Matt Houlbrook
@tricksterprince.bsky.social
3.8K followers 1.3K following 1.9K posts
Cultural history, Britain, cities, sexuality & gender, #20s30s. Now - Songs of Seven Dials: An intimate history of 1920s and 1930s London (MUP) Next - The Self-Improvers: The people who remade themselves and made the modern world
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tricksterprince.bsky.social
The launch of my new @manchesterup.bsky.social book Songs of Seven Dials will be at 6pm, Tues 21 Oct, at Waterstones Covent Garden. I'll be in conversation with the wonderful @julialaite.bsky.social.

Please do come along. Free tickets, but register in advance

www.eventbrite.co.uk/e/songs-of-s...
An advertising banner for Matt Houlbrook's book Songs of Seven Dials: An Intimate History of 1920s and 1930s London. The banner includes an image of the front cover of the book (a blue map on a pink background) and a blurb from the historian Julia Laite, which describes Songs of Seven Dials as 'a poetic exploration of London's most iconic neighbourhoods'.
Reposted by Matt Houlbrook
historianhelen.bsky.social
Wisdom, moral imagination, an enlarged sympathy for those who live or have lived differently from yourself. This is what you get from studying the Humanities. So quite important, actually.
Reposted by Matt Houlbrook
johnmunro.bsky.social
That we share this planet with people brave enough to join an unarmed flotilla attempting to get aid into Gaza but also with cowards as craven as these guys is really something of a wonder to behold.
esqueer.net
ICE is not only chasing down every random brown person in Chicago, they have a cameraman following them to film this for social media. Cruelty and inhumanity as content.
Reposted by Matt Houlbrook
royalhistsoc.org
Booking is now open for this year's Royal Historical Society Public History Lecture, with @greshamcollege.bsky.social:

'Minor Criminal: The Trial of the Man Who Murdered My Grandmother', with Daniel Finkelstein bit.ly/4op6Wpd

6-7pm, Tuesday 4 November: in person and online #Skystorians 1/2
Minor Criminal: The Trial of the Man Who Murdered My Grandmother
This is the annual Royal Historical Society Lecture.
bit.ly
Reposted by Matt Houlbrook
markthomasinfo.bsky.social
When I was 12 nanny gave me a “wank rag”…
Reposted by Matt Houlbrook
patrickdunleavy.bsky.social
Yes, Yes. When you are the least popular government of all time, especially with your 'natural' supports, it's such a great idea to keep digging your own party's grave with even more crazy and unenforceable laws
www.theguardian.com/world/2025/o...
Starmer targets inflammatory chants at Palestine protests for further curbs
PM says Labour will address suggestions of antisemitic hate as he orders review of protest policing powers
www.theguardian.com
Reposted by Matt Houlbrook
garethhooper.bsky.social
Don't park on my drive, but I'll park on the footpath. Birmingham Car Culture is optimised on Willows Road
Reposted by Matt Houlbrook
tricksterprince.bsky.social
As well as designing the Cambridge Theatre's interiors, Chermayeff also designed the striking cover art and map included in the programme for the opening night of the theatre's first production - Charlot's Masquerade.

#20s30s #SevenDials
The striking modernist design for the cover of the programme of the first show staged at the new Cambridge Theatre in 1930. A map of Seven Dials and the West End of London drawn for the programme of the first show staged at the new Cambridge Theatre in 1930.
Reposted by Matt Houlbrook
tricksterprince.bsky.social
Serge Chermayeff also designed the astonishing interiors for the Cambridge Theatre, opened in Seven Dials in 1930.

This ‘remarkable building’ was lauded as the ‘first masterpiece in theatre design we have produced in the so-called “functionalist” manner.’

#20s30s
A black and white photograph of the spellbinding foyer of the Cambridge Theatre, opened in Seven Dials in 1930.
Reposted by Matt Houlbrook
tricksterprince.bsky.social
Chermayeff's arresting cover captures how commentators made the building a central character in stories of the remaking - the gentrification - of #20s30s Seven Dials.

As interconnected cogs turn upon the axles of a stylised ‘CT’ logo the ‘Cambridge Theatre’ drives ‘The Wheels of Progress’.
The striking front cover for the programme of the first show staged at the new Cambridge Theatre in 1930.
Reposted by Matt Houlbrook
inthewarehouse.bsky.social
Privileged to be at the launch of this exhibition celebrating the city's anti racism pioneers - many familiar to our building's community over the decades. Particularly in the face of sickeningly regressive racism from Robert Jenrick & others this week, this is affirming & well worth coming to see.
khuar.bsky.social
Birmingham, 6 October 2025 – After two years of planning and dedication, the Birmingham Race Impact Group (BRIG) is proud to unveil Seeking the Pioneers: Routes of Resistance, a landmark exhibition opening at the Library of Birmingham
Seeking the Pioneers: Routes of Resistance — We Are BRIG
Press Release Seeking the Pioneers: Routes of Resistance – Birmingham’s Untold Legacy of Activism New exhibition explores 80 years of solidarity and the fight for racial justice “We are here b...
www.wearebrig.co.uk
Reposted by Matt Houlbrook
mrfw17thc.bsky.social
Some would say it was foolhardy - maybe even deeply insensitive and cruel - to conduct a survey about a given university's 'Values' while a large section of its staff is in scope for redundancy.

'Still Employed' or 'Not Working Under Threat' are values, of course. Especially with Free Text options
Reposted by Matt Houlbrook
fabiolacreed.bsky.social
📙 Bluesky is the only platform where I haven’t circulated my book, as I’d recently joined and was waiting for the physical copy. So here it is (last book post, I promise) 📙

☀️ Sunbed in Britain: Tanning Culture from Fad to Fear is free to download via: dx.doi.org/10.5040/9781...
Reposted by Matt Houlbrook
keithwdickinson.bsky.social
Today is a day when arts degrees are worthless, but the product of those degrees is so valuable it would kill an entire industry if they were made to pay for it.
Reposted by Matt Houlbrook
youngalison.bsky.social
Great ‘Spotlight on MUSIC HALL’ exhibition @thelondonarchives.bsky.social - small but perfectly formed!
Reposted by Matt Houlbrook
alanallport.bsky.social
If anyone abroad thinks about the modern UK they think about Harry Potter (yeah I know but still), the BBC (see previous), actors, music, football, the Royals, tourism.

Absolutely no-one thinks about British steel (sorry Nigel).
badsocialism.bsky.social
Again, it's really important to understand that anyone who hates theatre, art and academia - three things Britain is still *really bloody good* at making - just hates Britain.
bearlypolitics.co.uk
So, the plan is to cut English, the arts, and sociology - the degrees that actually study culture - while on another part of your platform claiming to “defend” British culture.

It’s performance nationalism with a reading age of seven.
Reposted by Matt Houlbrook
benansell.bsky.social
Spot on from @stephenkb.bsky.social. And the other aspect of this nasty turn is the eliding of British ‘culture’ with ‘white British’, which will shock anyone who has watched TV or football, or listened to music, or read a book, or indeed breathed since 1980.
Reposted by Matt Houlbrook
colmpm.bsky.social
*Calling PhD students of modern British and imperial history in London*

The @ihrbritainseminar.bsky.social's first session this Thursday (9 Oct.) is dedicated to PhDs, at any stage, for elevator pitches and meet-and-greet. Do come along! Details in the link.

www.history.ac.uk/news-events/...
New PhD Student Session
For the first session of term we will be hosting a meet and greet at the IHR for all PhD students in modern British and imperial history.
www.history.ac.uk
tricksterprince.bsky.social
Chermayeff's arresting cover captures how commentators made the building a central character in stories of the remaking - the gentrification - of #20s30s Seven Dials.

As interconnected cogs turn upon the axles of a stylised ‘CT’ logo the ‘Cambridge Theatre’ drives ‘The Wheels of Progress’.
The striking front cover for the programme of the first show staged at the new Cambridge Theatre in 1930.
tricksterprince.bsky.social
As well as designing the Cambridge Theatre's interiors, Chermayeff also designed the striking cover art and map included in the programme for the opening night of the theatre's first production - Charlot's Masquerade.

#20s30s #SevenDials
The striking modernist design for the cover of the programme of the first show staged at the new Cambridge Theatre in 1930. A map of Seven Dials and the West End of London drawn for the programme of the first show staged at the new Cambridge Theatre in 1930.
tricksterprince.bsky.social
Serge Chermayeff also designed the astonishing interiors for the Cambridge Theatre, opened in Seven Dials in 1930.

This ‘remarkable building’ was lauded as the ‘first masterpiece in theatre design we have produced in the so-called “functionalist” manner.’

#20s30s
A black and white photograph of the spellbinding foyer of the Cambridge Theatre, opened in Seven Dials in 1930.
Reposted by Matt Houlbrook
carolinepennock.bsky.social
God bless The Church Times for their ongoing insistence on responding moderately but forcefully to the Reverend Canon Nigel Biggar’s nonsense. www.churchtimes.co.uk/articles/202...
Even given all that Biggar writes about the universality of slavery and the complicity of Africans, three things might be said. First, Britain played a key part and, however others may want to respond to their own history, it is morally responsible to face up to our own heritage. Second, as a Tory, he might have made more of Burke’s view that society is a partnership not just between the living, but between the living, the dead, and those still to be born. Third, guilt is not the only spur to action. There are the obligations that we owe one another irrespective of any personal responsibility for atrocities in the past.
Reposted by Matt Houlbrook
mthrjo.bsky.social
I live one town over from Dewsbury. Batley and Dewsbury have their problems, but it's not true that you just see "a single ethnicity", and there are plenty of people working hard to promote integration. There are, of course, some people who resist it, _and some of them are white_.
saulstaniforth.bsky.social
"You go to some places like Handsworth.. parts of Dewsbury, Bradford, Leicester, where you see.. a single ethnicity.. we don't think that's healthy thing"

Kevin Hollinrake is MP for Thirsk and Malton, which according to the 2021 census is 98% white.