David Connerley Nahm
@dcnahm.bsky.social
350 followers 230 following 97 posts
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Reposted by David Connerley Nahm
dcnahm.bsky.social
It is enjoyable!

Have you seen Dead and Buried?
Reposted by David Connerley Nahm
dmartincampbell.bsky.social
No doubt if the next Faulkner is anywhere, they are parking rental cars outside a small regional airport
dcnahm.bsky.social
"The past is never dead; it isn't even past."

"Sir, nevertheless, you returned the car after five, so we do have to charge you for a second day. Company policy."
Reposted by David Connerley Nahm
judsonhamilton.bsky.social
Totally, and I loved the black mass market versions, too.
dcnahm.bsky.social
One of my life's little tragedies is a about 10 years ago I left my high school copy of Absalom, Absalom! in a rental car at a small regional airport.
dcnahm.bsky.social
Also big fan of the little mass market ones they used to have.
A shelf of Faulkner novels organized by edition.
dcnahm.bsky.social
This is what books should look like.
dmartincampbell.bsky.social
This is the ideal book design aesthetic. You may not like it, but this is what peak performance looks like.
Vintage Books edition of Absalom, Absalom!; heavy gold metallic paint, cursive-vs-all-caps-serifed font, and rural public domain archive photographs. Vintage Books edition of Light in August; heavy gold metallic paint, cursive-vs-all-caps-serifed font, and rural public domain archive photographs. Vintage Books edition of As I Lay Dying; heavy gold metallic paint, cursive-vs-all-caps-serifed font, and rural public domain archive photographs. Vintage Books edition of Light in August; heavy gold metallic paint, cursive-vs-all-caps-serifed font, and rural public domain archive photographs.
dcnahm.bsky.social
I agree with this completely and totally. One of the most correct things I've seen on the Internet today.
dcnahm.bsky.social
I'm thankful for translators like @ottiliemulzet.bsky.social who make literature like this available to me.

You have no idea how dreary my day would be without the underappreciated work of translators, endlessly opening doors on my rude little life.
dcnahm.bsky.social
Not to be too much of a gooby, but I love Krasznahorkai's work and am thrilled to see him win.

This has all has put me in such a good mood this morning.
Reposted by David Connerley Nahm
theunread.bsky.social
This is among his slimmest and a great starting point. It’s fantastic.
Reposted by David Connerley Nahm
roadside.xor.blue
sanderling inn, duck, north carolina, 1985
sanderling inn, duck, north carolina, 1985
dcnahm.bsky.social
"I plan on continuing the program's storied tradition of apocalyptical bleakness."
dcnahm.bsky.social
Check out Gloomy Saja
maorthofer.bsky.social
Nobel-laureate Krasznahorkai's archive (his "Vorlass") is at the Austrian National Library — "84 Archivboxen, 12 Kisten" www.onb.ac.at/sammlungen/l... Including some of his diaries, apparently:
Some pages from Nobel laureate Krasznahorkai László's diaries.
dcnahm.bsky.social
Not to be too much of a gooby, but I love Krasznahorkai's work and am thrilled to see him win.

This has all has put me in such a good mood this morning.
Reposted by David Connerley Nahm
colindickey.com
Rather apt passage from the opening of Krasznahorkai’s The Melancholy of Resistance
To tell the truth, none of this really surprised anyone any more since rail travel, like everything else, was subject to the prevailing conditions: all normal expectations went by the board and one's daily habits were disrupted by a sense of ever-spreading all-consuming chaos which rendered the future unpredictable, the past unrecallable and ordinary life so haphazard that people simply assumed that whatever could be imagined might come to pass, that it there were only one door in a building it would no longer open, that wheat would grow head downwards into the earth not out of it, and that, since one could only note the symptoms of disintegration, the reasons for it remaining unfathomable and inconceivable, there was nothing anyone could do except to get a tenacious grip on anything that was still tangible; which is precisely what people at the village station continued to do when, in hope of taking possession of the essentially limited seating to which they were entitled, they stormed the carriage doors, which being frozen up proved very difficult to open.
Reposted by David Connerley Nahm
jenniferlcroft.bsky.social
I took this picture of Olga and László in London in 2018. Congrats to Krasznahorkai and his translators, including George Szirtes and @ottiliemulzet.bsky.social, and long live a Central Europe free of dictators (foreign and domestic) and full of magnificent minds like these!
Reposted by David Connerley Nahm
tripleblip.bsky.social
In stadia across the world tonight:
KRASZ-Na
HOR-Kai!
CLAP
CLAP
CLAPCLAPCLAP