Damian M
@damiandamiani.bsky.social
710 followers 480 following 140 posts
Postdoc at @uniheidelberg.bsky.social #ChinaComx working on politics in/of Chinese comics after 1949 | PhD @uni-freiburg.de on political study practices in China (1950s-80s) | researching intersections of state socialism, visual culture, and everyday life
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Reposted by Damian M
medievalchina.bsky.social
#DOTD: Feng Zikai 豐子愷 (1898–1975), pioneer Chinese cartoonist #漫畫
damiandamiani.bsky.social
In my paper, I trace how the CCP celebrated and/or educated about its anniversaries via comics. As these ranged in format and style from classical lhh booklets through comic strips to fancy coffee book tables, the bottom line is evident: comics were (and are) part of polit communication efforts.
damiandamiani.bsky.social
The double-panel includes contributions by Dr Chihho Lin, Dr Mariia Guleva, @ndanysz.bsky.social, and 4/5 of the #ChinaComx team; Dr Annabella Mei Massey (The Courtauld Institute of Art) and Dr Elizabeth Emrich-Rougé (University of Cambridge) will respectively act as Chair/Discussant.
Cool dude at a lianhuanhua book stall, ca. 19590/60
damiandamiani.bsky.social
Traveling to the UK today for the
@chinesestudies.bsky.social annual conference #BACS2025. Together with @beckminster.bsky.social, I co-organize a two-parted panel on all things lianhuanhua: P1 “Politics” and P2 “Aesthetics”, back-to-back on Thu 4.9 in Room SBB 1.02 from 13:00-16:15. Join us then!
Reposted by Damian M
adzebill.bsky.social
Wikipedia editors trying to fend off the onslaught of AI crap have crowdsourced some telltale signs of LLM-generated writing; it might be handy for editors and proofreaders generally. Thanks to @ellenrykers.com for pointing me to it. en.wikipedia.org/wiki/Wikiped...
Wikipedia:Signs of AI writing - Wikipedia
en.wikipedia.org
Reposted by Damian M
xuetingni.bsky.social
Today, Xueting's Sunday Culture takes a look at the Chinese artist known as 海豹王XX, or Wang XX, whose comics feature a loveable aquatic alter ego and their tiny octopus friend, exploring the trials and tribulations of everyday life in contemporary China (brace yourselves for those bad puns). 1/
Reposted by Damian M
whittledaway.bsky.social
I saw today the dramatic effects of global heating up close. This is the Bonhus glacier in SW Norway, the photo on the left is from 1890. Like all glaciers in Norway it is shrinking rapidly.
damiandamiani.bsky.social
I had the great pleasure of reading and reviewing Daisy Yan Du’s fascinating explorations in the (pre)history of Chinese animation. A wide ranging study covering puppet animation in the 1930s, ink painting attempts of the 1960s, and their various global afterlives in the 1970s, highly recommended!
sasanistudies.bsky.social
In his review of Animated Encounters: Transnational Movements of Chinese Animation by Daisy Yan Du, @damiandamiani.bsky.social examines Du’s claim that Chinese animation was "international before it became national." Read his post at bit.ly/4fBkaM3.
Reposted by Damian M
sasanistudies.bsky.social
In his review of Animated Encounters: Transnational Movements of Chinese Animation by Daisy Yan Du, @damiandamiani.bsky.social examines Du’s claim that Chinese animation was "international before it became national." Read his post at bit.ly/4fBkaM3.
damiandamiani.bsky.social
Very interesting! Do you happen to have them? We’d be very interested to get our hands on a few here at ChinaComx (chinacomx.github.io)!
chinacomx.github
damiandamiani.bsky.social
Laura Pozzi, who curated the CUHK exhibition, and I (based on my work on the largest collection of Chinese caricatures at Maoist Legacy) have an article exploring the last leg of these caricatures -- targeting Jiang Qing during the anti-Gang of Four campaign of 1976-1978, doi.org/10.1215/1067...
doi.org
damiandamiani.bsky.social
Another exciting week at #ChinaComx! On Tuesday, July 22, we host a workshop with the “Caricature as a Sphere of Communication in the Ottoman Context” project (caricatures.hypotheses.org/499) — and welcome a new visiting scholar, Ivan Gomes, for a keynote on Brazilian caricatures of post-Mao China 🎭
damiandamiani.bsky.social
Ahoj from Prague where I am participating in the “Transformations of Cultural Life from Mao to Xi” conference at @charlesuni.cuni.cz.

In my paper, I advance the argument that lianhuanhua were both very loud and affective, making it a perfect intermedial medium.

ksi.ff.cuni.cz/en/research/...
damiandamiani.bsky.social
Celebrations and marches welcoming the Chinese delegation to Dresden in June 1951, notice the crowds holding Mao portraits next to Wilhelm Pieck (GDR president); a still heavily destroyed Theaterplatz visible in the background. Photos by Erich Höhne und Erich Pohl, via Deutsche Fotothek.
Reposted by Damian M
noellecook.com
This is a map of Los Angeles. The arrow points to a red dot. That red dot (roughly) represents the protest area seen on TV.

To me, the gross mischaracterization of what’s happening in Los Angeles looks like an excuse to deploy the military—to protect government assets like ICE.
A map of Los Angeles is posted to illustrate just how large the city is. Near the area labeled “downtown” on the map, is a tiny red dot. That represents the area where protests are happening and that are being shown on TV. The dot is so small it would not be seen if I had not drawn an arrow towards it.
damiandamiani.bsky.social
Mao Zedong in 1956: "Er [i.e., Mao] fragt nach der Sozialdemokratischen Partei (SPD) und bemerkt, dass man sie unterstützen müsse, er hielte ihren Sieg für richtig." (im Gespräch mit G. Weisenborn)

hasp.ub.uni-heidelberg.de/journals/cha...
Mao wünschte Wahlsieg der SPD und freie Einreisemöglichkeit für westdeutsche Intellektuelle: Gespräch mit dem westdeutschen Schriftsteller Günther Weisenborn (11. November 1956) | China aktu...
hasp.ub.uni-heidelberg.de
damiandamiani.bsky.social
Is there perhaps a list somewhere of all the substacks that moved to ghost? For an easy find / overview that’d be great
Reposted by Damian M
isabellamweber.bsky.social
Polanyi on the rise of fascism:

"the victory of fascism was made practically unavoidable by the liberals' obstruction of any reform involving planning, regulation, or control."
damiandamiani.bsky.social
Many thanks again to Laura de Giorgi and Dayton Lekner for organizing and including me in their workshop! I’ve learned a lot about the sound(s), noise(s) & silence(s) of history and how to extract them, and the venue was—most probably—among the most stunning conference location I’ll ever witness.
Reposted by Damian M
swholocron.bsky.social
THE EMPIRE STRIKES BACK was released on this day 45 years ago
damiandamiani.bsky.social
On my way to Venice for the “Sonic Histories of East Asia: Thinking History Through Sound” conference at Ca’ Foscari — I will humbly join a splendid line up of speakers to present on the various sounds of collective reading activities in the PRC. Come say hello if you’re around!
damiandamiani.bsky.social
May the fourth be with you!
damiandamiani.bsky.social
Short thread on the very first official Chinese Star Wars comic ⤵️ #ChineseStarWars #StarWars #lianhuanhua
damiandamiani.bsky.social
In 1981, the Chinese science-fiction monthly 奥秘 (Aomi) featured Russ Manning’s first run of Star Wars comic strips. Collected and re-arranged to fit a fullpage format, the comics remained virtually identical to their American original—if not for one key difference. Let’s look at one exemplary strip.
Reposted by Damian M
altayo.bsky.social
La envidia que me ha provocado saber del taller de #連環畫 lianhuanhua que el doctor @damiandamiani.bsky.social del Centro de Estudios Asiáticos y Transculturales de la Universidad de Heidelberg llevó a cabo la semana pasada me ha hecho bajar al trastero de casa de mis padres a rescatar este tesoro.
Un cuadernillo ilustrado lianlianhua con la historia de Liang Shanbo y Zhu Yingtai, conocidos como los amantes mariposa. La ilustración en color de la cubierta, en formato apaisado (10 cm × 13 cm) muestra a los protagonistas en pose afectuosa rodeados de flores y con un arcoíris al fondo.