@cecilecottenet.bsky.social
410 followers 500 following 91 posts
Professor of American Studies in Provence, #bookhistory, US literature, #histoiredulivre 📚🇫🇷🇺🇸, literary agents
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11 spécificités françaises de l’enseignement supérieur vues par l’OCDE, de la réussite au financement en passant par les compétences et l’insertion professionnelle. La France s’en sort plutôt bien sur quelques sujets, plutôt mal sur d’autres. A lire universites2024.fr/11-specifici...
11 spécificités françaises de l'enseignement supérieur vues par l'OCDE - Universités 2024
Dans un pays où la population, y compris universitaire, déteste ou ignore les comparaisons internationales, sauf si elles vont dans son sens, l’édition 2025 de Regards sur l’éducation (OCDE) soulève d...
universites2024.fr
cecilecottenet.bsky.social
Our workshop is now over. Thank you to my 2 wonderful co-organizers, Anna Ferrando and @corinnanorue.bsky.social, and to the great scholars who generously shared their knowledge and ideas, making these past 2 days a moment of genuine intellectual exchange.
Poster for the Transnational Perspectives on Literary Agents snd Agencies workshop.
cecilecottenet.bsky.social
“By focusing on independent presses, cultural organizations, and translators, we can better understand—and even anticipate—future trends in global literature.” As noted for German books, Marquez’s success can also possibly be attributed in part to his fabulous agent, Carmen Balcells.
dan-sinnamon.bsky.social
Big essay out by @sdileonardi.bsky.social in @publicbooks.bsky.social today, drawing on 100 years of translations and bestseller data to show that the US has seen three waves of translation: European; Latin American Boom; Nordic Noir. And what this means for us.
www.publicbooks.org/how-translat...
How Translations Sell: Three U.S. Eras of International Bestsellers - Public Books
A translation renaissance in US publishing just ended. And you probably missed it.
www.publicbooks.org
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ibogost.bsky.social
In recent weeks, a number of people have mentioned returning to this article of mine from 2021. Here's a gift link.
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historians.org
Looking for classroom resources for courses in African American history? Check out these videos from The Future of the African American Past, a landmark 2016 conference co-hosted by the AHA & the Smithsonian National Museum of African American History & Culture that brought together 60+ scholars. 🗃️
The Future of the African American Past – AHA
The AHA and the Smithsonian National Museum of African American History and Culture co-hosted The Future of the African American Past, a landmark conference to celebrate the opening of the NMAAHC.
www.historians.org
cecilecottenet.bsky.social
Notre Dictionnaire des passeurs de la littérature des Etats-Unis vous propose 2 nouvelles notices, rédigées par @sophievallas.bsky.social: André Le Vot et Jean-Jacques Mayoux, 2 universitaires qui ont formé des dizaines d’autres américanistes. dicopalitus.huma-num.fr
dicopalitus.huma-num.fr
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nicksturm.bsky.social
no better time to check out Amy Paeth's incredible book on the history of US Poet Laureate & the role of the state in American poetry @columbiaup.bsky.social

cup.columbia.edu/book/the-ame...
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jgarc.bsky.social
Please spread the word—The Scholars’ Workshop in Early African American Print at AAS Jan. 12-15, 2026. A writing workshop and intro to archives for junior scholars working on the dissertation or first book. Fully funded. Apply by Oct. 15 2025. PLEASE SPREAD THE WORD
cecilecottenet.bsky.social
A great opportunity to hear a group of wonderful scholars discuss their research: Virna Brigatti, Irene Piazzoni, Monica Zanardo, Daniela La Penna, David Gedin, Karin Hoff, @lcossubeaumont.bsky.social , @anna-lanfranchi.bsky.social , @lisejaillant.bsky.social , and @lbmcgrath.bsky.social
cecilecottenet.bsky.social
18-19 September. Very much looking forward to hosting a workshop on Literary agents and circulation of texts: research perspectives, organized with @corinnanorue.bsky.social and Anna Ferrando (U. of Pavia) in Aix-en-Provence.
@lerma.bsky.social @univ-amu.fr
#BookHistory
@sharpnews.bsky.social
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alexsippel.bsky.social
📌
jcgeslot.bsky.social
Une publication majeure, sur la presse anglophone... hors des pays anglophones. 📰🇬🇧
chcscuvsq.bsky.social
The Edinburgh History of the Transnational British Press in Non-Anglophone Countries, 1800–1914

tinyurl.com/36s7c99p
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dorothyjberry.bsky.social
Excited to finally announce the release of my first ever book, and the first ever book from we here press. It is a pocket-size guide to my archival theories and experiences in the form of essays- some you may have heard in part as lectures, some which are unpublished until now.

www.weherepress.org
Book cover. The top of the image is covered in overlapping black&white and sepia photographs of Black pas from the early to mid 20th century. Below that, against a seafoam green or robin's egg blue (depends on your view I suppose!), the book's title "The House Archives Built & Other Thoughts on Black Archival Possibilities" is printed in black. There is a small white rectangle inset that reads "Dorothy Berry"
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janefriedman.com
** Attention all authors whose books may have been trained on by AI **

Attorneys are collecting contact information from all authors and publishers who may be part of the class action lawsuit.
Anthropic Authors’ Rights Class Action – Author Contact Page – Lieff Cabraser
www.lieffcabraser.com
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zacharylesser.bsky.social
Just out/appena uscita! JEMS 14 (OA from Firenze UP), with 12 terrific articles on "The Politics of Book History--Then and Now". A great pleasure to edit this issue with @georginaemw.bsky.social, a brilliant collaborator (whose book, Paper and the Making of Early Modern Literature, is out soon!)
Vol. 14 (2025): The Politics of Book History: Then and Now | Journal of Early Modern Studies
oajournals.fupress.net
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mandisbarnard.bsky.social
I want to boost this master work by Dr Edda Fields-Black, “Combee” shows how you can recover Black histories of resistance in unlikely places. I got to meet her while she was writing this book when I was doing similar research on the enslaved owned by the Calhouns at Clemson U. 🗃️