Josh Slater-Williams
@jslaterwilliams.bsky.social
1.6K followers 370 following 1.5K posts
UK-based critic and culture journalist. Bylines: BFI, Sight and Sound, Total Film, Little White Lies, IndieWire and others. Member of the London Critics' Circle. https://linktr.ee/jslaterwilliams
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jslaterwilliams.bsky.social
Updated my list of Blu-ray releases for which I've contributed booklet and video essays! Recently filed something for a very exciting box set and I'm currently working on another [redacted] due soon.

These are fun and I would love to work with *you* in the future!

letterboxd.com/jslaterwilli...
Letterboxd screenshot:

My physical media contributions
In order of when the Blu-rays were released. Click 'Read notes' for details of the booklet or video essays.

Poster images for Typhoon Club (1985), Suzhou River (2000), Love Hotel (1985) and The Coffee Table (2022) Photo of the following Blu-ray limited editions: Typhoon Club (1985) from Third Window Films, Suzhou River (2000) from Radiance Films), Love Hotel (1985) from Third Window Films, and The Coffee Table (2022) from Second Sight
Reposted by Josh Slater-Williams
Reposted by Josh Slater-Williams
tjamesdobbin.bsky.social
Saoirse Ronan is apparently playing Linda in the Beatles biopic thing. I have no interest in "Beatles biopics", but an early 70s based movie about the Wings period of Paul's life would have a lot more juice as a self contained movie (and it would give Saoirse a lot to work with).
Reposted by Josh Slater-Williams
realgdt.bsky.social
Was completely on purpose
juliansingleton.bsky.social
Threw on the new Criterion of NIGHTMARE ALLEY 2021 and forgot that the reappearance of Richard Jenkins and Mary Steenburgen makes this the Catalina Wine Mixer of Guillermo Del Toro's oeuvre.
jslaterwilliams.bsky.social
Praying I’m not going to get jump-scared by a gen-AI ad playing before films at a certain other festival this autumn… again.
Reposted by Josh Slater-Williams
britthates.bsky.social
Jason Blum's take on AI sucks. an AI takeover isn't inevitable, and treating it as such (while also referring to filmmaking as "content creation," smdh) helps AI companies promote the lie that their deeply unprofitable, destructive tech is more powerful and useful than it actually is.
Reposted by Josh Slater-Williams
hannahstrong.co.uk
A lot of """"creatives"""" have seemingly accepted generative AI as part of art and filmmaking and I'm hear to say you're all big stinky phonies and I hate you
jslaterwilliams.bsky.social
London East Asia Film Festival devoting an entire programme strand to AI “Cinema”…
Screenshot of text from London East Asia Film Festival’s 2025 programme:

FUTURE FRAMES: AI 

AI Cinema #1 - Opening Film - to be announced 

AI Cinema #2 

Sigumun | Dir. You Hyeong-jun, Rolen Yealin Jeon, Hong Jin-wook | Korea | 2025 | 15 mins

The Dream of Atlantis  | Dir. Choi Young-min | Korea | 2025 | 14 mins

Fragment of Falling | Dir. Kim Woon-ha | Korea | 2025 | 10 mins
Reposted by Josh Slater-Williams
For what it’s worth:

Speaking as a showrunner with two writers rooms going on now, this article from Ankler is insane. I don’t know who the insider is, but the reporter should call bullshit. This is a GPT press release.
theankler.com
The “GPT-5 pass” has gone from curiosity to mandate. Scripts, trailers, pitch decks are all being filtered through an AI model that remembers every draft and forgets what originality looks like. @erikbarmack.bsky.social on Hollywood’s uneasy reset:
theankler.com/p/run-it-thr...
jslaterwilliams.bsky.social
Funny if that was part of Reznor's terms for signing on.
Reposted by Josh Slater-Williams
philnobilejr.bsky.social
You don’t need AI; AI is not “inevitable.” That’s a lie being fed to you by companies who are going to lose a fuckton of money if they don’t convince you that AI is something you can’t live without.
carlquintanilla.bsky.social
NVIDIA and OpenAi:

Concerns that their “increasingly complex and interconnected web of business transactions is artificially propping up the trillion-dollar AI boom.“

@bloomberg.com $NVDA 👀
www.bloomberg.com/news/feature...
Reposted by Josh Slater-Williams
Reposted by Josh Slater-Williams
Reposted by Josh Slater-Williams
thirdwindowfilms.com
TONIGHT!
thirdwindowfilms.com
MAIKU HAMA DOUBLE BILL COMING TO LONDON!
Back to back screenings of Kaizo Hayashi's The Most Terrible Time in My Life + Stairway to the Distant Past on Aug 8 in London @thenickelcinema.bsky.social
Screenings introduced @jbalmont.bsky.social
ticketlab.app/event/35361#/
ticketlab.app/event/35362#/
Reposted by Josh Slater-Williams
Reposted by Josh Slater-Williams
Reposted by Josh Slater-Williams
Reposted by Josh Slater-Williams
cathode-ray-tube.bsky.social
Whatever you think of RTD, he knows television and knows the warning flares need to be sent up. Television and journalism need to start questioning and pushing back. Pushing back hard.
iainjclarkart.com
Part of Russell T Davies' speech on being awarded Outstanding Contribution to Television at the Bafta Cymru awards. (via www.instagram.com/baftacymru)
Reposted by Josh Slater-Williams