he/him
After 4 years of work, my solarpunk game finally has a title, a trailer, and a Steam page!
Wishlist... Future? No Thanks!
👉 futurenothanks.com
We spoke with @molleindustria.org about FUTURE? NO THANKS!, decoupling sci-fi from utopian thinking and the one good thing Ezra Klein has done for us.
MORE funland.itch.io/funland-zine...
SUBSCRIBE www.patreon.com/funlandmag
We spoke with @molleindustria.org about FUTURE? NO THANKS!, decoupling sci-fi from utopian thinking and the one good thing Ezra Klein has done for us.
MORE funland.itch.io/funland-zine...
SUBSCRIBE www.patreon.com/funlandmag
paulkrugman.substack.com/p/phillips-o...
paulkrugman.substack.com/p/phillips-o...
Brilliant design and great "procedural" slapstick comedy.
Games are finally figuring out that not everyone wants to shoot strangers online.
Brilliant design and great "procedural" slapstick comedy.
Games are finally figuring out that not everyone wants to shoot strangers online.
The bad news is that I live in the US.
The bad news is that I live in the US.
back in 2005 I built a website that let people "bet" on where the next terrorist attack would take place.
It was basically a proto-Polymarket.
Mainstream media HATED IT, even as they engaged in the same kind of terror-mongering predictions…
back in 2005 I built a website that let people "bet" on where the next terrorist attack would take place.
It was basically a proto-Polymarket.
Mainstream media HATED IT, even as they engaged in the same kind of terror-mongering predictions…
~4h | PC, PS4/5
thunderfulgames.com/games/viewfi...
~4h | PC, PS4/5
thunderfulgames.com/games/viewfi...
It's easier to hold the current regime at gunpoint and keep the oil flowing.
Latin American friends, this fascist empire isn’t going to gift you dEmOcRaCy
It's easier to hold the current regime at gunpoint and keep the oil flowing.
Latin American friends, this fascist empire isn’t going to gift you dEmOcRaCy
Trump in 2026: We kidnapped Maduro, we’ll run Venezuela, and steal its oil.
Trump in 2026: We kidnapped Maduro, we’ll run Venezuela, and steal its oil.
Let 2026 mark the end of the dollar’s dominance and the fall of U.S. tech monopolies.
www.irishtimes.com/world/us/202...
Let 2026 mark the end of the dollar’s dominance and the fall of U.S. tech monopolies.
www.irishtimes.com/world/us/202...
I can't say the same for video games, and I'm trying to figure out why...
letterboxd.com/molleindustr...
I can't say the same for video games, and I'm trying to figure out why...
letterboxd.com/molleindustr...
Ideal for this limbo between Christmas and the end of the year.
Browser - 15min
yezi.itch.io/time
Ideal for this limbo between Christmas and the end of the year.
Browser - 15min
yezi.itch.io/time
Funny, scary, with a story cleverly woven into its loop.
Games can't rely on many traditional horror devices, it’s exciting to see new genres native to the medium.
Funny, scary, with a story cleverly woven into its loop.
Games can't rely on many traditional horror devices, it’s exciting to see new genres native to the medium.
www.jmail.world
www.jmail.world
PLUS
all the political subordination of a public system, because these organizations can’t function without government subsidies.
www.axios.com/2025/12/18/t...
PLUS
all the political subordination of a public system, because these organizations can’t function without government subsidies.
www.axios.com/2025/12/18/t...
I’m usually turned off by "wrong" and romanticized retro aesthetics, but Ruin isn't quite a retro game. It feels closer to the blurred memory of playing games as a child.
~15 min - Browser
RUIN Ch.0
A Short Narrative Adventure
Please Enjoy, Free, In Browser on Any Device
officialelectric.itch.io/ruin
I’m usually turned off by "wrong" and romanticized retro aesthetics, but Ruin isn't quite a retro game. It feels closer to the blurred memory of playing games as a child.
~15 min - Browser
Having to perform as artists 24/7 isn’t new, but now art-making content becomes evidence.
What do we call it?
The Professorification of the Viewer?
Audience as CAPTCHA?
Having to perform as artists 24/7 isn’t new, but now art-making content becomes evidence.
What do we call it?
The Professorification of the Viewer?
Audience as CAPTCHA?