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It’s out of context, but he was basically saying they’re focusing on movies and animation as it gives Nintendo IPs better exposure and that old games can’t do that as well as new ones.

I’d recommend reading his responses, but it doesn’t seem like they care to archive games and dev docs (for free).
I’ll also replay 3 after I finish 2 and Torna, I think. Just to round out this exercise.
Very much agree, especially as he helped me identify what aspects of stories I enjoy.

His playthrough of 1 also helped motivate me to actually play through 2. I’m not quite finished yet, but it’s been a more informative experience trying to apply his knowledge into a more active experience.
Gege looks in a mirror. “Wow, this man is absolutely awful. I’d strike his face if I encountered him in public!”
selling two old ones for full price helps), but he sounds very much transactional about it.

Games preservation shouldn’t need to have a ROI and it’s just kinda sad how little effort Nintendo puts into preservation and awareness, especially if it doesn’t bring in the cash.
Thanks for giving context. Unfortunately I still can’t feel good about what he’s saying, especially when Capcom finally allowed GOG to release preserved versions of the first few RE games.

I get he’s broadly speaking, saying old games don’t give the same attention a newer game does (not that
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So this is just legitimate ragebait. The context was specifically about expanding the Nintendo IPs and the Nintendo Museum where they can see and use old hardware. Here's the question and answer
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That’s an interesting POV, in that what it sounds like is trying to strip identity from the game.

Like with the story book in Galaxy. It didn’t take away from the gameplay, but it was seemingly a reductive experience to Miyamoto. Yet, that feature was one of the most memorable parts of the game.
I’m personally having whiplash over this one since I usually ignore anything he says anyway. It’s kind of hard to think Miyamoto truly believes “it’s just a job, man”.

Like it feels crazy to rank Sakurai higher by a wide margin over Miyamoto WRT actually diversifying and preserving games/talent.
games or are too safe in making games, has a reason. I wouldn’t have thought Miyamoto could be a part of that.
Yeah, rereading the statement, it’s wild of him to say this because it sounds like he’s okay with seeing his own works get torched out of the cultural consciousness because they’re “too old” or can’t be effectively sold.

Once again, Sakurai saying new directors aren’t allowed to make experimental
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The Duke Nukem Zero Hour decompilation just reached 100% status
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“I can take them…”

“In a fight, Quanxi? You mean in combat, right?”
Can’t believe this is Fujimoto’s bsky account
Well, hopefully they can maximize their freaky and evil dynamic before getting cut down lol
I’m not familiar, but is this supposed to be lifting the Makima dynamic, but poorly? Or is the author frustrated that readers are calling her a “Makima clone” or something?
these different factions having little transformations as the story moves forward.
I really like the change in Elestri. It’s kind of boring when antagonists are just static and sit in their silos as certain archetypes. It’s good to see Helem influence Elestri, and I hope Helem is influenced in turn.

I can’t say I know where Kuramori is taking the story, but I’m hopeful seeing
#Centuria

I’m impressed by how blasé these two started as, but making out sloppy-style in the middle of their assassination plot turned them into an absolutely rancid duo (good).

I fully expect their escalating machinations to be their downfall, so I’m looking forward to the karmic backlash.
Yuji is gonna be reintroduced as a forest-dwelling hobo who grew so much hair, he naturally looks like SS4 Goku.
I don’t follow MHA anymore, but I swear at least one-third of the comments I see about Bakugo’s mom are ones lusting after her lol
A man in Boston, MA is hit in the groin.
Customer: I WAS IN THE FUTURE FARMERS OF AMERICA IN SCHOOL. THIS IS A REF TO THE CHICKENS I RAISED
DMV: MY COCK?

Verdict: DENIED