Jeet Heer
@jeetheer.bsky.social
37K followers 300 following 480 posts
Columnist, The Nation: https://www.thenation.com/authors/jeet-heer/ Podcast: The Time of Monsters: https://www.thenation.com/content/time-of-monsters/
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jeetheer.bsky.social
The GOP caved. The Dems caved. Wall Street caved. Big Law caved. The Ivy League universities caved. The DOJ caved. The FBI caved. The media caved. At America's moment of crisis, the only ones who stood strong against tyranny were the furries.
jeetheer.bsky.social
There is no army on earth that can defeat this.
jeetheer.bsky.social
This is probably the best time to be in organized crime since before the repeal of prohibition in 1933. I mean if you wanted to commit high level non-immigrant related crime, now is the time to go hog wild.
jeetheer.bsky.social
Oh, I just missed the question, what was it?
jeetheer.bsky.social
Catherine Lucille Moore (1911-1987) wrote remarkably prescient and emotionally rich science fiction in the from 1933 to 1948 that challenged gender norms. In this video, I look at the career of this neglected master. www.youtube.com/watch?v=59vr...
The Best of C.L. Moore -- a neglected pioneer of feminist science fiction.
YouTube video by JeetHeer1
www.youtube.com
jeetheer.bsky.social
My review of ONE BATTLE AFTER ANOTHER, with a look at the influence of Thomas Pynchon on the movie and a response to criticisms of the movie for historical anachronism. www.youtube.com/watch?v=JaWr...
The Politics of ONE BATTLE AFTER ANOTHER and VINELAND.
YouTube video by JeetHeer1
www.youtube.com
jeetheer.bsky.social
I'm the wrong person to ask since I love Finnegans Wake.
jeetheer.bsky.social
It has violence but not gratuitous. It's the violence of actual fraying reality.
jeetheer.bsky.social
In a strange way, the movie inverts the novel's point. Vineland registers the loss of the 1960s moment. OBAA, made at a time of renewed activism, is about how the 1960s never died, are an underground current finding new springs to pop out of. "In 16 years, not much had changed."
jeetheer.bsky.social
8. Maybe some billionaire could refrain from their usual hobbies -- reviving eugenics, upholding an unjust status quo, unspeakable crimes on private islands -- and throw some money at PTA to give the world an 8-hour adaptation of GRAVITY'S RAINBOW, with the light-bulb in claymation? One can dream.
jeetheer.bsky.social
7. PTA has covered 33% of Pynchon's 9 novels. Why stop there? The most practical next one would be CRYING OF LOT 49. BLEEDING EDGE would be timely and 21st century. SHADOW TICKET would let PTA cover the one decade of 20th century he hasn't dealt with: the 1930s. Lots to do.
jeetheer.bsky.social
Would certainly be more practical than Mason & Dixon!
jeetheer.bsky.social
6. A good example of this Pynchon-esque storytelling is the ultra-powerful rightwing cabal in ONE BATTLE AFTER ANOTHER: the Christmas Adverturers Club. That's not in Vineland but it really feels like something Pynchon might have thought about but forgot to put in.
jeetheer.bsky.social
5. Dana Stevens of Slate was on to something when she said Anderson was doing "Pynchon fanfic." He's trying to do a filmic distillation o the narrative as trying to do movies that feel Pynchon-esque.
jeetheer.bsky.social
4. A faithful adaptation of anything by Pynchon is hard to do: the prose is dense, the plots profusely convoluted, the characters bafflingly motivated. PTA has gotten around this by mostly eschewing direct translation, preferring to borrow very select stories & moods.