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* I don't know who I specifically mean by this
** assembly line VFX behemoths
*** me, myself, the designated real person
**** experience chiefly as a months-long advertising campaign that may or may not have a movie at the end of it
* I don't know who I specifically mean by this
** assembly line VFX behemoths
*** me, myself, the designated real person
**** experience chiefly as a months-long advertising campaign that may or may not have a movie at the end of it
ScHoolboy Q - Blue Lips. Fast forward ten years from Oxymoron and this is good, but I think I like Oxymoron more, probably it sounds both modern and familiar to my ears, where this might be too new for my untrained ears.
ScHoolboy Q - Blue Lips. Fast forward ten years from Oxymoron and this is good, but I think I like Oxymoron more, probably it sounds both modern and familiar to my ears, where this might be too new for my untrained ears.
A perfect joke, no notes.
A perfect joke, no notes.
ScHoolboy Q has an intelligent, aggressive style that feels authentic and uncompromising even when the music is catchy as hell. I love Collard Greens, don’t love Studio. Apparently both songs were big hits at the time, but I’m ten years behind so they’re new to me.
ScHoolboy Q has an intelligent, aggressive style that feels authentic and uncompromising even when the music is catchy as hell. I love Collard Greens, don’t love Studio. Apparently both songs were big hits at the time, but I’m ten years behind so they’re new to me.
I like Blues, in that vague way that just about everyone likes Blues music. But I only *love* a tiny subset - trance-like country blues, vocals with a haunted edge. Music that balances unstudied rawness with tremendous skill. Basically, I love this Junior Kimbrough album.
I like Blues, in that vague way that just about everyone likes Blues music. But I only *love* a tiny subset - trance-like country blues, vocals with a haunted edge. Music that balances unstudied rawness with tremendous skill. Basically, I love this Junior Kimbrough album.
Jesse Mae Hemphill was a huge talent, tapped into a regional blues tradition that’s inseparable from her personal lineage. My personal tastes veer away from boogie-style and more to sad, droney Blues, so I liked this less than I probably should
Jesse Mae Hemphill was a huge talent, tapped into a regional blues tradition that’s inseparable from her personal lineage. My personal tastes veer away from boogie-style and more to sad, droney Blues, so I liked this less than I probably should
Saw this on @awnothimagain.bsky.social’s MWE and thought it sounded like exactly my thing, and I was right. I love this so much I’m genuinely upset to have missed it for so long. Hypnotic and droney, with the spectral, timeless quality of the best country blues
Saw this on @awnothimagain.bsky.social’s MWE and thought it sounded like exactly my thing, and I was right. I love this so much I’m genuinely upset to have missed it for so long. Hypnotic and droney, with the spectral, timeless quality of the best country blues
There’s some genuinely good stuff here. The country/roots-inflected tracks are the strongest, and serve his warm, distinctive voice the best. Variety is this album’s weakness - the generic pop-rock and Imagine Dragons soundalike tracks drag it down.
There’s some genuinely good stuff here. The country/roots-inflected tracks are the strongest, and serve his warm, distinctive voice the best. Variety is this album’s weakness - the generic pop-rock and Imagine Dragons soundalike tracks drag it down.
Having grown up in the age of Zamfir, I’m very suspicious of any music that goes flute-first, so this made me anxious from the opening notes. It won me over at the album’s midpoint (and highlight) ‘I’ll Do Whatever You Want’. The layers emerged as I opened up to it.
Having grown up in the age of Zamfir, I’m very suspicious of any music that goes flute-first, so this made me anxious from the opening notes. It won me over at the album’s midpoint (and highlight) ‘I’ll Do Whatever You Want’. The layers emerged as I opened up to it.
Family Affair and No More Drama are enough for this album to plant its flag as a classic, but it’s honestly pretty uneven and most of the tracks that aim for inspirational land in generic platitudes.
Family Affair and No More Drama are enough for this album to plant its flag as a classic, but it’s honestly pretty uneven and most of the tracks that aim for inspirational land in generic platitudes.
Essentially the same sound as What’s the 411? but the strength is in her personality emerging in the songwriting
Essentially the same sound as What’s the 411? but the strength is in her personality emerging in the songwriting
Who’s he subtweeting?
Who’s he subtweeting?