alex䷰trismegistus
@technihilism.bsky.social
1K followers 870 following 8.3K posts
one chance out between two worlds
Posts Media Videos Starter Packs
Reposted by alex䷰trismegistus
multiversalplus.bsky.social
LESS THAN TWILIGHT (Marek Kanievska, 1987)

A decadent college student (Andrew McCarthy) returns home for Christmas and finds himself caught in a love triangle between a dissipated gigolo werewolf (Robert Downey Jr.) and his sociopathic coke-dealing vampire pimp (James Spader).
Reposted by alex䷰trismegistus
multiversalplus.bsky.social
HOUSE OF THE UNDEAD (Massimo Cazzioni, 1969)

Two legendary vampires compete for possession of John Dee’s great-great granddaughter, whose blood is rumored to be the regenerative elixir of life. Cristopher Lee, Veronica Carlson, Paul Köhler, and Boris Karloff as Van Helsing.
Reposted by alex䷰trismegistus
bullwark.bsky.social
Why do all our "unwavering and special allies" all kinda seem like Nazis
gothgf.rip
good thing nothing more urgent is happening right now
The Rada will consider a law against LGBT propaganda in Ukraine
technihilism.bsky.social
"politicians don't owe you anything" is my favourite
cait.bsky.social
being online is amazing you can say "our democratically elected officials should be doing something and/or should have done something previously to prevent the current political climate from developing to this point" and someone will argue with you
Reposted by alex䷰trismegistus
jfg.land
Anna Tsing really cooked here

(from The Mushroom at the End of the World)
Excerpt from Anna Tsing's "The Mushroom at the End of the World"

"What we have is mushrooms, that is, fruiting bodies of underground fungi. The fungi require the traffic of the commons to flourish; no mushrooms emerge without forest disturbance. The privately owned mushroom is an offshoot from a communally living underground body, a body forged through the possibilities of latent commons, human and not human. That it is possible to cordon off the mushroom as an asset  without taking its underground commons into account is both the ordinary way with privatization and a quite extraordinary outrage, when you stop to think about it. The contrast between private mushrooms and fungi-forming forest traffic might be an emblem for commoditization more generally: the continual, never-finished cutting off of entanglement."
Reposted by alex䷰trismegistus
tomorrowarchive.com
reminder that starship titanic, lovingly remade by scummvm volunteers to work on modern hardware, is available on steam for just $6 store.steampowered.com/app/467290/S...
technihilism.bsky.social
yeah, that's very much it, he was a court jester, not a cultural attache
Reposted by alex䷰trismegistus
laurielipton.bsky.social
You think an immigrant at the ER is stealing your money? Not the billionaires with 5 homes, 3 yachts, 2 private jets, & a golden toilet? Congratulations! You’re living proof that propaganda works (“DELUSION DWELLERS 2007”, 38”x48”, charcoal and graphite on paper)
Reposted by alex䷰trismegistus
technihilism.bsky.social
what a fool i've been as a programmer trying to come up with elegant heuristics to perform such functionality efficiently when i should've just been shoehorning all of human language in there instead
technihilism.bsky.social
the pro-AI guy on the dev slack i hang out on is very defensive about openAI getting a stranglehold on the DRAM market: "what else are you going to use it for?"

it. is. a. fucking. cult.

and when you strip away all of the asimovian bullshit what it truly worships is raw consumption
technihilism.bsky.social
i too like to have a reductive take on human creativity so i can keep using the thieving slop machine
Reposted by alex䷰trismegistus
junoryleejournalism.com
David Simon, creator of ‘The Wire’, being interviewed by Ari Shapiro (NPR)
SHAPIRO: OK, so you've spent your career creating television without Al, and I could imagine today you thinking, boy, I wish I had had that tool to solve those thorny problems...
SIMON: What?
SHAPIRO: ...Or saying...
SIMON: You imagine that?
SHAPIRO: ...Boy, if that had existed, it would have screwed me over.
SIMON: I don't think Al can remotely challenge what writers do at a fundamentally creative level.
SHAPIRO: But if you're trying to transition from scene five to scene six, and you're stuck with that transition, you could imagine plugging that portion of the script into an Al and say, give me 10 ideas for how to transition this.
SIMON: I'd rather put a gun in my mouth.
Reposted by alex䷰trismegistus
Reposted by alex䷰trismegistus
recombobulating.bsky.social
humanity doesn't need to be educated into people

they already have it

it is the inhumanity of the civilised rational actor that must be taught

and it takes the rewards of privilege to motivate acceptance of membership of that elite class
Reposted by alex䷰trismegistus
Reposted by alex䷰trismegistus
lorenschmidt.bsky.social
a fascinating writeup on the making of a set of widely distributed IDF propaganda videos, specifically identifying assets they used. there's something incredibly unsettling about the creative ethos here. stolen assets. no actual intelligence information at all. just hubris and pure fabrication.
jacksapoch.bsky.social
Others assets came from scans made by the Scottish Maritime Museum of their boat-building workshop which was downloaded (via @sketchfab.bsky.social) and reimagined by the IDF adornments for underground missile factories.
technihilism.bsky.social
which makes their end game of replacing teachers entirely with this bullshit a lot easier
hypervisible.blacksky.app
“One of the negative consequences AI is having on students is that it is hurting their ability to develop meaningful relationships with teachers, the report finds. Half of the students agree that using AI in class makes them feel less connected to their teachers.”
Rising Use of AI in Schools Comes With Big Downsides for Students
A report by the Center for Democracy and Technology looks at teachers' and students' experiences with the technology.
www.edweek.org
technihilism.bsky.social
come to bluesky! we give you the tools to moderate the site to your liking!

just, y'know, don't use them on us or we'll fucking come for you

have fun!
Reposted by alex䷰trismegistus
blacklodgecult.bsky.social
DAVID LYNCH for Vulture, 2018. Photo by Sandro Miller
An abstract David Lynch photograph taken by Sandro Miller in 2018