String Quartet in F (1928)
🧵 In 1927, Britten began studying composition with Frank Bridge, one of the most remarkable figures in British music. The following year, he produced this remarkably fluent and fun-to-listen-to quartet in just a week!
String Quartet in F (1928)
🧵 In 1927, Britten began studying composition with Frank Bridge, one of the most remarkable figures in British music. The following year, he produced this remarkably fluent and fun-to-listen-to quartet in just a week!
String Quartet in F (1928)
🧵 In 1927, Britten began studying composition with Frank Bridge, one of the most remarkable figures in British music. The following year, he produced this remarkably fluent and fun-to-listen-to quartet in just a week!
String Quartet in F (1928)
🧵 In 1927, Britten began studying composition with Frank Bridge, one of the most remarkable figures in British music. The following year, he produced this remarkably fluent and fun-to-listen-to quartet in just a week!
▶️ open.qobuz.com/playlist/513...
▶️ open.qobuz.com/playlist/513...
▶️ open.qobuz.com/playlist/513...
▶️ open.qobuz.com/playlist/513...
— George Orwell, 1984
— George Orwell, 1984
Prithee (1926)
Britten composed the four songs in this 🧵 over three days, December 3-5. That's not *quite* up there with Schubert or Dolly Parton, who reputedly wrote "Jolene" and "I Will Always Love You" on the same day, but it's still damn good going for a 13-year-old.
Prithee (1926)
Britten composed the four songs in this 🧵 over three days, December 3-5. That's not *quite* up there with Schubert or Dolly Parton, who reputedly wrote "Jolene" and "I Will Always Love You" on the same day, but it's still damn good going for a 13-year-old.
Prithee (1926)
Britten composed the four songs in this 🧵 over three days, December 3-5. That's not *quite* up there with Schubert or Dolly Parton, who reputedly wrote "Jolene" and "I Will Always Love You" on the same day, but it's still damn good going for a 13-year-old.
Prithee (1926)
Britten composed the four songs in this 🧵 over three days, December 3-5. That's not *quite* up there with Schubert or Dolly Parton, who reputedly wrote "Jolene" and "I Will Always Love You" on the same day, but it's still damn good going for a 13-year-old.
open.qobuz.com/playlist/515...
open.qobuz.com/playlist/515...
Take, O take those lips away (1926)
Britten's mother Edith was a good amateur musician, and inspired by her constant encouragement he wrote a stream of songs in his early teens, many of which she probably sang herself.
Take, O take those lips away (1926)
Britten's mother Edith was a good amateur musician, and inspired by her constant encouragement he wrote a stream of songs in his early teens, many of which she probably sang herself.
Take, O take those lips away (1926)
Britten's mother Edith was a good amateur musician, and inspired by her constant encouragement he wrote a stream of songs in his early teens, many of which she probably sang herself.
Take, O take those lips away (1926)
Britten's mother Edith was a good amateur musician, and inspired by her constant encouragement he wrote a stream of songs in his early teens, many of which she probably sang herself.
Epitaph: The Clerk (1926 rev. 1968)
Britten revised this setting of Herbert Asquith (1881–1947) along with his two very earliest songs, and they were then published posthumously in 1985 as Beware!: Three Early Songs.
Epitaph: The Clerk (1926 rev. 1968)
Britten revised this setting of Herbert Asquith (1881–1947) along with his two very earliest songs, and they were then published posthumously in 1985 as Beware!: Three Early Songs.
Arturo Benedetti Michelangeli
www.youtube.com/watch?v=PTPg...
Alfred Brendel
www.youtube.com/watch?v=IUxF...
Maurizio Pollini
www.youtube.com/watch?v=xNd0...
🎨 Andy Warhol, 1987
Arturo Benedetti Michelangeli
www.youtube.com/watch?v=PTPg...
Alfred Brendel
www.youtube.com/watch?v=IUxF...
Maurizio Pollini
www.youtube.com/watch?v=xNd0...
🎨 Andy Warhol, 1987
Valse in B major for violin & piano (1925)
Britten sketched this piece when he was 10, made this version two years later, and thought well enough of the tune to re-use it, almost a decade later, in the Sentimental Saraband of his Simple Symphony, Op. 4.
Valse in B major for violin & piano (1925)
Britten sketched this piece when he was 10, made this version two years later, and thought well enough of the tune to re-use it, almost a decade later, in the Sentimental Saraband of his Simple Symphony, Op. 4.