 💉💔
★★★★
#LFF #Alpha #JuliaDucournau

Alpha – LFF review

Julia Ducournau’s Alpha finds beauty in contagion and chaos. Set in Le Havre during a mysterious viral outbreak in 1990, it’s a feverish, uneven but deeply felt study of disease, guilt, and loss &#…

whitlockandpope.com

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Andrew Pope @andrewpope.bsky.social · 1d

Fire and Brimstone Brolin!

Andrew Pope @andrewpope.bsky.social · 2d

Rian Johnson goes gothic with WAKE UP DEAD MAN: A KNIVES OUT MYSTERY. Faith, guilt & an Easter murder at a NY church. Josh O’Connor brings great energy, Daniel Craig is more subdued than before, & the tone is confessional and reflective. Good stuff!
Opens #LFF tonight; cinemas 26 Nov; Netflix 12 Dec

Wake Up Dead Man: A Knives Out Mystery – LFF review

Rian Johnson’s Wake Up Dead Man: A Knives Out Mystery trades the bright satire of Glass Onion for something darker and more introspective. Set in a small religious community, it follows Josh O’Conn…

whitlockandpope.com

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Andrew Pope @andrewpope.bsky.social · 2d

Why did this convoluted, painfully arch wordplay on a niche subject get such little traction? 🧐 Who’s to say.

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Andrew Pope @andrewpope.bsky.social · 2d

*how much

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Andrew Pope @andrewpope.bsky.social · 2d

I’m giving >50% odds of the bubble bursting in 2026; the only question is hire much of the economy will it pull down with it in the short term?

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Reposted by Andrew Pope

Andrew Pope @andrewpope.bsky.social · 3d

GDT’s disappointing FRANKENSTEIN played @ BeyondFest; A sumptuous production that can’t allow its Creature to be anything less than a perfect little angel, a GDT trope that’s ossified within his work to the point it limits his vision & hobbles his movies. Not every monster needs to be unimpeachable!

Guillermo Del Toro’s Frankenstein – Venice Review

Guillermo del Toro’s Frankenstein is a sumptuous gothic spectacle, thick with atmosphere and design, yet weakened by unsubtle storytelling, heavy-handed voiceover, and pacing that tests patience. ★…

whitlockandpope.com

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Andrew Pope @andrewpope.bsky.social · 2d

The reason he’s taken his shoes off there is because he walked 500 miles, and then walked 500 more.

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Andrew Pope @andrewpope.bsky.social · 3d

We touched on this in my @miskatonicihs.bsky.social talk on Shoegaze Horror! A hauntological flypaper trap. An endlessly looping present built from a vortex of regurgitated pasts, with no future to escape to, where every doorway leads back to where you already are. Kojima’s PT on a cultural level.

Roland Meyer @bildoperationen.bsky.social · 3d

So-called #genAI means the abolition of the future through the proliferation of endless streams of stochastically rendered generic pasts. Having turned large parts of the cultural archive into training data, it now traps us in a foreverized pastness, a 24/7 nostalgia for a past that never existed

QuoProQuid @quoproquid.bsky.social · 4d

have just come across a YouTube account that has been using Sora to upload reels of fake, AI-generated “90s sitcoms” every few hours

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Andrew Pope @andrewpope.bsky.social · 3d

GDT is doing one of the most disappointing things a horror creative can do: he’s getting crushingly predictable. His work has become schematic and rote. Still: beautiful gowns.

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Andrew Pope @andrewpope.bsky.social · 3d

GDT reading Frankenstein & shrieking NO NO & ripping out pages any time the Creature gets any innocent blood on his hands whatsoever. Not my perfect boy! Is the human the real monster in this one? Was that implicit in the text? Better make it explicit. Better have people repeatedly say it out loud.

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Andrew Pope @andrewpope.bsky.social · 3d

GDT’s disappointing FRANKENSTEIN played @ BeyondFest; A sumptuous production that can’t allow its Creature to be anything less than a perfect little angel, a GDT trope that’s ossified within his work to the point it limits his vision & hobbles his movies. Not every monster needs to be unimpeachable!

Guillermo Del Toro’s Frankenstein – Venice Review

Guillermo del Toro’s Frankenstein is a sumptuous gothic spectacle, thick with atmosphere and design, yet weakened by unsubtle storytelling, heavy-handed voiceover, and pacing that tests patience. ★…

whitlockandpope.com

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