Brendan Foley
@thetruebrendanf.bsky.social
530 followers 340 following 6.9K posts
Part time imaginary friend. Contributor to http://Cinapse.co. Co-host of https://podcasters.spotify.com/pod/show/brendanagnew. BUY MY BOOK: https://www.amazon.com/Little-Terrors-1-Brendan-Foley-ebook/dp/B08YX8G6RK/ref=sr_1_1?crid=F79LKMDQ573T&dib=eyJ2IjoiM
Posts Media Videos Starter Packs
thetruebrendanf.bsky.social
But even Bart, it's funny how quickly (i.e. ten years in) Cartwright lost track of the classic voice.
thetruebrendanf.bsky.social
Wild to think that the era in which the SIMPSONS characters actually sound how you remember them sounding now makes up less than a third of the show's lifespan.
ericdsnider.bsky.social
It’s finally happened. Thanks to the very talented Nancy Cartwright’s real-life aging process, Bart Simpson’s voice is finally getting deeper. He joins Mr. Burns, who now sounds pitiably old and frail instead of malevolent, and Marge, who now sounds like Patty and Selma (who sound like kaiju).
thetruebrendanf.bsky.social
The stretch of this movie that is just beautiful women in blood-soaked gowns chasing each other around a haunted castle is just caaaaaaaaaaandy.
thetruebrendanf.bsky.social
It's not a ghost story,

It's a story with a ghost in it.
Reposted by Brendan Foley
briantallerico.bsky.social
THIS. Give me bad but passionate or ambitious every day over soulless.
somuchformedia.bsky.social
There are so many bad horror movies I’ve enjoyed watching just because you can tell everyone involved is doing it for the love of the art, AI is not capable of that
bwdr.bsky.social
One thing AI is good for is reminding people how even the very worst movie they’ve ever seen is better than AI “movies”
thetruebrendanf.bsky.social
It's too bad, especially since it feels like the ALICE movies became an anchor rather than a help. It's not her fault those movies are drivel.
thetruebrendanf.bsky.social
This was pretty much the end of Mia Wasikowska's nascent movie star run. The following year was the disastrous ALICE IN WONDERLAND sequel, and after that she pretty much evacuated back to Australia and has stayed in the arthouse.
thetruebrendanf.bsky.social
It's not a ghost story,

It's a story with a ghost in it.
thetruebrendanf.bsky.social
It's funny that del Toro took such umbrage with this movie getting labeled horror. Gothic romance, sure, but that still leaves the matter of poor Jim Beaver's skull.
thetruebrendanf.bsky.social
It's not a ghost story,

It's a story with a ghost in it.
thetruebrendanf.bsky.social
In the grand scheme of things, the Scooby who probably shoulda gone out mid-battle was Giles. Have him make some kind of peace with Buffy, and then send him out swinging.
thetruebrendanf.bsky.social
Go yell about it on a podcast whydontcha.
thetruebrendanf.bsky.social
It's not a ghost story,

It's a story with a ghost in it.
thetruebrendanf.bsky.social
They never did, but Darla and Dru were at it together anytime the boys were away.
baddestmamajama.bsky.social
Do we think Angel and Spike ever slept together? Decades of time together with Darla and Dru? Had to happen at least once right?
thetruebrendanf.bsky.social
Forgetting even the physics of getting sucked into the magic world inside a computer...WHY do "users" have god-like powers in The Grid? I can't will my iPhone into doing stuff with The Force.
Reposted by Brendan Foley
roxana-hadadi.bsky.social
the ending of THE GODFATHER, the best american movie ever made, doesn't work without diane keaton's final look --- at the realization of who she's married and what her life is going to become and what corruption lurks behind closed doors. unforgettable, inimitable work. RIP.
Reposted by Brendan Foley
rohmersimpson.bsky.social
I know I'm going to get the answer in less than 12 hrs time but where in FUCK did the Coens find Michael Stuhlbarg, he's instantly a star from A Serious Man, he's in 3-4 films from that point forward and never bad. Plus he's got *character*.
Reposted by Brendan Foley
ashleylynch.bsky.social
Tron will forever be to me a broken world building concept that aged horribly and is impossible to make work. This is why the best results will always be "it looks pretty and has a good soundtrack."
Reposted by Brendan Foley
jlalibs.com
What an absolute treasure Diane Keaton was. Her wit never tired, nor did her style.
thetruebrendanf.bsky.social
Darkly funny to post this the same day we lose the great Diane Keaton and everyone gets back into their feels about ANNIE HALL.
thetruebrendanf.bsky.social
Having thought about this a bit, I do think maybe the most quietly seismic shift is the erasure of Woody Allen’s whole canon. He was basically a genre of classic cinema unto himself, and these days his stuff just does not come up.
coreyatad.com
throwing this prompt from Twitter in here. what examples you got?
Reposted by Brendan Foley
odstspartan.bsky.social
There is no other way about it. This was elite. Kenji Tanigaki's kinetic direction combined with Kensuke Sonomura's rapid pace fight choreography makes for maybe the most thrilling action film of the year. The finale fight I can only describe as The Good, The Bad, and The Ugly...
odstspartan.bsky.social
Fourth film of Sitges. The one many of you have been waiting for.

Now Seated for Kenji Tanigaki's THE FURIOUS.
Reposted by Brendan Foley
infinata.bsky.social
This question is how Inside Llewyn Davis began development.
quietblkgrl.blacksky.app
What would be the wildest concert for a fight to break out at?
Reposted by Brendan Foley
britthates.bsky.social
Jared Leto *is* AI: a tacky thing corporations keep forcing on consumers by putting him in everything even though he’s unprofitable and nobody likes it
thetruebrendanf.bsky.social
I mean, I think a strong breeze would carry the Maras over state lines.
thetruebrendanf.bsky.social
I don’t think it’s wholly successful but the first half especially has some of the most harrowing horror writing you’re ever gonna get.
thetruebrendanf.bsky.social
oh wow it’s so wild that people didn’t go see the sequel to the movie they didn’t like now starring a guy who sucks
dailycosmicmarvel.bsky.social
‘TRON: ARES’ has earned $14.3M in its opening day at the domestic box office.

For comparison, ‘MORBIUS’ opened to $17.3M.
thetruebrendanf.bsky.social
Not his first masterpiece, but certainly the moment he took up mantle of one of all-time greats, a distinction he has more than upheld for the subsequent 19 years.
brianimator.bsky.social
Guillermo del Toro’s PAN’S LABYRINTH was released in Spain on this day in 2006 #filmsky