Spirit Halloween-Brand Daniel
@danielwleahey.bsky.social
480 followers 1.9K following 380 posts
I’m 16 feet tall. QA, miniatures, game mods, fantasy and sci fi, social justice. Opinions are not those of my employer, or anyone really. Xavier was a little bit right, Magneto a little bit. He/him https://linktr.ee/danielwleahey
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danielwleahey.bsky.social
Look the fuckin’ baby just didn’t like the fuckin’ shoes okay.
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ashleylynch.bsky.social
Draining a city's drinking water just so you can get rejected for being the most boring twat in the world.
danielwleahey.bsky.social
Ticket moved to backlog.
impavid.us
In honor of spooky month, share a 4 word horror story that only someone in your profession would understand

I'll go first: Six page commercial lease.
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impavid.us
In honor of spooky month, share a 4 word horror story that only someone in your profession would understand

I'll go first: Six page commercial lease.
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joshcrewsreally.bsky.social
Frank by Bill Sienkiewicz.
#comics #art #film
Lovely painted headshot of Frankenstein by the legendary Bill Sienkiewicz
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caroleu.bsky.social
Of course there’s no such thing as burrito juice. On the other hand, when I tell you that I got burrito juice all over my shirt, you know exactly what I mean. That’s language for you.
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veronicarothbooks.com
When people ask me what I think about using AI in writing I’m going to send them this screenshot
A screenshot of a post that reads David Simon, creator of *The Wire*, being interviewed by Ari Shapiro, NPR

And then a screenshot of a conversation that goes like this:

SHAPIRO: OK, so you've spent your career creating television without Al, and I could imagine today you thinking, boy, I wish I had had that tool to solve those thorny problems...
SIMON: What?
SHAPIRO: ...Or saying...
SIMON: You imagine that?
SHAPIRO: ...Boy, if that had existed, it would have screwed me over.
SIMON: I don't think Al can remotely challenge what writers do at a fundamentally creative level.
SHAPIRO: But if you're trying to transition from scene five to scene six, and you're stuck with that transition, you could imagine plugging that portion of the script into an Al and say, give me 10 ideas for how to transition this.
SIMON: I'd rather put a gun in my mouth.
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catlady.gay
A bot that replies POLITICS MENTIONED to political replies on joke posts
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fredo.bsky.social
SCARY VOICE ON THE PHONE: Do you like scary movies???

ME, MATTER OF FACTLY: Yes.

SCARY VOICE ON THE PHONE: What's your favorite scary movie???

ME: John Carpenter's The Thing.
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krinkle.bsky.social
for years i was told, you can google that. You should probably google that. Instead of answering your question i will link you to "let me google that for you dot com" but look at us now. Google's shit and only I, the lazy oaf, am prepared for this awful new world where only people can be trusted
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emilymbender.bsky.social
Here's a rule of thumb: If "AI" seems like a good solution, you are probably both misjudging what the "AI" can do and misframing the problem.

>>
Comment by Tom Diettrich on a linkedin post reading:

"You can't "test-in quality" in engineering; you can't "review-in quality" in research. We need incentives for people to do better research. Our system today assumes that 75% of submitted papers are low quality, and it is probably right (I'll bet it is higher). If this were a manufacturing organization, an 75% defect rate would result in bankruptcy. 

Imagine a world in which you could have an AI system check the correctness/quality of your paper. If your paper passed that bar, then it could be published (say, on arXiv). Subsequent human review could assess its importance to the field. 

In such a system, authors would be incentivized to satisfy the AI system. This will lead to searching for exploits in the AI system. A possible solution is to select the AI evaluator at random from a large pool and limit the number of permitted submissions. I imagine our colleagues in mechanism design can improve on this idea."

Original:
https://www.linkedin.com/feed/update/urn:li:activity:7381685800549257216/?commentUrn=urn%3Ali%3Acomment%3A(activity%3A7381685800549257216%2C7382628060044599296)&dashCommentUrn=urn%3Ali%3Afsd_comment%3A(7382628060044599296%2Curn%3Ali%3Aactivity%3A7381685800549257216)
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danielirizarri.bsky.social
I think what's impressive about TRON is that, visually, it's still so much more interesting than any of it's sequels. It's crazy that they tried update this digital world by making it as 'realistically rendered' as possible. It's a complete misunderstanding of the original's charm.
a still from TRON (1982) a still from TRON (1982) a still from TRON (1982) Still from TRON (1982
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holboldoart.bsky.social
🎂 It's my special cake and candles day you all have to be nice to me because it's been QUITE the year 🎂

So share some of my paintings??
In the pew-lined interior of a dim medieval church lit by rows of candles on tall staffs and pale sunlight coming through a window, a tall humanoid crow figure with flowing black robes and a glowing yellow eye stands beneath an ornately carved semicircular arch in Norman Romanesque style. On the wall surrounding the arch are many colourful murals depicting more humanoid crow figures with halos, carrying various items including swords, spears, harps, and chalices.
A painting set in a cosy shady woodland clearing on a sunny summer's day. In the centre of the frame, two figures sit on a fallen log mostly hidden by vegetation. The figure on the right has wavy blonde hair down past her shoulders, and wears a flowing white floor-length dress with long sleeves, with delicate lacework around the cuffs and neckline. She looks into the distance with a contemplative, sad expression. On her lap rests a small green book, covered by both of her hands. 
The figure on the left sits leaning with her head against shoulder of the other figure. She wears a similar dress but simpler, and in a dark slate grey. Her hair is dark and straight, and flows down her tilted face, and she looks off towards a nightingale bird perched on a nearby branch. She raises a hand towards the other figure as if to get her attention.

Both figures are surrounded by various flowers. On the left of the frame are many spires of foxglove flowers in vivid pink and white, interspersed among green stinging nettles.  On the right are the purple flowers of monkshood/wolfsbane. 

Wrapping around the figures is a clear stream flowing from a distant pond that descends in a series of steps. Around the stream are many small mossy rocks, and shoots of dark green dog's mercury.

Above and behind the figures and flowers are two trees; on the left is a weeping willow with dangling dark green leaves. On the right are the branches of an old ash tree. A snowy scene in which a humanoid figure in long black robes with the head of a rook stands in a churchyard holding a long spear. By its feet is a red fox. Both are flecked with fallen snow. Around them are many weathered snow-covered graves. In the background is a medieval church of warm coloured stone with large rectangular windows and a battlemented parapet topped with pinnacles. Behind the main body of the church is the tower with clock face and belfry. Behind the church are tall but bare trees dusted with snow. More snow falls in the air. A snowy scene in which a humanoid figure in long black robes with the head of a rook stands in a churchyard holding a long spear. By its feet is a red fox. Both are flecked with fallen snow. Around them are many weathered snow-covered graves. In the background is a medieval church of warm coloured stone with large rectangular windows and a battlemented parapet topped with pinnacles. Behind the main body of the church is the tower with clock face and belfry. Behind the church are tall but bare trees dusted with snow. More snow falls in the air.
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ianboudreau.com
It simply should not be possible for the president to repeatedly claim that a major city is burning without a wall of live standups happening in that city clearly demonstrating that it is not
ianboudreau.com
American broadcast journalism has utterly failed and is a dead industry, there's nothing left worth saving
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djangowexler.bsky.social
My boss: so how's our fourth quarter looking?

Me, the sales manager at the company that makes inflatable frog suits: well, you're never going to believe this, but
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warmyellowlight.bsky.social
please stop selling good songs to bad commercials! we don't wanna see "take on me" in a medicine commercial or "I want you to want me" in a commercial about butter
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edzitron.com
Premium: The AI Bubble's promises are impossible. NVIDIA's customers are running out of money, GPUs die in 3-5 years, most 1GW data centers will never get built, and OpenAI's Abilene data center doesn't won't have the power it needs before 2028 - if it ever does.
www.wheresyoured.at/the-ai-bubbl...
The AI Bubble's Impossible Promises
Readers: I’ve done a very generous “free” portion of this newsletter, but I do recommend paying for premium to get the in-depth analysis underpinning the intro. That being said, I want as many people ...
www.wheresyoured.at
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violetmenace.bsky.social
There we go! His Wraith Seer sister is finished too!! #nerdlings #warhammercommunity #aeldari #40k #eldar
Spirit seer model from the front, showing off a psychic lightning blast Model from behind showing off their runestone Facing the lightning blast From the side, focusing on their spear
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tomgauld.bsky.social
One of the cartoons in my new book 'Physics for Cats' which is out now in the UK, USA, Canada, France and Germany. Order from your local bookshops or online: www.tomgauld.com/
Two beetles on a stick.
One beetle says to the other "Do you ever get the feeling we are being observed by another lifeform"
Zoom out to reveal that they are in a glass case with two scientists studying them.
One scientist says to the other "Do you ever get the feeling we are being observed by another lifeform"
Zoom out into space. Abouard a spaceship, two aliens watch the scientists on a screen.
One alien says to the other "Do you ever get the feeling we are being observed by another lifeform"
The aliens turn to look out at the reader.

Text below the cartoon reads: 
From 'Physics for Cats' by Tom Gauld. Preorder it at www.tomgauld.
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thespaceshipper.com
“The famous thing is, we basically sold Disney a film that we had no way to make. When we started the movie, the tools to make it didn’t exist. [Director Steven Lisberger] had the balls to go in with this idea and say, ‘We’re gonna figure it out.’ I don’t think there’s ever been a film like Tron.”
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lindsaykingmiller.bsky.social
stop asking me to review things!!! "tell us how we did" it was a dentist appointment. I cried and bled from the mouth. the maintenance of this decaying flesh vessel is tedious, humiliating, and ultimately in vain. bathroom very clean. four stars.