René Walter
@rawx.bsky.social
1.7K followers 1.1K following 1.5K posts
i learned more from a three minute record than i ever learned from a large language model. Meme Magic / SocMed Psy / AI / Climate / Ex-Nerdcore.de http://goodinternet.substack.com http://goodmusic.substack.com https://sigmoid.social/@rawx
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Reposted by René Walter
Reposted by René Walter
kjhealy.co
White House staff should just make and show him an AI-generated video where he wins, fly him to Duluth and tell him it’s Oslo, and dare the New York Times to say anything more than “Experts disagree about whether Mr Trump was awarded the Nobel Prize”.
rawx.bsky.social
I had a ramen phase 4 years ago or so where i repeatedly tried Buldaks and always every single time not only burned my mouth and face and tongue and everything but also got burning hot hickups for hours after these bastards.
rawx.bsky.social
I call this "logic of the edit". The new in digital media is that it is never fixed and always editable. Software isn't "symbol generating industry" (i mean sure, but pens and paper mills already went there), but a "symbol editing industry". Flip a bit, change the symbol in media. That's what's new.
vortexegg.com
Computer software is also a symbol-generation industry and not an information profession
rawx.bsky.social
And now everybody is fighting over the pole position to shape that mass with virality, old mass media penetration or raw political/finacial power, all of these intersecting.

Long live the new media flesh, i guess.
rawx.bsky.social
On top of this property of digital media you get a new form of oral/written-speech. Things on the web are both ephemeral and fixed, speech is written and said, everything becomes a fluid formable editable symbolic mass, culminating in LLMs.
rawx.bsky.social
Media of the past allowed for some editing too, but it was hard. Delete a sentence from a printed book or change a letter, try to hack a TV broadcast and so forth. With digital, all you need is a txt-editor. This changes a lot, if not everything.
rawx.bsky.social
I call this "logic of the edit". The new in digital media is that it is never fixed and always editable. Software isn't "symbol generating industry" (i mean sure, but pens and paper mills already went there), but a "symbol editing industry". Flip a bit, change the symbol in media. That's what's new.
Reposted by René Walter
greg.org
gregorg @greg.org · May 24
emerging artist Olafur Eliasson made drawings on his artist/sailor/dad's boat by suspending pens over paper greg.org/archive/2024...
a dense tangle of pen lines with concentrations in various colors–pink, blue, highlighter yellow, black, brown, a green—under where the pens were suspended on strings like pendulums, marking the paper as the boat they were on voyaged somewhere off the icelandic coast. a drawing from 1998 by olafur eliasson and his artist/sailor/dad elias hjörleifsson, being sold in denmark at bruun-rasmussen in june 2024 a 1999 snapshot of a pendulum drawing apparatus on an icelandic fishing boat. a tabletop made of a flattened cardboard box is pushed into a corner and taped to the wood paneling. five pens of different colors or models dangle from strings that extend out of the image. each pen tip barely touches the piece of paper on the apparatus, which is partially filled with little clouds of marks in a variety of colors, made as the ship rides the ocean waves. via olafur eliasson dot net
Reposted by René Walter
markhurst.bsky.social
I'll see your creepy robot-hugging pillow and raise you a surveillance tribble.
"Moflin: always by your side." A young woman takes a selfie while holding a furry surveillance device. "Your Smart AI companion: A calming presence. A quiet reassurance."
rawx.bsky.social
So many actually, so so many

Q The Winged Serpent, the first movie i rented on VHS. David Carradine against a dragon which eats people out of swimming pools.

Dont Look Now, that dwarf!

That czech movie about an Car Vampire featuring a motor made from flesh.

So many.
rawx.bsky.social
10 horror movies 2 get 2 know me

Poltergeist
Abbott & Costello meet Frankenstein
Dawn of the Dead
The Blob
The Hitcher
Carrie
The Burning
Prince of Darkness
Evil Dead 2
American Werewolf
britneyspheres.bsky.social
10 horror movies 2 get 2 know me

Day of the Dead
Raw
Freaks
Near Dark
Pet Sematary (1989)
Carnival of Souls
Suspiria (1977)
Texas Chainsaw Massacre (1974)
Dead Ringers
It Follows
kylepinion.bsky.social
10 horror movies to get to know me

🪩Phantasm
🧟Return of the Living Dead
🤠A Nightmare on Elm Street
🤰Rosemary’s Baby
📼Videodrome
🪓American Psycho
📖In The Mouth of Madness
🦉Twin Peaks Fire Walk With Me
🛒Intruder
🐉Q The Winged Serpent
rawx.bsky.social
Genre mashups should be easy peasy with interpolatable archives, but mashups too are 30 years old by now. Aesthetic Late Stage Postmodernism etc.

I'm pretty confident we will be stuck with this for a while.
rawx.bsky.social
I think the wild ride of the past 70 years was an excemption, where electronics added whole dimensions to producable sounds, and that came to an end sometime 20 years ago or so.

If you listen to electronic music now, it is impossible to say if that was produced now, 2010 or 2000.
rawx.bsky.social
The new experiments are there, but they seem stale in comparison to aesthetic wild hoops from 60s to 90s, going from rock to aphex twin. Algorave from the 2010s for instance is just glitchy electronica, long done before. Contemporary punk very much sounds like 80s hardcore, etc.
rawx.bsky.social
Discovery of sound spaces are futile since Aphex Twin 😉

I actually mean that half serious: Pop has ever more diffentiated generating genre and subgenres in fractal ways, innovations going incrementally smaller.

We just explored sonic latent space.
rawx.bsky.social
Btw, i trace the 80s nostalgia back to as early as 1996, with i-F Space Invaders kickstarting the fusion of 80s electro sounds with detroit techno. (Electro always was part of techno, but that track went near-mainstream). youtu.be/tIAZTV_sYtk?...
I-F Space Invaders - Are smoking Grass
YouTube video by Shams1979
youtu.be
rawx.bsky.social
Another explanation is that avant garde often produces artifacts for a subcultural scene to be seen and understood, with socmed very much destroying subcultural avant garde communication, where everything is immediate leaving no room for experimentation.
rawx.bsky.social
Thie is going on since mid 2000s, with the neverending nostalgia for the 80s being my go to example.

Corporate consolidation surely plays its part, but i think there's simpler explanations, one being that lowering entry for music production discovered low hanging fruit of sound aesthetics.
rawx.bsky.social
YOU WILL BE BRIZAAZED!
rawx.bsky.social
AI-Dunning Kruger variant found: "Interaction with sycophantic AI models ... reduced participants' willingness to ... repair interpersonal conflict, while increasing their conviction of being in the right."
wolvendamien.bsky.social
Preliminary results show that the current framework of "AI" makes ppl less likely to help or seek help from other humans, or to seek to soothe conflict, and that people actively prefer that framework to any others, literally serving to make them more dependent on it.
Sycophantic AI Decreases Prosocial Intentions and Promotes Dependence
Both the general public and academic communities have raised concerns about sycophancy, the phenomenon of artificial intelligence (AI) excessively agreeing with or flattering users. Yet, beyond isolat...
arxiv.org
rawx.bsky.social
Formal term would be freudian "narcissistic injury" under platform conditions of heightened sensibility to social feedback (likes and shares) and context collapse, with a need for "coherence before an audience". You threat that coherence, you get road rage, creating an self radicalization spiral.
rawx.bsky.social
Snowflakery and Outrage are more similar to road rage than informed-but-angry "letters to the editor".