Rikki Price
@rikkiprice.bsky.social
730 followers 1.3K following 1.5K posts
A flibbertigibbet, a will-o‘-the-wisp, a clown
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Reposted by Rikki Price
mrkennycampbell.bsky.social
Kinda want to repost this every day because, while humour isn't a deadly weapon, it is exceptionally powerful in its own way
thedailyshow.com
The following is REAL footage from Portland, 2025. Viewer discretion is advised.
Reposted by Rikki Price
dempster2000.bsky.social
If eating scotch eggs in an Austin Allegro had a face.
rikkiprice.bsky.social
✊🏻
junoryleejournalism.com
David Simon, creator of ‘The Wire’, being interviewed by Ari Shapiro (NPR)
SHAPIRO: OK, so you've spent your career creating television without Al, and I could imagine today you thinking, boy, I wish I had had that tool to solve those thorny problems...
SIMON: What?
SHAPIRO: ...Or saying...
SIMON: You imagine that?
SHAPIRO: ...Boy, if that had existed, it would have screwed me over.
SIMON: I don't think Al can remotely challenge what writers do at a fundamentally creative level.
SHAPIRO: But if you're trying to transition from scene five to scene six, and you're stuck with that transition, you could imagine plugging that portion of the script into an Al and say, give me 10 ideas for how to transition this.
SIMON: I'd rather put a gun in my mouth.
rikkiprice.bsky.social
And creative industries.
rikkiprice.bsky.social
Perfect
luxalptraum.com
TFW you paid $1400 to see Beckett’s most famous work without knowing anything about it
One Star Review of Waiting for Godot on Broadway
I recently attended Waiting for Godot on Broadway and spent over $1,400 for two Row C seats (103 and 104). I'm a longtime admirer of Broadway productions and even hold a season pass for Shea's Performing Arts Theatre, so I came in with genuine enthusiasm and high expectations. Unfortunately, this show was unlike anything ! have ever experienced —and not in a good way.
What I encountered was not the artistry, music, or emotional storytelling I usually associate with Broadway, but instead what felt like an endless cycle of nonsensical conversation between characters who seemed trapped in their own madness. I tried-truly tried-to find meaning, symbolism, or even a thread of emotional resonance. I stayed through the first half hoping the second would offer clarity. But by intermission, it was clear: this was a waste of both time and money.
Keanu Reeves is an actor I respect greatly, but I cannot fathom why he would agree to participate in such a disjointed, inaccessible production. His talent was lost in a performance that defied reason rather than provoked insight.
To anyone considering attending: unless you are drawn to highly abstract, nearly incomprehensible theater, I strongly caution you against this show. For the average, educated, thoughtful theatergoer, it is far more frustrating than fulfilling. In my opinion, this was the single most disappointing Broadway experience I've ever had - an unfortunate waste of money and, more importantly, of time.
rikkiprice.bsky.social
This thread has ALL the content I’m here for
rikkiprice.bsky.social
Oh no what a terrible pity
rikkiprice.bsky.social
I think this is exactly it. It’s also representative of an in-group they don’t and never will belong to
Reposted by Rikki Price
outonbluesix.bsky.social
How is this repeatedly made into a policy issue - by *all* parties - when the blunt fact of the matter is that grown adults who are obliged to pay for their own education, and relentlessly pursued to repay their loans, should be able to study whatever the fuck they want.
Reposted by Rikki Price
dreamwisp.bsky.social
Because it feels relevant as we continue to evaluate the media and our representatives’ statements, my favorite way to identify the active vs. passive voice.
A post by Rebecca Johnson:
“I finally learned how to teach my guys to ID the passive voice. If you can insert "by zombies" after the verb, you have passive voice.”

A tumblr respond from mightymur:
“The final, brilliant word on passive voice.
"She was killed [by zombies.]"<--passive
"Zombies killed [by zombies] her." <-- active”
rikkiprice.bsky.social
Both of those things need a flamethrower
rikkiprice.bsky.social
The absolute GMF - worth a trip to Bradford
John Grant wielding a keytar as though he means it
Reposted by Rikki Price
bookshop.org
Can’t decide what to buy on Prime Day?

Try: absolutely nothing, and then go support indie bookstores instead 📚
rikkiprice.bsky.social
Oh blimey I hadn’t even noticed those
Reposted by Rikki Price
harrydobermann.bsky.social
A reminder to Mel Stride that it was the late #CleoSylvestre who in 1971 coined the joke, "I'd be delighted if Enoch Powell gave me £2,000 to go back where I came from. I could get a smashing place in Hitchin for that."
rikkiprice.bsky.social
A cynical person might wonder whether they have another agenda
rikkiprice.bsky.social
alisonfisk.bsky.social
Spectacular googly-eyed octopus does battle with a lobster in this 2,000 year-old Roman mosaic from Pompeii! 🐙 🦞

Fantastic fishy onlookers too! 👀

From the House of the Geometric Mosaics. Now at the Museo Archeologico Nazionale, Naples.
📷 by me

#MosaicMonday
#Archaeology
My photo shows a polychrome mosaic depicting Mediterranean marine life using earthy-coloured tesserae (mosaic tiles) against a black tessarae background. At the centre of the mosaic is a pale-coloured octopus composed of off-white and light brown tesserae with some of its writhing tentacles wrapped around the body of a lobster composed of light red, and pinky-brown tesserae. The octopus has an egg shaped body/head and it stares at the viewer with large eyes made of brown and pink circles with black centres. 

The octopus and lobster are surrounded by various species of large and small Mediterranean fish and a mollusc, including an eel and a flat fish. On the left hand side of the scene there is a small kingfisher bird on top of a rock. Some of the fish appear to be watching the fight between the octopus and the lobster

This mosaic comes from the House of the Geometric Mosaics in Pompeii. Now on display at the Museo Archeologico Nazionale, Naples.